Moon ching sap dai huk ying

I saw this movie when I was in Hong Kong on business in 1993, it was on pay-per-view in the hotel I was staying in. The movie itself was hilarious. There is a lot of sex and violence but I found it so over the top as to be neither titillating nor disturbing. Some of the other reviewers found it to be too violent or sexist. Hey, people did bad things to each other in the past, get over it, they still do. Anyways, I knew this was a movie I had to show to my friends when I got back, my descriptions could not do it justice. Not being a Chinese speaker, I found the video in HK before I left and took a picture of it. Upon my return to the US, I sought out a Chinese video store and excitedly rented it when I found it. It had Chinese and English subtitles, and the English translation was HORRIBLE. It totally killed the humor in the movie. My friends, whom I had been babbling to about this movie, at this point, all thought I was a complete loon. I found a dubbed copy on DVD and I am awaiting it's arrival. I hope it's the same version I saw in Hong Kong, because the movie does truly rock, with proper interpretation of the dialog.

This film revolves around the plight of the oddly named Little Cabbage, a servant girl who finds herself in a heap of trouble after she takes up voyeurism. Through a series of plot twists too long to summarize here, she ends up accused of murder and facing a judge with some rather unpleasant methods for extracting confessions.

This is Hong Kong Category III cinema at its weirdest, a grotesque mixture of sex, comic sex, sexual violence, torture, and even a comedic rape scene meant to challenge the viewer's limits. It will either have you laughing aloud or running for the bathroom with your hands over your mouth. It also has an ending that will have you pounding the table and yelling "Now THAT'S justice!"

In seriousness, the film does have a certain level of misogyny. The torture scenes involving females are shown very graphically, and there is a somewhat disconcerting theme of sexual pleasure being fine for a man while totally unacceptable for a woman. However, the film itself is so broad and over the top that it is difficult to be too offended by it.

I've seen so many Hong Kong movies now that when I eventually came to watch this notorious Category III melodrama I took it all in my stride, but thinking back on it now, it has to be one of the most startling viewing experiences available to any viewer unfamiliar with HK cinema. Its part of a string of CAt III movies seeking respectability through use of historical settings (Sex and Zen, Sex and the Emperor, Lover of the Last Empress etc.), and for all its horrors, its not as sickening as Escape from Brothel or Eternal Evil of Asia. Yvonne Yung-Hung has perfected a set of wounded facial expressions that render her a perfect victim/fantasy figure, and feminist critics will find much to deplore in films like this, finding as they do eroticism in sadistic beatings of defenceless women - when one couple is executed, we only hear about the man's horrible death, but we see a graphic depiction of the woman's killing by wooden horse/dildo contraption. This movie is packed with ideas of how to find sexual grotesquerie in contortions of the human body, and the motif of escalating levels of torture is perfectly apt for Wong Jing's style of producing imaginative variations on his favourite preoccupations of sex and violence. He's only the producer, but his presence is tangible - I guess his closest Western equivalent might be Roger Corman. Fans of historical Cat III films will be pleased to see that the great Elvis Tsui once more steals the show with some spectacular sexual wirework.

I saw this singular film double-billed with The Naked Killer (one of my all time favorite movies). Chinese Torture Chamber is weird through and through.

It takes place sometime ago in China's glorious past, when the courts utilized Spanish Inquisition-like techniques to get the truth out of defendants. The opening scenes are a fairly graphic, though oddly funny, demonstration of ghastly tortures.

Then, we are taken to the estate of a rich prince, married to an insatiable princess. He tries to please her by employing exotic "marital aids", but to no avail. She seeks fulfillment through another man. Sexually curious housemaids secretly watch their trysts through holes in the rice paper walls. One is caught, and becomes the subject of the wrathful princess' ire.

Throughout the rest of the movie, as told in flashbacks, this poor maid must prove her innocence of murder (by exploding penis!). The court systematically tortures her and the prince (a suspected accomplice) first by spanking, then through more excruciatingly depicted techniques.

What's odd about all these precedings is that they are simultaneously horrifying, erotic and funny. Kind of like the Japanese film Tokyo Decadence.

Oh yes, there is one sequence that totally blew my mind: The prince spies two heroes flying through the trees, fighting each other kung fu-style, ripping each others' clothes off (ends up being a man and a woman), and then f***ing while still mid-air!

Only Hong Kong could come up with a "porno/horror/fantasy/comedy".

When I got this movie I assumed by the title that it would be ALL about torture. This is not the case. Within all the comedic scenes with the kung-fu sexaholics and the invisible guy, I did find satisfaction in knowing that the two main characters did seem to love each other. As I was sitting there watching, I thought, "Oh, what a horrible movie." I am a huge fan of the actress Gong Li (who does not appear in this movie) but a new interest has sparked within me for the young Yvonne Yung. I will be looking up some more of her movies. As far as a recommendation for you, I would say, it's twisted, funny & weird with lots of titties. If you can stomach that kind of stuff, then you should be able to get through this. Yvonne Yung makes it worth the watch. Beware: It's subtitled, so pay attention!