NOTE IMDb
6,5/10
9,6 k
MA NOTE
Dans l'espoir de tirer le gros lot, deux couples de drogués s'associent pour commettre divers vols de drogue qui tournent au désastre menant à la dissidence, à la violence et au meurtre.Dans l'espoir de tirer le gros lot, deux couples de drogués s'associent pour commettre divers vols de drogue qui tournent au désastre menant à la dissidence, à la violence et au meurtre.Dans l'espoir de tirer le gros lot, deux couples de drogués s'associent pour commettre divers vols de drogue qui tournent au désastre menant à la dissidence, à la violence et au meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 1 nomination au total
Karen Sheperd
- Big Man's Wife
- (as Karen Lee Sheperd)
Avis à la une
Larry Clark's (KIDS) second film, ANOTHER DAY IN PARADISE features an explosive performance by James Woods as a "professional" thief/junkie, who along with his girlfriend (a well cast Melanie Griffith) adopt two young lovers (Vincent Kartheiser and Natasha Gregson Wagner) and hit the road in search of drugs and money. Mel (Woods) and Sid (Griffith), who see Rosie (Wagner) and Bobbie (Kartheiser) as younger versions of themselves, teach them the ropes of criminal life.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
'Kids' director Larry Clark really comes up trumps with this fine story of crime, addiction and surrogate families. Relative unknown Vincent Kartheiser, and the up and coming Natasha Gregson Wagner ('Lost Highway', 'Two Girls and a Guy') are fine as the young wanna be thieves, but the real stars of the show are their mentors' played by James Woods and Melanie Griffith.
Griffith is often ridiculed for her flakiness, but should be applauded for taking riskier, more challenging material such as this and John Waters' 'Cecil B. DeMented'. Woods is a ridiculously underrated actor, and along with the equally underestimated James Caan, is rivaling the much more celebrated De Niro and Pacino as best American actors of their generation in my opinion. Woods is simply sensational as the motor mouth Mel, a complex and unpredictable character. His performance here ranks with 'Videodrome', 'Cop' and 'The Boost' as one of his most memorable.
Forget the spurious 'Kalifornia', 'Drugstore Cowboy' and 'True Romance' comparisons. They are all great movies, but this is no rehash or rip off. It's a fantastic movie in its own right. Don't miss this one!
Griffith is often ridiculed for her flakiness, but should be applauded for taking riskier, more challenging material such as this and John Waters' 'Cecil B. DeMented'. Woods is a ridiculously underrated actor, and along with the equally underestimated James Caan, is rivaling the much more celebrated De Niro and Pacino as best American actors of their generation in my opinion. Woods is simply sensational as the motor mouth Mel, a complex and unpredictable character. His performance here ranks with 'Videodrome', 'Cop' and 'The Boost' as one of his most memorable.
Forget the spurious 'Kalifornia', 'Drugstore Cowboy' and 'True Romance' comparisons. They are all great movies, but this is no rehash or rip off. It's a fantastic movie in its own right. Don't miss this one!
1st watched 12/26/2009 – 8 out of 10(Dir-Larry Clark): Extremely well executed drama about a couple of older drug-using thieves who take a younger couple under their wings as they survive in this rough un-forgiving chaotic world. The movie begins as the younger couple is introduced and the male character(played by Vincent Kartheiser) robs a community college's snack room of it's vending machine change and gets ferociously beat up by a security guard but then kills him. Uncle Mel(played by James Woods) then invites the kids to tag along with him and his girl and they graduate to bigger thefts with bigger consequences. The older couple(who can't have kids) kind of take on a tutoring and parenting role to the younger couple and they start developing a good friendship as well. It's obvious there are needs being fulfilled both ways in a companionship perspective as they both have many losses in their personal lives. Mistakes start being made after it's determined the younger girl is pregnant and the younger couple start evaluating whether this life is for them. This causes friction in the characters in this no-holds barred insane lifestyle movie where the characters just want to make good for themselves and this vulnerability brings the audience to like the characters. Melanie Griffith is un-expectedly excellent as the older woman and the overall acting and direction is very well done. You believe this story and that keeps you interested and involved until the end. The movie itself is not for the faint-at-heart but it is a definite un-heralded gem in the independent film-making world and should be viewed.
I started watching this film rather late at night thinking I would unwind for a few minutes and then retire for the day. As I sat watching this film it's intensity began to build and draw me in. The story itself is nothing new. It was the performers that kept me involved. It was no surprise to me that James Woods would be his excellent self. The pleasant surprise was Melanie Griffith. She displayed some range I had'nt witnessed from her before. As the young street couple Vincent Kartheiser and Natasha Gregson Wagner show great promise as young actors.Kartheiser in particular. Execution is raw and at times it's hard to witness whats going on. Recommended. Give it a shot.
This one worked for me. The superb acting and fine camera work made this very believable. The scenes are some of the most realistic I've seen. Particularly noteworthy are the scenes involving extreme tension.
Throughout the picture I felt an urging to like these characters, sensing that they were, deep down, decent people who somehow got wrapped up in this type of life.
I'm not generally a fan of Griffith, but this role suits her well and her acting is top-notch. Woods is almost always exceptional, and his work here is no exception. The younger stars also perform quite well with this challenging, emotional material. And I thought the acting of the minor characters was excellent, suggesting the director had his act together on this one.
You have to acclimate to the language and level of tension early on or the movie will drive you nuts. But if you do, it begins to involve you deeply in the characters' situations and lives.
Throughout the picture I felt an urging to like these characters, sensing that they were, deep down, decent people who somehow got wrapped up in this type of life.
I'm not generally a fan of Griffith, but this role suits her well and her acting is top-notch. Woods is almost always exceptional, and his work here is no exception. The younger stars also perform quite well with this challenging, emotional material. And I thought the acting of the minor characters was excellent, suggesting the director had his act together on this one.
You have to acclimate to the language and level of tension early on or the movie will drive you nuts. But if you do, it begins to involve you deeply in the characters' situations and lives.
Le saviez-vous
- AnecdotesThe scene in the woods with James Woods and Vincent Kartheiser was completely improvised and involved Woods hitting Kartheiser repeatedly with his fingers. The gestures are so rough and sudden that you can hear each hit and see Kartheiser's genuine surprise, respectively. Afterwards, Kartheiser went up to director Larry Clark and said, simply, "I didn't know that motherfucker was going to hit me."
- GaffesWhen Vincent Kartheiser, alone in a toilet cubicle, climbs into the roof cavity through the overhead access hole. The hand of a crew member can be seen coming up from bottom of frame, giving him a boost.
- Versions alternativesR1 DVD version includes both the R-rated theatrical version and an unrated director's cut.
- Bandes originalesBoogaloo Down Broadway
Written by Jesse James
Performed by The Fantastic Johnny C (as Fantastic Johnny C)
Meilleurs choix
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- How long is Another Day in Paradise?Alimenté par Alexa
Détails
Box-office
- Budget
- 4 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 036 818 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 900 $US
- 3 janv. 1999
- Montant brut mondial
- 1 036 818 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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