Excès de confiance

I like this sort of picture, the kind of mystery in which you can't pick out the murderer until the end of the movie. It's not billed as a mystery, though, but that's what it is. Although primarily a mystery, it spends a lot of time as a romance between the two principals, and then switches gears before the onset of tedium. As a result, there is a considerable dead spot in the middle of the film, which may have influenced some reviewers ratings.

As I mentioned, the ending is quite clever and the picture keeps you guessing, since there are few suspects to choose from and the ending was unexpected. Rebecca De Mornay was good as the heroine and Antonio Banderas was even better as the romantic stranger. Len Cariou plays her father in a wasted role. Banderas is often better than the material and does not seem to take himself seriously, as witnessed by the number of crummy movies he has appeared in.

"Never Talk To Strangers" is an absorbing, if uneven, murder mystery which has been given short shrift by reviewers on the IMDb website. If you rent it, give it a chance. I'll bet you won't guess the secret to the ending.

Duh, it's a thriller during the early nineties Tarnished Age of Thrillers. I'm sure glad we're past that stage. So yes, if you don't know already, as a thriller it stinks.

But as a sex movie, it's not bad. I mean, who else would you rather see getting it on than Banderas and De Mornay. There's one classically trashy scene when Antonio nails the naked and voluptuous Rebecca up against a very trendy chain-link fence inside her very trendy loft. Antonio looks more angry than turned on and Rebecca looks more ashamed and uncomfortable, but she's naked, sexy, and making some happy sounds, so who cares? And who cares whodunit either?

A more or less typical thriller made special by Rebecca De Mornay's awesome performance. She is the executive producer of this picture and must have badly wanted to do this role -- I'm glad she did.

She plays a psychiatrist evaluating whether an accused serial killer is competent to stand trial. It becomes obvious early on that she was drawn to psychiatry because of her own severe emotional problems and difficult past. In the meantime, we are shown troubling relationships with men appearing in her personal life. An upstairs neighbor badly wants her, but she wants only to be friends. Her father shows up out of the blue seeking affection and assistance, but she resists him, and it is obvious that their relationship and her childhood were deeply troubled. A stranger (Banderas) she meets in a store ardently pursues her, and they begin an affair, but she has difficulty trusting him, both because he is something of a suspicious character and because, as she tells him, she has difficulty trusting anybody. Their relationship becomes volatile and angry, tinged with violent overtones. Then there is the issue of her ex-fiancé, who vanished abruptly and without explanation just before the scheduled wedding.

As happens in these kinds of films, she is sent a series of mysterious messages and packages with no return addresses. Then violent things start to occur. Someone is clearly trying to terrorize her, but who? So many suspects -- Banderas? The upstairs neighbor (who is of course jealous of Banderas)? The serial killer, acting through friends outside of prison? Her father? The ex-fiancée? I did not anticipate the answer to this question, revealed of course at the film's end, but it was not an especially unusual conclusion for films of this kind. What made this picture worthwhile was De Mornay's utterly believable portrayal of, let us say, a difficult character, reminiscent of what she did in "The Hand That Rocks The Cradle". She is simply great at this kind of thing, besides being classically gorgeous.

The other acting is fine, but no one stands out. Banderas is always good, but in this one he is mostly eye candy for the ladies. Harry Dean Stanton as the serial killer is suitably menacing and crazed, but this picture is really all De Mornay. I found it a bit slow at times, but the last 20 minutes or so made up for the weak spots. Definitely worth watching.

This thriller is a bit rough-edged, but a lot of people like that sort of thing. Rebecca DeMornay was the at the top of her game around this time (early to mid '90s).

GOOD NEWS - Overall, an interesting and involving story, especially in the second half. The movie is capped by a surprise ending I defy anyone to guess correctly. There are a few steamy scenes, too.

BAD NEWS - No likable characters, too much profanity; a few minor holes in the story; an obvious feminist bias and DeMornay's foul mouth and morals are pretty rotten for a psychologist, the character she plays. The guys - Dennis Miller and Antonio Bandaras - play pretty sleazy characters, too.

OVERALL - Interesting movie but too sleazy a feel to it.

I like mystery / crime movies where you try to figure out what is going on. In Never Talk To Strangers you have constant questions about who could be the stalker of Rebecca De Mornay. There is a constant tension between her and Antonio Banderas, sexual and mysterious, and it's a delight to watch. I thought both actors gave us a perfect performance in this movie. I read that some people thought the ending was so obvious. Well I can categorically tell you they are lying. Not in a million years you see the end coming. I would never have guessed and unless you saw the movie before or you read spoilers you will never guess either. And that's what makes Never Talk To Strangers special. If you like that kind of movies, with twists and turns, then this one is definitely worth a watch.