Ajouter une intrigue dans votre langueThe first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.The first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.The first interplanetary cruise ship malfunctions halfway to Jupiter, forcing most of the crew and passengers to abandon ship. A handful of people are trapped onboard.
- Réalisation
- Scénario
- Casting principal
Kristine DeBell
- Fiona
- (as Kristine De Bell)
Jordan Michals
- Lima
- (as Jordan Michaels)
Neil Ross
- Main Cerebral
- (voix)
- (as Neilson Ross)
Patti Glick
- Felix
- (voix)
Avis à la une
The last of the Sandler/Emenegger sci-fi films comes as something of a relief to me as all of these movies have been poor quality, low budget science fiction efforts in which the level of imagination involved counts for nothing when so little money has gone into the production. They're also all entirely derivative, with this one tackling 2001: A SPACE ODYSSEY for inspiration.
Once again the film's main antagonist is a computer, a rather open rip-off of HAL 9000 although without the same quality of the voice acting. A desperate crew are trapped aboard a space ship with time running out (just like in ALIEN) and must figure out a way to work together in order to survive and/or escape.
Like the rest of these movies, the cast is unknown, the quality of the acting is very poor, and the script is sub-par. I appreciate that this one seems to have a little higher budget than others like LABORATORY and CAPTIVE so it's a pity they picked a script that was so derivative. For a change, it's not Robert Emenegger or Allan Sandler directing; instead that job goes to first-timer Bruce Bryant, and he doesn't make much of an effort really.
Once again the film's main antagonist is a computer, a rather open rip-off of HAL 9000 although without the same quality of the voice acting. A desperate crew are trapped aboard a space ship with time running out (just like in ALIEN) and must figure out a way to work together in order to survive and/or escape.
Like the rest of these movies, the cast is unknown, the quality of the acting is very poor, and the script is sub-par. I appreciate that this one seems to have a little higher budget than others like LABORATORY and CAPTIVE so it's a pity they picked a script that was so derivative. For a change, it's not Robert Emenegger or Allan Sandler directing; instead that job goes to first-timer Bruce Bryant, and he doesn't make much of an effort really.
I'm going to throw some love to this movie. I first saw this almost 25 years ago on a Sunday morning. The graphics even in the day were not top tier. However, I did like the plot.
It's 2020 and the patina of age has treated this kindly, IMHO. The storyline is a luxury liner, the Arcturus, is on it's maiden voyage to Saturn and a malfunction has occurred which has required to abandon ship, a hairy idea if you consider life pods in space going who knows what direction. What has caused the malfunction is the question that gets answered at the very end. A life pod that has escaped the Arcturus, containing a ship's lieutenant, various passengers, and the head of the Whitestar line is being pursued but the ship itself while the captain remains on board, not in control, wrestling with the central computer that controls it.
This is a movie that with the right exposure could be something of a cult classic. I think the acting is pretty good, especially Christopher Cary, the captain. Like every good Sci-Fi movie, they lend a believability that allows a willful suspension of disbelief. The design of the Arcturus is pretty good, the robots in the film are believable, the launch and movement of the Lifepod are well done, and the interaction of the cast are good. They set out to make a believable movie given the limitations of the money (obviously) and I think they did a good job.
This is a movie you can find on Amazon Prime. Give it a try. You'll either turn it off in the first 20 minutes or you'll enjoy the ending.
It's 2020 and the patina of age has treated this kindly, IMHO. The storyline is a luxury liner, the Arcturus, is on it's maiden voyage to Saturn and a malfunction has occurred which has required to abandon ship, a hairy idea if you consider life pods in space going who knows what direction. What has caused the malfunction is the question that gets answered at the very end. A life pod that has escaped the Arcturus, containing a ship's lieutenant, various passengers, and the head of the Whitestar line is being pursued but the ship itself while the captain remains on board, not in control, wrestling with the central computer that controls it.
This is a movie that with the right exposure could be something of a cult classic. I think the acting is pretty good, especially Christopher Cary, the captain. Like every good Sci-Fi movie, they lend a believability that allows a willful suspension of disbelief. The design of the Arcturus is pretty good, the robots in the film are believable, the launch and movement of the Lifepod are well done, and the interaction of the cast are good. They set out to make a believable movie given the limitations of the money (obviously) and I think they did a good job.
This is a movie you can find on Amazon Prime. Give it a try. You'll either turn it off in the first 20 minutes or you'll enjoy the ending.
I like this forgotten little gem. The opening 'commercial' is reminiscent of a similar technique in Futureworld. Of course the computer-run-amok theme is not new, but a nice electronic soundtrack combined with an overall soundscape of computer voices and radio transmissions create a soothing mood piece of sci-fi escapism. Everything here is in a futuristic font with names like Arcturus, Cycloid, and two computers named FLX (Felix) and the Master Cerebral. Whole film is done very seriously with no attempts at comic relief. I did wonder how that rolling robot ('mechanical') got through the doorways though, since it would have to step up and over the portal-type entrances. I recommend closing your eyes, turning the volume way up, and floating away with this one.
Life Pod is one of those movies that you just watch and try not to analyze too hard. The acting is rather amateurish, at best. The special effects are obviously low budget, but not too bad. The story line is rather stock, but with an interesting twist. Computer run amok, but not exactly a computer and the running amok is very understandable when the truth is revealed. Still the movie has its moments and is quite watchable. For me, at least part of the allure of this movie is the prominent role of Kristine DeBell. She may not be the greatest actress in the world, but having been a former playmate of the month, she is cute enough. In all Life Pod is much like other low-budget Sci-Fi movies of the 1980s and somewhat predictable.
The White Star Lines bit is cute, if completely inaccurate. The last of the White Star Lines Company stock was purchased by the Cunard Lines 1947 and the last ship to sail under the White Star colors was the Britannic (not the sister of Titanic) which was sold for scrap in 1960.
The White Star Lines bit is cute, if completely inaccurate. The last of the White Star Lines Company stock was purchased by the Cunard Lines 1947 and the last ship to sail under the White Star colors was the Britannic (not the sister of Titanic) which was sold for scrap in 1960.
I first saw this in grad school, and recently watched it on late-late-night TV. For a remake of the 1940's Hitchcock movie, with minimal early 1980's special effects and sets, the story held up surprisingly well. Worth a couple of hours to see Joe Penny and Carl Lumbly (1980's actors with mainly TV roles), and Kristine DeBell ("Meatballs" and a memorable cameo on the Harry Anderson "Night Court" TV show). Reasonably decent acting, and the "surprise ending" wasn't completely telegraphed in the plot. There was no connection to 2001, other than a talking, slightly psychotic computer. More closely related to an episode of the a Rod Serling "Twilight Zone"
Le saviez-vous
- AnecdotesAccording to the advertisement at the beginning of the film, the year is 2191.
- GaffesAs on ships, the bottom of the door frames are raised off the bottom of the floor, so that they can make a perfect seal with the doors, in case of accidental decompression, probably. So the robot with wheels, which is shown on either side of the doors, cannot possibly make it through the doorway.
- Crédits fousOpening credits prologue advertisement for space travel: ARCTURUS
SEE YOUR TRAVEL AGENT © 2191 *Whitestar II International Spacelines Inc.
- ConnexionsRemake of Les naufragés (1944)
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- How long is Lifepod?Alimenté par Alexa
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