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Mindbender

  • Téléfilm
  • 1996
  • PG-13
  • 1h 33min
NOTE IMDb
3,8/10
284
MA NOTE
Mindbender (1996)
BiographyDramaSci-Fi

Ajouter une intrigue dans votre langueMindbender is the story of Uri Geller, probably the world's most famous psychic. The film shows his rise to fame from small shows in the middle east where he amazed audiences with his paraps... Tout lireMindbender is the story of Uri Geller, probably the world's most famous psychic. The film shows his rise to fame from small shows in the middle east where he amazed audiences with his parapsychological feats of spoon-bending and clock-fixing. Terence Stamp plays a scientist who b... Tout lireMindbender is the story of Uri Geller, probably the world's most famous psychic. The film shows his rise to fame from small shows in the middle east where he amazed audiences with his parapsychological feats of spoon-bending and clock-fixing. Terence Stamp plays a scientist who brings him to America.

  • Réalisation
    • Ken Russell
  • Scénario
    • Ken Russell
    • Yael Stern-O'Dwyer
  • Casting principal
    • Ishai Golan
    • Terence Stamp
    • Idan Alterman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,8/10
    284
    MA NOTE
    • Réalisation
      • Ken Russell
    • Scénario
      • Ken Russell
      • Yael Stern-O'Dwyer
    • Casting principal
      • Ishai Golan
      • Terence Stamp
      • Idan Alterman
    • 3avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos14

    Voir l'affiche
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    Rôles principaux31

    Modifier
    Ishai Golan
    Ishai Golan
    • Uri Geller
    Terence Stamp
    Terence Stamp
    • Joe Hartman
    Idan Alterman
    Idan Alterman
    • Shipi
    Hetty Baynes
    Hetty Baynes
    • Kitti Hartman
    Delphine Forest
    Delphine Forest
    • Sharon
    Rachel Elner
    • Hanna
    Raffi Tavor
    Raffi Tavor
    • Uri's Father
    • (as Rafi Tabor)
    Aviva Joel
    Aviva Joel
    • Uri's Mother
    • (as Aviva Yoel)
    Naomi Ackerman
    • Linda
    Jack Adalist
    • Moti
    Gilat Ankori
    Gilat Ankori
    • Glamorous Lady
    Erez Atar
    • Uri a a child
    Janet Bar Rembaum
    Janet Bar Rembaum
    • Greta
    • (as Janet Bar)
    Tami Barak
    • Hotel Maid
    Tomi Barak
    Joel Eckhardt
    • CIA Man
    Daniel Geller
    Uri Geller
    Uri Geller
    • Self
    • Réalisation
      • Ken Russell
    • Scénario
      • Ken Russell
      • Yael Stern-O'Dwyer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs3

    3,8284
    1
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    9
    10

    Avis à la une

    pUSSEL

    True story twisted beyond recognition

    I was under the impression that Uri Geller was illusionist using simple parlor tricks to impress his gullible audience. After watching this movie however, I realized that I was misinformed. It turns out that Geller is a superhero on the run from the military, that wants to use his powers for evil. Yes, it's that stupid.

    Endorsed by Geller himself this is a lame, selfserving piece of crap. Is it drama, comedy, or sci-fi thriller? Who knows? It appears the director couldn't decide, and made it a little bit of everything, none of which has any redeeming qualities.

    As a reasonably intelligent person this movie made me want to beat myself in the head with a shovel.
    4ofumalow

    Uri gets Russellfied

    If you're looking for a serious treatment of Uri Geller's life and claimed talents (I'm not sure why you would, but...), this will not be what you're seeking. It's best approached as another of Ken Russell's biopics, like his earlier ones of composers and such--a silly, flamboyant, not very fact-adjacent fantasia on the most superficial aspects of a famous person's life.

    The early going here at least has some of the enjoyably cartoonish/surreal imagery of something like "Tommy." But then it gets more visually pedestrian, reflecting the lowered budgetary scale. The script feels like a randomly tossed-together series of disconnected episodes, and the limply semi-spoofy tone (with the director's then-spouse camping mercilessly as Terence Stamp's wife) means the film lands just halfway between sending up its subject and being an earnest inquiry into his phenomenon.

    Still, it's one of Russell's last relatively professional productions, so worth a look for fans. It's certainly more watchable than some of his subsequent glorified home movies. The ending is amusingly goofy, and Geller himself appears in an audience-participation coda that supposedly helps you repair a broken watch/clock with sheer mind power.
    1Pzachlen

    Worst film EVER

    For me to say that will amaze people that know me because Ken Russell directed it and wrote it. BAD Ken, Bad Boy Ken. On a visit to L.A Ken showed it to Dan Ireland and Myself. When He asked what we thought..........WE did not soften the blow. Horrible must have been my comment but I do remember Dan just Laughing in disbelief. I hope they both are sharring a good laugh where ever they may be. These were two of my best, Very Best friends of mu life. How I miss them.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shipi is based on Uri's brother in law Shipi Shtrang who later became his manager.
    • Gaffes
      When Madge is driving away her license plate is yellow and has six numeric characters. This kind of license plate was introduced in Tel-Aviv in 1971. Until then, at least since the 1950s, the license plates in Israel were red and had 5 numeric characters. The scene was set in 1969. The same goof also was seen on Uri's car after his first show.
    • Citations

      Uri Geller: If I have fixed all watches in Tel-Aviv then there must be some straight spoons I could bend.

    • Connexions
      Featured in David Walliams' Awfully Good: Awfully Good Movies (2011)
    • Bandes originales
      Nights in White Satin
      written by Justin Hayward

      performed by The Moody Blues

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    Détails

    Modifier
    • Date de sortie
      • 2 octobre 1996 (France)
    • Pays d’origine
      • États-Unis
      • Israël
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Au-delà de l'esprit
    • Lieux de tournage
      • Israël
    • Société de production
      • Major Motion Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.33 : 1

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