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5,1/10
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Ajouter une intrigue dans votre langueAn indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Christian J. Meoli
- Tobo
- (as Christian Meoli)
Avis à la une
I saw a screening of this film in its uncut version 3 months ago... (I intern at the company that aquired it and is going to distribute it.) It has some great *realistic* caricatures of potheads and all other sorts of drug users and such... Luke Wilson is okay, but his subtlety doesn't quite work here. The story is as meandering as its subject matter, much like the finer, non-Hollywood stoner films. Amy Locane is pretty good, (why didn't her career ever fly?) Other cast are frighteningly familiar caricatures of neo-hippy-ites. Final cut will probably be better than what I saw, as I hear that many long, boring segments are being cut from the film. People in on the scene, or stoned at the time, will enjoy the film a lot. Doesn't, however, have mass-audience appeal at all.
I have a soft spot for the Stoner genre - I can't help it. And, unlike some of the posters about this film, I really enjoyed "Half-Baked" - it was good-natured and humble. Though the cover for "Bongwater" gave me impression of those indie movies given a shamelessly misleading advertising "angle" by companies eager to earn back even a third of the money they spent on it, I took a chance because I like Jack Black and Luke Wilson and there's always room for one more stoner movie. Bad idea. Not a stoner movie (the drug sequences are uniformly embarrassing), not a comedy, and never affecting, "Bongwater" stinks; blighted with a strained script, unfocused direction, and the kind of nebulous yet righteously sadistic morality that belongs in a Joel Schumacher opus, not an indie film. Even more disturbing, this movie shook up my opinions about actors I'd always thought I liked. Luke Wilson, so laconically charming in Wes Anderson's movies, is wooden here, the usually amusing Andy Dick is boring, and comic god Jack Black appears in only one scene that even begins to make proper use of him. And then there's Alicia Witt - I liked her OK in "Cecil B. Demented," but her performance in "Bongwater" is so excruciatingly pretentious, bratty, and shrill (she must have attended the Liza Minelli school of acting) that I pledge to never again watch another movie in which she appears.
Bottom line: I'd take the most braindead of stoner comedies over this tone-deaf, small-minded, and almost utterly unfunny movie. Even if you're a Tenacious D completist, think hard before you spend money on "Bongwater."
Bottom line: I'd take the most braindead of stoner comedies over this tone-deaf, small-minded, and almost utterly unfunny movie. Even if you're a Tenacious D completist, think hard before you spend money on "Bongwater."
Seemed to go nowhere in particular. Though, the 80s party at the end was hilarious. Get your groove on Jeremy! The rest of the movie was somewhat hopeless and the end with the spaceship. Give me a break! Why would he ever go back to that Serena any way.
When the opening credits began to roll for "Bong Water," I was beside myself with glee. Luke Wilson? Jeremy Sisto? Andy Dick? It's too good to be true, I thought. I was right. This movie is a complete waste of time, not only for viewers, but for those who actually participated in its creation. Honestly, the studio exec who gave this film the green light should rethink their career choice. The story revolves around the budding (no pun intended) relationship between David, a mellowed out pot dealer played by the ever-charming Luke Wilson, and Serena, a leach who gives all women bad names played terribly by Alicia Witt. The evolution of their relationship spans a three-week time period, and for those of us living in the real world, that was hard to swallow. The two get together based on Serena's desire to promote David's pot-induced art work. Within a few weeks time, though, she's scamming her way into someone else's life, with unbelievable results. In all, this movie has no plot, no strong story line, and no reason to ever grab an audience's attention. Alicia Witt, who could stand to take some acting classes, is truly unbelievable and hard to watch. I don't care if she's a "real" red head and all men love that... those of us who can see past the carrot top see that this actress (and I use that term loosely) should go back to school and find a different career. If you are going to see this movie (and really, you should run screaming if presented with the prospect), look forward to light-hearted and silly performances by Andy Dick, Jack Black, and Brittany Murphy, though they aren't enough reason to actually sit through this 97-minute bore. You are better off catching Dick's performances in other quirky flicks, or Black's work in "High Fidelity" or "Tenacious D," or Murphy's fun performances in "Drop Dead Gorgeous" and "Clueless." If you are truly dead set on a stoner flick, check out "Friday", "Half-Baked", or "Homegrown." "Bong Water" hardly even touches on the topic of the title.
Saw this at the Temecula Valley Film Festival last week. One of the best ones there. Luke Wilson is great, Alicia Witt is *tops*. Looking for more of her as soon as possible. I know someone exactly like the character she plays here. Very funny, very cool movie.
Le saviez-vous
- AnecdotesWhen Tommy (Jamie Kennedy) looks at Serena's driver's license, we see that her last name is Witt. Alicia Witt, who plays Serena, wrote her last name on it exactly like in her own signature.
- GaffesThe boom mic can be blatantly seen several times in the full screen (1.33) version.
- Crédits fousThrough the closing credits, we hear people leaving coded messages on an answering machine about buying pot.
- Versions alternatives96-minute version:
- Opening credits uses the song "Sunday" by Sonic Youth.
- 65 minutes in, at the end of David's hallucination, his mom walks away and says "Now how the hell do I get out of this place?" In this cut, she fades away into nothingness after saying that line.
- ConnexionsReferences When We Were Kings (1996)
- Bandes originalesSunday
(uncredited)
Written by Thurston Moore, Kim Gordon, Lee Ranaldo and Steve Shelley
Performed by Sonic Youth
[Appears 1 minute in during some versions of movie]
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- How long is Bongwater?Alimenté par Alexa
Détails
- Durée1 heure 37 minutes
- Couleur
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