Ajouter une intrigue dans votre langueYoung French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon's Egyptian campaign. Napoleon sent de Paradis to record Egypt's great monuments an... Tout lireYoung French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon's Egyptian campaign. Napoleon sent de Paradis to record Egypt's great monuments and temples that are destroyed by French soldiers in acts of barbarism. During combat, Augus... Tout lireYoung French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon's Egyptian campaign. Napoleon sent de Paradis to record Egypt's great monuments and temples that are destroyed by French soldiers in acts of barbarism. During combat, Augustin and Jean-Michel are separated from their regiment, and they start wandering through th... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Grognard
- (as Paul Meston)
Avis à la une
I remember Ken Nordine of WGN-TV in Chicago reading it as one of his late night shows.
Always loved the story but never believe they could or would make a movie of it. To my surprise they did and did it VERY well.
Few of any Balzac stories lend themselves to dramatization, which is unfortunate, and -cat lover that I am, I was always hoping it WOULD be filmed without a lot of Hollywood sexing up. This is as close to perfect conversion as could be done.
The theater of the mind is always better than what the eye can see, but this is as close as I think it can come to letting the imagination of reading meet the reality of seeing.
Even the first act, which is more or less a conventional portrait of two men lost in the desert in Napoleonic times -- has a richness and poignancy (one man, an artist, drinks his paints in thirsty desperation, and the image of his paint-stained lips is haunting).
But ultimately this is a movie about love, a sensitively told fable, gorgeously photographed, about a man who is first mysteriously protected by -- and then drawn to -- a wild she-leopard, and of the way the leopard begins to draw him into her world. The movie isn't so much about men vs. leopards (or "men with leopards!" tabloid-style -- the movie stops short of portraying the affection between the two in the biblical sense, although there is some ambiguity there) as it is about the nature of love itself. The film paints some fresh, unsettling, and sometimes amusing portraits of the things people do when they're in love -- all the way down to the spitefulness and jealousy that come into play when that love is threatened.
By the end of the film, the story has become almost Shakespearean in its depth and richness as the plot plays out to its haunting end. At this point, the roles have almost reversed -- the man has become wild and catlike, and the she-leopard seems strikingly human and thoughtful in her expressions and her actions. The film is the first I've ever seen which actually raises some uncomfortable and ultimately fascinating questions about the possibility of a human falling in love with an animal -- and it explores these questions gracefully and without sensationalism.
All in all, "Passion in the Desert" was an exquisite film that really moved me -- the performances, both human and animal, are breathtaking and frankly amazed me, and the cinematography and music are glorious. (Too bad there aren't animal Oscars -- the she-leopard in this film really gives an incredible performance.) Bottom Line: If you're looking for something off the beaten path (no pun intended), this film's a keeper.
This fantasy depicting the love relationship that develops between a french soldier (he is very nice too) lost on the Egyptian desert and a female leopard he encounters when he chances upon an abandoned Egyptian temple is mesmerizing. I bought into it wholeheartedly. If you are the least bit open to fantasy and appreciate the grace, beauty, power and sensuality of the feline, you should enjoy it.
The only flaw in my book was the ending. It was a perfect set up for a Romeo and Juliet finale - that would have taken me over the top.
Le saviez-vous
- AnecdotesThe phrase uttered by Venture after he and Augustin realize they are lost (and says "We seemed to have misplaced the French army") is "mesh ma'ool" which is "unbelievable" in Arabic said in fairly good Egyptian dialect.
- GaffesThe French soldiers fire a cannon at the sphinx. An explosion is shown with a shower of stone and dust from the face of the sphinx. 2 minutes later, Venture is shown drawing with the sphinx behind him visible and intact.
- Citations
Augustin Robert: You can't get lost in Egypt; there's The Nile, and there's the sea.
- Bandes originalesHelalisa
Music by Hamza El Din
Meilleurs choix
- How long is Passion in the Desert?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 250 897 $US
- Montant brut mondial
- 250 897 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1