Hancock's Half Hour

I first came across Hancock's half hour, when I listened to my Mother's LP's with some of the episodes on. The radio and television series were before my time. I can't quite explain why this series caught my imagination at such a young age. Maybe it was the brilliant characters, created by the masters of comedy Galton and Simpson. Maybe it was the hugely talented comedy legends, that lent their voices to the proceedings. Ironically it was in 2019, that I purchased the surviving episodes of the television series, they are as enjoyable today as when they were first broadcast. Some of the episodes were better on radio than the television, you were able to use your imagination. But it is great to see these comedy legends at the height of their careers.

I gave this 8 for the support cast not Hancock. The writers were brilliant. Hancock I found was as troubled on screen or radio as he was off it.

The Support cast far outweighed his talent and alot went on to bigger greater legend of the carry on films.

Tony Hancock was a master of timing, a great clown. He encapsulated the essence of the ordinary man struggling to cope with life. Unfortunately, life was a little too much for him. His humour is just as contemporary today as it was 40 years ago. It is quite appropriate that he was within the last few days honoured by the BBC as one of the 8 great British comics. I wish that I could have thanked him for the pleasure he gave me and my friends. It is probably true that his humour was not understood beyond the Commonwealth - certainly he has many admirers in Australia. I know that he enjoyed his visits to this country, and sadly he chose to end his life here. If you want humour, as distinct from comedy, with pathos and philosophy, Hancock's Half Hour is your show. Each character is a strong character, superbly cast. These shows are timeless.

"Hancock's Half Hour" is a milestone in British comedy television in being one of the first British situation comedies to be presented for the small screen. Of course, there followed a whole gallery of sitcoms on British television, some of them classics. Yes, the production values of the above series are a bit dated but listen to the marvellous dialogue and the genius that is Tony Hancock. Hancock had had a good deal of success with his own BBC radio series when the decision was made to create his own series for television. The producer Duncan Wood stated in an interview many years later, what a challenge it was going to be. After all, the public had only heard Hancock for the past few years and the comedian hadn't performed in front of the cameras before. The format with regards to Hancock's character were unchanged which was vital. Equally of importance, was the inclusion of his comic foil Sid James. Strictly speaking, the two men weren't a double act but they certainly knew how to play off each other and their on-screen chemistry is undeniable. Regarding the regular cast from the radio series, Bill Kerr was written out altogether and Hattie Jacques and Kenneth Williams would only make sporadic appearances. "Hancock's Half Hour" was the first television sitcom from Ray Galton and Alan Simpson. They are still the best comedy television writers in the business in my opinion. Their work here and in "Steptoe and Son" is still unsurpassed. It is a bit hard to judge the early episodes of "Hancock's Half Hour" as the episodes from the first and second series are mainly missing. However, the ones that do exist are simply brilliant. The comedy results from character and from situations, rather than from any jokes. If any gags or jokes were included, Duncan Wood would instruct them to be removed. I feel this makes the comedy more natural. Hancock of 23 Railway Cuttings, always had grand aspirations toward bettering himself in different episodes. It never occurred to him that he had neither the talent or the acumen in making his plans bear fruition. He would put on false airs, claim to be something he wasn't and could never be. Then Sid would find some way of bursting Hancock's pomposity with hilarious results. The comedian never strived to make his character one of pathos, as Hancock hated that approach. His comedy was on a slightly deeper level. There are too many great episodes to list but the following ones I would name every time on my list of vintage Hancock: "The Missing Page," "Sid in Love," "Twelve Angry Men," "The Cold," "The Two Murderers," "Football Pools," "Competitions: How to Win Money and Influence People," "The Photographer," "The Train Journey," "The Reunion," "The Big Night," "The Immigrant," "The Economist," "The Poison Pen Letters," "The Set That Failed," "The Cruise," "The New Nose" and others. Hancock was blessed with a wonderfully expressive face for television comedy which complimented his terrific voice. The way he could convey feelings of anger, happiness, disappointment, bewilderment, indignation, his timing and control are almost without equal. The series ran from 1956 til 1960 and lasted over 50 episodes. Then in 1961, Hancock made one last series for the BBC which contains his last moments of comic genius. I still rate "Hancock's Half Hour" as one of the defining British comedies in history.

Tony Hancock is a Comedy Icon and a personal favourite comedian of mine. While I'm disappointed that only 6 people have reviewed Hancock's Half Hour, I'm pleased that its still remembered positively. Of course as time passes this will change, less people will be around that remember it, and more people will relate it in relation to other comics.

Hancock'a Half Hour was a seminal radio show, that was key to the popularity of radio comedy especially for the BBC. So obviously auntie were keen to achieve the same level of success on TV.

It managed that and more besides, making simply unmissable television, people just couldn't wait to get home to watch it. Long before pubs had TV blaring out, people could only view it at home. Pubs and streets emptied because we were home watching Hancock. Really only people old enough will remember that, but its that popularity that really helped make the BBC.

Making a principle reason for wanting a television, and as I remember it I can't actually recall much else worth watching at that time. Even so its remarkable now how addictive TV became, with the Box quickly assuming its place in the corner of the living room. With chairs circled around it, we quickly came to miss it when anything happened to it, wondering what we'd done before we had one.

Typically the Beeb didn't appreciate the program, and treated it with the same disdain as with its other light entertainment programs. Really the only reason that any episodes survive today is courtesy of its fans in the Appreciation Society, certainly not to the BBC.

Tony Hancock has been unfairly criticised for his decisions, to leave out members of the radio series for the television show. To leave the BBC TV series behind to try something different. A current 'comic' even made the facetious comment about him that I paraphrase here, "He got rid of the radio crowd, got rid of Sid James, then he got rid of himself". A disgusting comment, especially as all current British comedians owe a complete debt to Tony Hancock, he was the first the trail blazer.

Today no one would consider saying of or to any current comic, "why do you want to make changes in your career?" When other comics decided to change channel or go in any different direction, who cares or complained? No one of course, but Hancock's decisions still prompt TV documentaries.

Today its not uncommon for comedians to appear in film and America doesn't seem too averse to British comedy.

Hancock's Half Hour became Hancock slimmed down to 25 minutes, we were told to possibly accommodate adverts, on American television. But it didn't happen, was it too British for the yanks tastes? Possibly for the comedies popular there in the late 1950/60s.