Grey Owl

All in all a good film and better for the fact that had the film not been made the story might remain hidden to the masses. Brosnan does a good job as the native American with a hidden past and the photography is stunning. To some, this may be too whimsical, to others boring - for me it is a gentle, well-told tale and perfect for family viewing. Now that's not something you get a lot of recently.

We viewed the vcr and found it to be fascinating. Not knowing anything about this true story, I thought: "Oh, no, P.Brosnan as an American Indian ('red' Indian in the film), what a bad choice" until I discovered the truth about Grey Owl. The film does a good job of demonstrating the dignity of these native peoples and undermining the racist myths about them. And Annie Galipeau, WOW, what a beauty, and very convincing as an Indian woman (I believe she is French-Canadian; she sure reverts to the all-too familiar speech of such). In spite, of Brosnan's detached, grunting style, in the end he comes through convincingly as a passionate, dedicated man. The plot is a little weak in demostrating his conversion from trapper to animal coservationist. Good film, highly recommended.

I saw the British premiere of this in Bridgend, South Wales - Richard Attenborough was met with generous applause, his film with polite applause. It is a film equally of the heart and of the head, with emotions and affecting performances never quite being allowed to get in the way of the beautiful photography.

Charming in its own way and with a fascinating tale to tell, Grey Owl never quite gets fired up in the same way as historical rivals like Braveheart and Titanic. And this, possibly shamefully, probably just ironically, would seem to be due to the very thing that Attenborough is keen to sell his own movie on - its lack of violence, action, sex and, above all, excitement.

Still, a graceful and involving film - one which deserves the tag 'worthy' more than many others.

Richard Attenborough has directed a beautiful picture. If you are accustomed to seeing Brosdan as 007, this is a real departure. But he played the role with subtly and sensitivity.

This story is based on a real with a message that is an important one, then and now.

The only way a writer could present the conservationist case in the economic slump of the 1930s was by masquerading as primitive man. The story of Grey Owl is a fresh angle on the 20th century's game with the image and reality of the American native. He is also a case study in the way the UK mass media build up celebrities only to tear them down, like the old pagan gods of the year. His story also vibrates with the long-hairs of the 1960s, who had never heard of him, but found the identical vocation. If you don't care about that, this is a fine love story, and account of an identity crisis, in which a man resigns his pride to his woman, only to find that he has won the throne of her heart.