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Un jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer pl... Tout lireUn jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer plus de trois ans en isolement.Un jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer plus de trois ans en isolement.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
William H. Macy
- William McNeil
- (as Bill Macy)
Alex Bookston
- Alcatraz Doc
- (as Alexander Bookston)
David Michael Sterling
- Inmate Rufus 'Ray' McCain
- (as David Sterling)
Avis à la une
My comments are directed to the claim that this film is based on a true story. The true facts of Henri Young's case are significantly different from the story told in the movie. For instance, Young was not just a petty thief when he came to Alcatraz -- he was already doing time for bank robbery and murder. Nor was he kept in an underground dungeon for three years as punishment for an escape attempt -- his punishment was served in an isolation cell on the prison's first floor with the normal facilities that all prisoners' cells had. His case did not lead directly to the closing of Alcatraz; it continued as a Federal prison for over twenty years after his trial. Of course, there were some abuses at Alcatraz (as at virtually all prisons). Young's trial had some impact on correcting those abuses, but not to the extent suggested by the film.
If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".
In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.
If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".
In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.
This movie didn't do well, in fact drove a talented filmmaker away from directing.
Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.
My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.
What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.
Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.
Ted's Evaluation -- 3 of 3: Worth watching.
Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.
My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.
What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.
Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.
Ted's Evaluation -- 3 of 3: Worth watching.
Having caught up again with this film on t.v., I can only support all other commentators who have observed how utterly ridiculous is the American Academy Award system for not having even nominated the utterly brilliant performance by Kevin Bacon in this film for the best actor award, let alone in not giving him the damned thing! I am always impressed by whatever Kevin Bacon does, and am constantly surprised that he is one of those stars who always seems to creep under the public's radar of appreciation and awareness. As to the comments about the film not exactly being the "true" story of Henri Young, there again it always come down to the precise meaning and interpretation of a film's initial caveat of "inspired by a true story". Certainly, the film will have me searching the internet for more of the "true" facts of this harrowing story. And whether exactly the film was totally "true" or not, as any visitor to Alcatraz (as I have been myself) can tell you, just imagine yourself in any part of that prison in its heyday and say whether any filmic representation needs to be totally 100% accurate to convey the horrendous nature of what it must have been like there. Returning to the antics of the members of the U.S. Academy Award, their failures over this Kevin Bacon performance remind me of the time they robbed Cate Blanchett for her out of this world outstanding performance in "Elizabeth" in favour of that whimpering blonde piece of fluffy air Gwyneth Paltrow for the paltry "Shakespeare in Love".
This is clearly Kevin Bacon's best performance. It's a shame he was not nominated for an academy award for his role. A truly emotional movie that ranks among the top Alcatraz movies made! Gary Oldman also puts in a very solid performance. Christian Slater plays a youthful, inexperienced attorney to perfection.
In showing another side of Alcatraz the movie breaks away from typical escaped based Alcatraz films. While "Escape from Alcatraz" may still be the top movie in this topic area, "Murder in the First" provides a new twist that involves a different type of drama. Kevin Bacon was surely jilted for not being nominated here!
In showing another side of Alcatraz the movie breaks away from typical escaped based Alcatraz films. While "Escape from Alcatraz" may still be the top movie in this topic area, "Murder in the First" provides a new twist that involves a different type of drama. Kevin Bacon was surely jilted for not being nominated here!
How Kevin Bacon didn't get an Oscar, let alone a nomination is beyond me. What is wrong the the Academy? it was a better performance than Tom Hanks in Forrest Gump, I was moved to tears by the man, it's a heartbreaking performance. He should have been nominated for 'The Woodsman' as well. Great actor. But i have to say it's not an easy watch, and the violence is relentless, it reminds me of the time i once witnessed a boy get bullied at school, it just never ended and i remember feeling awful for the poor chap, the fact that it's a true story just makes me shudder. Gary Oldman gives one of the most hateful performances i've ever seen while Slater shows depth as the lawyer trying to get him out of prison as early as possible.
Le saviez-vous
- AnecdotesKevin Bacon lost twenty pounds to play Henri Young.
- GaffesHenry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
- - - - -
- Citations
James Stamphill: Did you kill Rufus McCain?
Henri Young: I was the weapon, but I ain't no killer.
- Crédits fousThis Film is Inspired by a True Story
- Versions alternativesThe Blu-ray has the opening 2003 Warner Bros. Pictures plaster.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1995 (1995)
- Bandes originalesTuxedo Junction
Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne
Performed by The Andrews Sisters
Courtesy of MCA Records
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- How long is Murder in the First?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Murder in the First
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 381 942 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 719 188 $US
- 22 janv. 1995
- Montant brut mondial
- 17 381 942 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Meurtre à Alcatraz (1995) officially released in India in English?
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