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6,8/10
23 k
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Simon Birch a beau être le plus petit garçon du coin, il sait au fond de lui qu'un grand avenir l'attend. Il est en constante recherche de son destin, mais ce qu'il trouve, ce sont surtout d... Tout lireSimon Birch a beau être le plus petit garçon du coin, il sait au fond de lui qu'un grand avenir l'attend. Il est en constante recherche de son destin, mais ce qu'il trouve, ce sont surtout des ennuis !Simon Birch a beau être le plus petit garçon du coin, il sait au fond de lui qu'un grand avenir l'attend. Il est en constante recherche de son destin, mais ce qu'il trouve, ce sont surtout des ennuis !
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 3 nominations au total
Sumela Kay
- Ann
- (as Sumela-Rose Keramidopulos)
Thick Wilson
- Dr. Wells
- (as Addison Bell)
Avis à la une
I have watched the movie twice, once with my wife and once with my children.
It is a great movie and totally undeserving of some of the juvenile comments posted here.
It is a story of a 12 year old extremely undersized boy who is a freak to many, a best friend to another and ends up being a hero. All through the movie he talks of God having a plan for him and that his small stature is a part of that plan.
Don't compare it to the book it is "suggested" from. Neither does justice to the other.
Don't miss it.
It is a great movie and totally undeserving of some of the juvenile comments posted here.
It is a story of a 12 year old extremely undersized boy who is a freak to many, a best friend to another and ends up being a hero. All through the movie he talks of God having a plan for him and that his small stature is a part of that plan.
Don't compare it to the book it is "suggested" from. Neither does justice to the other.
Don't miss it.
Today I watched Simon Birch for the second time. I checked it out of the library yesterday and watched it in the afternoon. And today I saw it again. I am so impressed by all the actors, they were perfect. Especially little Ian Michael Smith. And I didn't mind being emotionally manipulated at all. I looked up the movie on the internet, that's how I found this site, and until now all the reviews were kind of negative. Well, I thought it was wonderful, and I may even watch it one more time before returning it. So there! And oh, Ashley Judd. She is so beautiful anyway, but in this movie she was almost angelic. Well, everyone was so good. Oliver Platt was great, and the two boys were magnificent. I have encouraged a lot of friends to rent or otherwise see this movie, it does one's heart good. I have just decided, tomorrow I will watch it again.
A lad with stunted growth who holds out with brave optimism and sheer good-naturedness is able to go through school life and survive any antagonisms with aplomb, indeed, forging an inseparable friendship, as he approaches his twelfth and fatal year.
Beautifully told story, with excellent photography and good music keeping just the right atmosphere, this is a film which might have some downgrading it to a simple `tear-jerker' and reaching for inexhaustible supplies of paper-handkerchiefs. But the story-line is more subtle and more carefully played out, such that in effect the film does not even try to pull out any angst from those softer-at-heart: the acting itself - especially that of Ian Michael Smith - and the focussing of the story rises above this. However, this is of course a `feel-good' story, though the end might leave you thinking otherwise.
Once again, how nice to see an attractive film without violence or sex being the main protagonists.
I would not mind trying to find the book................
Beautifully told story, with excellent photography and good music keeping just the right atmosphere, this is a film which might have some downgrading it to a simple `tear-jerker' and reaching for inexhaustible supplies of paper-handkerchiefs. But the story-line is more subtle and more carefully played out, such that in effect the film does not even try to pull out any angst from those softer-at-heart: the acting itself - especially that of Ian Michael Smith - and the focussing of the story rises above this. However, this is of course a `feel-good' story, though the end might leave you thinking otherwise.
Once again, how nice to see an attractive film without violence or sex being the main protagonists.
I would not mind trying to find the book................
A film of many charming features, indeed, but what struck me as the most impressive quality of it, was its delicate balance between comedy and tragedy. Strolling ahead on a tight rope, with abyss on either side - that of despair and that of burlesque - and never falling. It even succeeds in a most daring balance between pity and parody.
Portraying a boy with such a severe physical handicap, and with terrible parents at that, would normally tie any director's hands and feet, and the result would be sweet, at best. In this film, though, we are even allowed to smile at the odd clashes between the normal and that which is not, and laugh at the situation comedy evolving. The result is endearing, truly compassionate.
And the acting is tremendous, especially from Joseph Mazzello and Ian Michael Smith, the two boys in a very odd couple friendship. Mazzello is breathtaking in scenes of such emotional complexity that most actors would be wise to find an easy way out. I have no idea how he does it, but certainly it is by talent - no schooling gives that kind of tools.
The plot is overly complex, with several 'deus ex machina' events uncalled for, et cetera - probably in fear that the skilled balance of the film and the nerve of the acting would not suffice. But they do, and then some.
Portraying a boy with such a severe physical handicap, and with terrible parents at that, would normally tie any director's hands and feet, and the result would be sweet, at best. In this film, though, we are even allowed to smile at the odd clashes between the normal and that which is not, and laugh at the situation comedy evolving. The result is endearing, truly compassionate.
And the acting is tremendous, especially from Joseph Mazzello and Ian Michael Smith, the two boys in a very odd couple friendship. Mazzello is breathtaking in scenes of such emotional complexity that most actors would be wise to find an easy way out. I have no idea how he does it, but certainly it is by talent - no schooling gives that kind of tools.
The plot is overly complex, with several 'deus ex machina' events uncalled for, et cetera - probably in fear that the skilled balance of the film and the nerve of the acting would not suffice. But they do, and then some.
If you have never read "A Prayer for Owen Meany," then this movie will tug at your heart strings and make you cry. If, like me, you have read the book, you'll be saying, "What?" The movie is nothing at all like the book, which in my opinion was much better. That's not to say the movie was just horrible. My advice is, if you've read the book, put out of your mind for two hours what you read, or you'll be highly disappointed. If you've seen the movie, but haven't read the book, read it. After you read it, you'll probably find yourself saying "Whoa. That movie wasn't THAT great after all." Having read the book, the movie seemed not only lacking, but there was no mystery to it. For example, Joe tries to find out who his father is. If you've read the book, you already know. Instead of the basketball move the two did repeatedly in the book, they do the breath holding thing in the movie. If you haven't read the book, the movie should be a nice one for you. If you have read it, try not to hold it against this movie that tries to be so hard to be so sweet.
Le saviez-vous
- AnecdotesAuthor John Irving doubted his novel, "A Prayer for Owen Meany", could ever be turned into a film, and sold the screen rights on the condition it not be released under the same name as his book. Irving himself provided the name Simon Birch for the producers to use in place of Owen Meany.
- GaffesThe fateful Christmas in question is in December 1964, but a news item on the radio reports a speech given by President Kennedy, killed a year earlier.
- Bandes originalesYou Were There
Written, Produced and Performed by Kenneth 'Babyface' Edmonds
Performance courtesy of Epic Records
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- How long is Simon Birch?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 18 253 415 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 321 370 $US
- 13 sept. 1998
- Montant brut mondial
- 18 253 415 $US
- Durée
- 1h 54min(114 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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