Red Line

Gee, what's not to like about this movie? The acting? It's serviceable enough considering this isn't a big budget film. Rutger Hauer's finest work is not demonstrated here, but still this is a Rutger Hauer film which means that it will be a bit different from the regular straight-to-video junk you see. The shootouts were laughable? Of course they were! Shootouts are always laughable in every movie in which a hero survives totally unscathed. The two notable exceptions are "Saving Private Ryan" and "Tombstone". There are a few others, but at least Hauer and Scio aren't sliding down glaciers on a car fender or something of that ilk.

Let's put things in proper perspective. When you have a movie that sounds good before it goes on paper, but doesn't look nearly as good after the ink has dried you find ways to make it not a complete waste of time. So you do the following:

1. Get Rutger Hauer

2. Buy lots of bullets (hero resistant, of course!)

3. Get a beautiful actress (and in this case

Yvonne Scio is a 10!)

4. Buy some more bullets

5. Show lots of skin (Nude female bodybuilders with

soft muscles...hmmmm)

6. Have sex ...lots of it

7. Buy a few more bullets

8. Kill all the bad guys (but only after you reveal

that some good guys are bad and worse than the

bad guy you were originally after who turns out

to be easier to kill than expected)

9. Throw in convoluted ending (like my previous

parenthetical remark)

10. Have more sex

For Pete's sake, people this is a cable channel movie. Enjoy it for the adrenaline and the visual pleasure. Don't get hung up on thinking about it. I'll watch this one again, if there isn't anything else on, or I need an Yvonne Scio fix.

I read the tags before watching it, they said Cyborg, there was no cyborg. I like everything I've seen Rutger Hauer in. This is a budgeted film, not really a bad film. More T&A then I prefer but, no Cyborg! So that lowered it to 5 from probably 7.

This movie has two pluses in its favor. First, Rutger Hauer looks great. Second, the sets and art direction are very interesting. The movie has a strange blend of Old World buildings, futuristic props and 1940's style furniture. Other movies (yes, most notably Blade Runner) have used a similar look more successfully, but the total effect was still compelling. I did get the impression, however, that they used the same building over and over and just changed the furniture when it was supposed to be a different location.

Unfortunately, the filmmakers appear to have spent so much money on the set that they had no funds for other essential movie elements such as a script that made sense, costumes for the actresses and an acting coach. I found the plot utterly incomprehensible. I have no idea why any character in the movie did any of the things he/she did. I have no idea what the ending was supposed to mean.

Equally baffling was the fact that the women in the movie wore no clothes. The film is set in Moscow; you'd think they would get cold. Okay, I can understand that prostitutes in brothels are not going to fully clad, but come on--topless women boxers? nude women assassins?

Finally, with the exception of Hauer (who really has given some great performances in his career), no one in this movie can act. NO ONE!! Robbie the Robot gave better line readings.

In short, if you're looking for a movie filled with meaningless violence and even more meaningless sex, you'll love this one.

This movie had the kernel of something different in its concept and layout, but blows it completely. Back from death movies with an action twist have been done several times, (good ones being "Robocop" and "The Crow") but this one doesn't even approach the philosophical aspects other than people looking at Rutger Hauer and saying, "I thought you were dead."

No, what made this movie start off different was the bizarre mix of old Eastern European backgrounds and settings with near future technology and lifestyle. This different look was reminiscent of (and done better) in Rutger Hauer's other recent movie, "Fatherland."

If the movie had tried it could have been a so-so Bladerunner set in Russia, or if it really made a leap it could have been something uniquely it's own. Instead it ruins any hope it had with endless shoot-outs and sex scenes. These in and of themselves don't make much of a plot or a movie, and I kept thinking of those parodies of Hollywood movies, which this one quickly became.

Actually this is just another thirteen in a dozen movie, you'd think. But the location (Russia) makes the movie a bit more original and gives it a certain atmosphere and second Hauer is acting very convincing. These kind off roles (mysterious ruthless man) are perfect for him..