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The Sex Perils of Paulette

  • 1965
  • Not Rated
  • 1h 6min
NOTE IMDb
4,4/10
233
MA NOTE
The Sex Perils of Paulette (1965)
keywords: nudity
Lire trailer2:20
1 Video
19 photos
Drame

Une jeune fille de l'Ohio arrive à New York, déterminée à réussir dans la grande ville, mais les circonstances font qu'elle devient serveuse, puis prostituée.Une jeune fille de l'Ohio arrive à New York, déterminée à réussir dans la grande ville, mais les circonstances font qu'elle devient serveuse, puis prostituée.Une jeune fille de l'Ohio arrive à New York, déterminée à réussir dans la grande ville, mais les circonstances font qu'elle devient serveuse, puis prostituée.

  • Réalisation
    • Doris Wishman
  • Scénario
    • Doris Wishman
  • Casting principal
    • Anna Karol
    • Tony Lo Bianco
    • Alan Feinstein
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,4/10
    233
    MA NOTE
    • Réalisation
      • Doris Wishman
    • Scénario
      • Doris Wishman
    • Casting principal
      • Anna Karol
      • Tony Lo Bianco
      • Alan Feinstein
    • 3avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Sex Perils of Paulette
    Trailer 2:20
    The Sex Perils of Paulette

    Photos19

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 15
    Voir l'affiche

    Rôles principaux13

    Modifier
    Anna Karol
    • Paulette
    Tony Lo Bianco
    Tony Lo Bianco
    • Allen
    • (as a different name)
    Alan Feinstein
    Alan Feinstein
      Darlene Bennett
      • Tracy
      • (as Darlene Bennet)
      Sam Stewart
      • Sam Biller
      • (as S. Stewart)
      Pamela Fields
      Bob Oran
      Darlene Cotton
      Barry Lane
      Marlene Starr
      Tracy Lee
      Mati Hara
      • Narrator
      • (voix)
      Doris Wishman
      • Receptionist
      • (non crédité)
      • Réalisation
        • Doris Wishman
      • Scénario
        • Doris Wishman
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs3

      4,4233
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      Avis à la une

      CurtHerzstark

      Truly bizarre......

      Doris Wishman(for more info about Wishman, see Schlock! The Secret History of American Movies (2001)& American Grindhouse) is one of those cult directors that I've heard about but never seen any of her movies and finally I got to see this one. Wishman was a female version of Ed Wood and her films was less then perfect.

      This bizarre story, that also serves as an cautionary tale in the same vein as Tell Your Children/ Reefer Madness (1936) about a girl with acting dreams, comes to NYC and ends up being a prostitute.

      Wishman seems more preoccupied with strange camera angles, stock footage of squirrels, exterior shots of inanimate objects then actually telling this story.

      Throughout the movie she puts in scenes of women dressed in lingere, strip scenes etc. With very bad audio, and total lack of an coherent narrative Wishman doesn't seem to know what she is doing.

      The film is mess but very entertaining such and should be viewed by anyone who tells you that your film career will never happen. Because this film is proof that ANYONE can make a film, albeit not a good one.

      Look out for an early acting role by Tony Lo Bianco, more famous for films like:The French Connection (1971), God Told Me To (1976), City of Hope (1991), Nixon (1995) etc.
      5mmthos

      WATCH AT YOUR PERIL

      Written, directed, narrated and dubbed by award-winning female pornographer Doris Wishman, trading on the title of the big studio hit "Perils of Pauline", this super-cheapo one-woman soft-core show otherwise shares nothing in common with that legit project, neither in talent nor in budget, but still manages to amuse as a satirical "cautionary tale" from the sexual revolution of the Swingin' 60's.

      Just your typical "boy meets girl, girl becomes prostitute, boy takes girl back anyway because he LOVES her" story, but that's not what's important. What IS is the fresh-faced small-town girl's descent into the depths of degradation on a downward spiral of despair. recounted in "shocking" detail to her ever-understanding boyfriend, played by Tony Lo Bianco in his first movie as opposed to TV role, cast WAY against type relative to the sicko he'd ;later play in the celebrated "Honeymoon Killers",

      The rest of the cast's only talent seems to be the ability to take off their OUTER clothes (remember this is 1964) and smooch and writhe around in their undergarments--dig the horrendously bad "drunk girl" sequence, They don't even actually have to speak, the words being put in their mouths by Miss Wishman's (credited as "Mati Hara") narration.

      These get-togethers take place in an apartment with decoration heavy on "exotic" oriental art objects. I wonder, did the set designer (again, Ms. Wishman) find Fat Buddha's exposed belly sexy?

      To say the script is pedestrian would be to give it too much credit. Crippled is more like it. And "Ms. Hara's" reading of the lines her alter-ego Ms. Wishman (as "Dawn Whitman") herself wrote, well. let's just say Pixar won't be calling her to do voiceovers anytime soon, never mind that she's been gone almost 20 years by now.

      Dead in 2002 at 90, her last picture released posthumously, second last the year of her death. first in 1960. 31 shlocky self-produced "features" in a 42 year career (she was inactive during most of the 80's), right up to the very end! Such cheap "efforts" always rely heavily upon stock footage and a recycled soundtrack, and certainly no exceptions here,

      New Yorkers will get a laugh out of the few exteriors actually shot at midtown Manhattan locations that, amazingly, haven't changed in all these years...To start, busses from small towns in Ohio don't drop passengers in front of the UN as seen here, that's for diplomats in limos. And after a montage of her trudging around "All day, all over the city,,after which I was exhausted" she says, "Then I had to find someplace to live." (See what i mean bout the script?) Audience members in the know will recognize the montage of her walking "all over the city" consists solely of different angles of her walking around in circles around UN Plaza!

      The quick cutting of the trailer promises more sexy than finally actually ends up on screen here,, especially since some shots in it aren't even in this picture, which, at 55 minutes run time, certainly didn't need cutting, and borders on the customer not getting their money's worth, which would've been $2 in 1964, but Ms Wishman was also notorious for recycling her own footage, and probly squirreled those shots away to reveal them in a dreaded "up-coming attraction", which is how she managed to produce 31 "features" with NO MONEY.

      Fun .

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      Histoire

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      Le saviez-vous

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      • Anecdotes
        Takes its title from the famous film serial Les exploits d'Elaine (1914). There was also a movie version, Les exploits de Pearl White (1947). People who argue that it couldn't be based upon a movie that hadn't came out yet are thinking of the third version, The Perils of Pauline (1967), and mistakenly imagining that it was the only film using that name.
      • Connexions
        Featured in Twisted Sex: Volume 22 (2006)

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      FAQ12

      • How long is The Sex Perils of Paulette?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 21 juillet 1965 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • Love Perils of Paulette
      • Lieux de tournage
        • UN Plaza, 42nd Street at East River, Manhattan, Ville de New York, New York, États-Unis(Paulette arrives in the city)
      • Société de production
        • Juri Productions
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 6min(66 min)
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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