A Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation pass... Tout lireA Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation passionnée et interdite.A Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation passionnée et interdite.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 victoires et 7 nominations au total
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How much I regret the passing of director Bo Widerberg who can create a film such as this one with its dramatic portrayal of human problems, human relationships and human emotions. It was not so much the dialogue but more the unspoken words that grabbed my attention and held me to the end. A long silence can be filled with meaning....a stolen look, a fleeting glance, a flicker of a smile, a movement of the eye....all these subtle messages electrify the air between Viola the teacher and Stig the student in the class room. We know at once that in some magical way their lives have been drawn together and as we are caught up in the drama we seem to know that eventually the ending will not be a happy one.
Under the guise of having special coaching lessons, Stig gains entrance into his married teacher's household after his evening cinema job. Shy at first he soon experiences the delights of a continuing relationship with Viola who is a very competent teacher in all respects. Perhaps we can pardon Viola for her "cradle snatching" when we find out that her husband has taken to drink and seems almost permanently drunk.
The love scenes are sensitively handled and the remarkable changes which develop in the characters create an imposing piece of cinema. Stig seems to take on a degree of security in a scene where he accuses the husband of the impossible situation. But who is really to blame? That is the intriguing part of the film.
There are some aspects that are not explained thus the viewer becomes involved. As for the stolen encyclopaedia, why would Stig carry them off. Is he just in a vindictive mood and does it just to annoy Viola or have those volumes become special to him because they belonged to Viola.
Under the guise of having special coaching lessons, Stig gains entrance into his married teacher's household after his evening cinema job. Shy at first he soon experiences the delights of a continuing relationship with Viola who is a very competent teacher in all respects. Perhaps we can pardon Viola for her "cradle snatching" when we find out that her husband has taken to drink and seems almost permanently drunk.
The love scenes are sensitively handled and the remarkable changes which develop in the characters create an imposing piece of cinema. Stig seems to take on a degree of security in a scene where he accuses the husband of the impossible situation. But who is really to blame? That is the intriguing part of the film.
There are some aspects that are not explained thus the viewer becomes involved. As for the stolen encyclopaedia, why would Stig carry them off. Is he just in a vindictive mood and does it just to annoy Viola or have those volumes become special to him because they belonged to Viola.
This is the life most men wish they had - an affair with their teacher. But all were not so pretty as the one in here. It's a coming of age story set in a time when men were going off to die in wars and those left behind were trying to make sense of it all in a society that was slowly crumbling. More complicated than now but still relevant in today's youth. All handled brilliantly by the Swedish director, Bo Widerberg, who loves to tell his tales in sensual lighting and locations. He sometimes tends to go soapy but held it in line for hi last work of art. Hewas to pass away a couple of years later. But he left us with another tender story for the soul.
Rape is rape. The "love scenes" are rape. Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape. Teachers have authority and power over children and just like in the US -- in Sweden it is legally rape for a teacher in a school to have sex with a minor child who attends that school. There is no age under 18 where a minor may consent with a teacher
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
6=G=
"All Things Fair" has much good to offer. However, it flunks on story with a full hour dedicated to painfully slow character/plot development which focuses more on tedious trivialities than character depth. About an hour into this unnecessarily long filler-filled film the plot breaks loose when the protag, an early teen student, kisses his teacher and finds her all too receptive to his advances. From there it's in and out of the sack while dodging the teacher's husband and the advances of one of his school mates who wants to loose her virginity to him. If that weren't far fetched enough, given the boy's almost complete absence of charisma or personality, the teacher goes through a hard to swallow change of character - as we've been led to understand it - while the film grinds on with a complicating subplot having to do with a brother and WWII. When the end of this 2+ hour coming of age flick finally arrives it leaves us with a trite moral which seems to be: Don't grow up too fast as things will get complicated soon enough. "All Things Fair" may play well with film buffs into Scandinavian minimalism. However, for audiences in general, this flick is a very pretty example of too little too late. (C+)
Le saviez-vous
- AnecdotesKarin Huldt was 14 during filming.
- GaffesRCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
- ConnexionsFeatured in Lust och fägring - En film om Bo Widerbergs sista (2015)
- Bandes originalesRinaldo: Lascia ch'io pianga
Music by George Frideric Handel (as Händel)
Performed by Lesley Garrett with The Philharmonia Orchestra
Conducted by Ivor Bolton
Silva Screen Records (UK)
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- How long is All Things Fair?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La belleza de las cosas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 DKK (estimé)
- Montant brut aux États-Unis et au Canada
- 13 128 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 530 $US
- 10 mars 1996
- Montant brut mondial
- 13 128 $US
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