NOTE IMDb
5,1/10
4,5 k
MA NOTE
Ajouter une intrigue dans votre langueAn indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Christian J. Meoli
- Tobo
- (as Christian Meoli)
Avis à la une
Seemed to go nowhere in particular. Though, the 80s party at the end was hilarious. Get your groove on Jeremy! The rest of the movie was somewhat hopeless and the end with the spaceship. Give me a break! Why would he ever go back to that Serena any way.
I read many of the other review before adding my comments, so the net result may be a review of the reviews more than commentary on the movie itself. What a twisted, postmodern web I weave, huh?
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
Fans of movies such as "Half-Baked", "Fear and Loathing in Las Vegas", and "Orgazmo", should see this once in their lifetime. Don't be fooled by poor reviews. This movie is the best vehicle for Jack Black's obscure comedy I have seen to date (07/2005). Inter character relationships and general plot progression are over emphasized and simplified in a camp like fashion that, reminds me "Cheech and Chong". Sometimes this is done at a sacrifice to depth, but come on if I wanted to watch "Fight Club" or "Lord of the Rings" I would have. This movie only does one thing well, as so many movies do today, but that doesn't make it dull. I recommend this only to viewers who want to have some friends over, eat a big meal, get "into" the movie, and laugh at potheads being potheads.
Unlike many of the people here, I did enjoy this movie. It's not going to appeal to someone looking for Half Baked or any other stoner comedy, because it's really a romance. It has comedy elements tied in throughout the film and it does have its moments although nothing is totally laugh out loud funny. The characters are not nearly as ludicrous as half baked (people don't literally go flying out their windows when there stoned), but I felt they were more true to life. It is very much your typical love story backbone. The bottom line is if you hate love stories you will probably hate this. It's like the Chasing Amy of stoner films. I gave it a commendable 7/10.
When the opening credits began to roll for "Bong Water," I was beside myself with glee. Luke Wilson? Jeremy Sisto? Andy Dick? It's too good to be true, I thought. I was right. This movie is a complete waste of time, not only for viewers, but for those who actually participated in its creation. Honestly, the studio exec who gave this film the green light should rethink their career choice. The story revolves around the budding (no pun intended) relationship between David, a mellowed out pot dealer played by the ever-charming Luke Wilson, and Serena, a leach who gives all women bad names played terribly by Alicia Witt. The evolution of their relationship spans a three-week time period, and for those of us living in the real world, that was hard to swallow. The two get together based on Serena's desire to promote David's pot-induced art work. Within a few weeks time, though, she's scamming her way into someone else's life, with unbelievable results. In all, this movie has no plot, no strong story line, and no reason to ever grab an audience's attention. Alicia Witt, who could stand to take some acting classes, is truly unbelievable and hard to watch. I don't care if she's a "real" red head and all men love that... those of us who can see past the carrot top see that this actress (and I use that term loosely) should go back to school and find a different career. If you are going to see this movie (and really, you should run screaming if presented with the prospect), look forward to light-hearted and silly performances by Andy Dick, Jack Black, and Brittany Murphy, though they aren't enough reason to actually sit through this 97-minute bore. You are better off catching Dick's performances in other quirky flicks, or Black's work in "High Fidelity" or "Tenacious D," or Murphy's fun performances in "Drop Dead Gorgeous" and "Clueless." If you are truly dead set on a stoner flick, check out "Friday", "Half-Baked", or "Homegrown." "Bong Water" hardly even touches on the topic of the title.
Le saviez-vous
- AnecdotesWhen Tommy (Jamie Kennedy) looks at Serena's driver's license, we see that her last name is Witt. Alicia Witt, who plays Serena, wrote her last name on it exactly like in her own signature.
- GaffesThe boom mic can be blatantly seen several times in the full screen (1.33) version.
- Crédits fousThrough the closing credits, we hear people leaving coded messages on an answering machine about buying pot.
- Versions alternatives96-minute version:
- Opening credits uses the song "Sunday" by Sonic Youth.
- 65 minutes in, at the end of David's hallucination, his mom walks away and says "Now how the hell do I get out of this place?" In this cut, she fades away into nothingness after saying that line.
- ConnexionsReferences When We Were Kings (1996)
- Bandes originalesSunday
(uncredited)
Written by Thurston Moore, Kim Gordon, Lee Ranaldo and Steve Shelley
Performed by Sonic Youth
[Appears 1 minute in during some versions of movie]
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- How long is Bongwater?Alimenté par Alexa
Détails
- Durée1 heure 37 minutes
- Couleur
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