A Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation pass... Tout lireA Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation passionnée et interdite.A Malmö en Suède pendant la Seconde Guerre mondiale, Stig est un élève de 15 ans et Viola, son professeur, a 37 ans. Tous deux attirés par ce qui les opposent, ils entament une relation passionnée et interdite.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 victoires et 7 nominations au total
Avis à la une
This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
When reading the synopsis, Bo Widerberg's film evokes understandable skepticism, but as soon as the final credits appear on the screen, and you remember everything that you literally experienced in these 2-and-a-half hours with the hero, it becomes clear that this is not an ordinary drama about romance between a student and a teacher.
The Swedish city of Malmo, at the height of World War II. The pretty middle-aged teacher Viola gets a job at the school where the main character, 15-year-old Stig, studies. These two character decide to get closer with each other, mostly due to the teacher's advances.
Of course, such a relationship is doomed from the very beginning: it goes against morality, against society. However, the actors are providing a very believable and masterful performance.
The biggest advantages of the film are in the acting, Vinderberg Jr. Is very handsome and charismatic. The film's musical accompaniment and script are also okay. I was glad to spend my time watching this film, and I remain very pleased and impressed.
The Swedish city of Malmo, at the height of World War II. The pretty middle-aged teacher Viola gets a job at the school where the main character, 15-year-old Stig, studies. These two character decide to get closer with each other, mostly due to the teacher's advances.
Of course, such a relationship is doomed from the very beginning: it goes against morality, against society. However, the actors are providing a very believable and masterful performance.
The biggest advantages of the film are in the acting, Vinderberg Jr. Is very handsome and charismatic. The film's musical accompaniment and script are also okay. I was glad to spend my time watching this film, and I remain very pleased and impressed.
I caught this film on Canadian television, and I was startled by the risque content being broadcast on a non-pay station. This is a story of a growing adolescent boy in a war-torn Europe. The focus of the movie is in the complex relationships he holds with the people in his life. The controversial nature may deter the more conservative American; however, the characters are well-rounded and acted and the cinematography is superb. I have a feeling this director may be famous in his home country, there is a touch of epic brilliance in the movement of the scenes.
Rape is rape. The "love scenes" are rape. Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape. Teachers have authority and power over children and just like in the US -- in Sweden it is legally rape for a teacher in a school to have sex with a minor child who attends that school. There is no age under 18 where a minor may consent with a teacher
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
I watched this movie by VCD and was so greatly touched by it that I watched it over and over again. There are much more I could feel than what I can put down for now. I really would like to know more about the story, its background and any information about the excellent actors and actress. What I have downloaded from the Internet was far from enough, even worse, most of them are written in Swedish. This totally denied me from having a better understanding of the movie. Unfortunately, I failed to get a Swedish-English/Chinese dictionary to help me out. (There is only a very brief one in Shanghai Foreign Book Trader with a price as high as 260 RMB).
With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.
With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.
Le saviez-vous
- AnecdotesKarin Huldt was 14 during filming.
- GaffesRCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
- ConnexionsFeatured in Lust och fägring - En film om Bo Widerbergs sista (2015)
- Bandes originalesRinaldo: Lascia ch'io pianga
Music by George Frideric Handel (as Händel)
Performed by Lesley Garrett with The Philharmonia Orchestra
Conducted by Ivor Bolton
Silva Screen Records (UK)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La belleza de las cosas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 DKK (estimé)
- Montant brut aux États-Unis et au Canada
- 13 128 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 530 $US
- 10 mars 1996
- Montant brut mondial
- 13 128 $US
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