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Leaving Las Vegas

  • 1995
  • 12
  • 1h 51min
NOTE IMDb
7,5/10
142 k
MA NOTE
POPULARITÉ
2 395
450
Nicolas Cage and Elisabeth Shue in Leaving Las Vegas (1995)
Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Lire trailer2:48
1 Video
99+ photos
Drame psychologiqueRomance noireRomance torrideRomance tragiqueTragédieDrameRomance

Ben Sanderson, un scénariste hollywoodien qui a tout perdu à cause de son alcoolisme, arrive à Las Vegas pour picoler jusqu'à ce que mort s'ensuive. Là, il rencontre et forme un pacte d'amit... Tout lireBen Sanderson, un scénariste hollywoodien qui a tout perdu à cause de son alcoolisme, arrive à Las Vegas pour picoler jusqu'à ce que mort s'ensuive. Là, il rencontre et forme un pacte d'amitié et de non-ingérence délicat avec la prostituée Sera.Ben Sanderson, un scénariste hollywoodien qui a tout perdu à cause de son alcoolisme, arrive à Las Vegas pour picoler jusqu'à ce que mort s'ensuive. Là, il rencontre et forme un pacte d'amitié et de non-ingérence délicat avec la prostituée Sera.

  • Réalisation
    • Mike Figgis
  • Scénario
    • John O'Brien
    • Mike Figgis
  • Casting principal
    • Nicolas Cage
    • Elisabeth Shue
    • Julian Sands
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    142 k
    MA NOTE
    POPULARITÉ
    2 395
    450
    • Réalisation
      • Mike Figgis
    • Scénario
      • John O'Brien
      • Mike Figgis
    • Casting principal
      • Nicolas Cage
      • Elisabeth Shue
      • Julian Sands
    • 423avis d'utilisateurs
    • 92avis des critiques
    • 82Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 32 victoires et 30 nominations au total

    Vidéos1

    Trailer
    Trailer 2:48
    Trailer

    Photos134

    Voir l'affiche
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    + 128
    Voir l'affiche

    Rôles principaux47

    Modifier
    Nicolas Cage
    Nicolas Cage
    • Ben Sanderson
    Elisabeth Shue
    Elisabeth Shue
    • Sera
    Julian Sands
    Julian Sands
    • Yuri
    Richard Lewis
    Richard Lewis
    • Peter
    Steven Weber
    Steven Weber
    • Marc Nussbaum
    Kim Adams
    • Sheila
    Emily Procter
    Emily Procter
    • Debbie
    Stuart Regen
    • Man at Bar
    Valeria Golino
    Valeria Golino
    • Terri
    Graham Beckel
    Graham Beckel
    • L.A. Bartender
    Albert Henderson
    • Man at Strip Bar
    • (as Al Henderson)
    Shashi Bhatia
    • Hispanic Prostitute
    Carey Lowell
    Carey Lowell
    • Bank Teller
    Anne Lange
    Anne Lange
    • Business Colleague
    Thomas Kopache
    Thomas Kopache
    • Mr. Simpson
    Vincent Ward
    Vincent Ward
    • Businessman #1
    Lucinda Jenney
    Lucinda Jenney
    • Weird Woman
    French Stewart
    French Stewart
    • Businessman #2
    • Réalisation
      • Mike Figgis
    • Scénario
      • John O'Brien
      • Mike Figgis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs423

    7,5141.8K
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    Avis à la une

    Michael_Elliott

    Raw Look at Alcoholism

    Leaving Las Vegas (1995)

    **** (out of 4)

    Depressing account of a man (Nicholas Cage) who goes to Las Vegas to drink himself to death and once there he strikes up a relationship with a prostitute (Elisabeth Shue). Going back and watching this film after so many years had a lot of things going through my mind. Such as the first time I watched this it was in the theater as the second part of a double feature with DEAD MAN WALKING. Talk about a depressing four hours in the theater. The second thing it reminded me of was what a terrific actor Cage was and how at the time many people were calling him one of the greatest of his generation. I bring this up considering the type of films Cage is currently doing. LEAVING LAS VEGAS is without question a very dark and depressing film and it always amuses me that people attacked the picture for this. I mean, there are several films each year that shows the fun side of drinking so I always find it strange that so many could object to a film showing the ugly side. I can understand people not wanting to sit through a nearly two-hour suicide movie but at the same time those who can stomach the story are going to be shown one of the best performances from this era. Cage is simply marvelous as the alcoholic who goes on a death wish for reasons we're not fully told. It's funny but the screenplay really doesn't give us much insight to either character other than both are troubled, alone and find some sort of comfort with each other. This love story between the two certainly isn't all that casual or romantic but it's quite unique in its own way. The way Cage controls this character, his various emotions and the physical nature of his body falling apart are simply amazing to watch. It really reminds one of how great he can be when the material is right. Shue also turns in the best performance of her career and you can really see the pain in her eyes as this man she loves is slowly dying. Julian Sands is also quite effective in his few scenes. Director Mike Figgis does an extremely good job with the material but a lot of credit also needs to go towards his film score. LEAVING LAS VEGAS isn't a very pretty movie to watch but then again, why would anyone expect alcoholism to be pretty?
    9mstomaso

    The dignity of love and the depths of despair

    If Mike Figgis never made another film, and Nick Cage and Elizabeth Shue retired after making Leaving Las Vegas, they would have done so with impunity. Both actors are superb, and bring the excellent screenplay to life with the help of some masterful dramatic cinematography.

    Cage plays a suicidal alcoholic who has come to Las Vegas to drink himself to death, and Shue plays the unexpected problem - a prostitute who falls in love with him. The only reason this film did not receive a ten from me is the voice-over technique which was tastefully minimal, but, in my opinion, the only mistake the director made. It does help to provide closure, but I felt that closure was an unnecessary compromise here.

    This is not an entertaining film, and in truth, I am surprised by its popularity among typical audiences. It is a serious film, and a work of art, but fun is not to be found here. DO NOT see this film if you dislike feeling emotionally drained and ethically challenged, and DO NOT see it if you are very prone to boredom, or easily offended by sexual violence, substance abuse and the horror of daily life on the street.

    This is an intensely sad film about love shared by people who are caught in the gravity of their lives and can not escape. It is also a story of redemption and respect, found in improbable places. It is NOT a fun-filled frolicking romantic comedy, but rather, the opposite, and it achieves a beauty, dignity and power almost unique among films treating such starkly real and disturbing subjects.
    9g-bodyl

    Dangers of Alcoholism!

    Leaving Las Vegas is a very powerful character drama that happens to be the best acting Nicholas Cage has ever done. We are so used to his over-the-top performances, but this role is very reserved. He does play an alcohol addict, but he isn't crazy for the majority of the film and that's a relief. This film was made on a very cheap budget, but that doesn't matter when we get too involved in the story and the relationship between the two main characters.

    Mike Figgis's film is about a Hollywood screenwriter named Ben who loses everything thanks to his alcoholism. He decides to go to Las Vegas to literally drink himself to death and that's where he meets a prostitute, Sera. They form a relationship despite their issues and each realize they form a special bond with each other.

    The acting is very good. Nic Cage does a career role and his portrayal of an alcoholic is very realistic and disturbing. I'm perturbed on how much alcohol he drank in the film. Elizabeth Shue does very well as Sera and we are able to feel her pain despite her profession.

    Overall, this is a very surreal and realistic drama that focuses mightily on characterization. I don't like what each person does, but somehow the movie makes me feel bad for them and root for good things to happen to our main characters. Also, I really liked the look and the feel of the film. It gives out a more realistic feeling. Thanks to the raw, gritty, and powerful performances, this movie works on a high level. I rate this film 9/10.
    CurtMan@LVCM.com

    Cage's Career Milestone

    "Leaving Las Vegas" is an insightful, harrowing experience about the binding forces of true romance, the power of encouragement and compassion, and the tragic effects of alcoholism. The performances are absolutely astounding: Nicholas Cage delivers one of the most unforgettable, genuine, and human performances ever captured on film (a well-deserved Oscar for every reason), and Elisabeth Shue, as his soul provider and protector through the trauma of his alcoholic turmoil is sentimental, passionate, and definitely deserving of the Oscar for Best Actress in 1995, providing us with the eye of Ben Sanderson's heart and soul, as his equally troubled lover who has pledged to stay with him through tears and trials. Director Mike Figgis is intensely effective in following the many turmoils of Sanderson as he copes with terminal alcoholism, even going so far as to declaring he will "drink himself to death in Las Vegas", and the effects of his struggle upon his functions, health, and spirit, as well as the corresponding attributes of his loyal lover, Sara. I'm certain that anyone who has experienced the turmoil of alcoholism or has been deeply involved with such an abuser will gravely appreciate the realism and depth of this film to address the egregious effects of drinking constantly, and how this alcoholism tears many lives literally apart. I was horrified by Sanderson's dependence upon alcoholism as a substitute for happiness and control, and Nicholas Cage's uncanny human performance, with all of his appropriate, convincing twitches and erratic movements, enhanced the compassion and torment I felt for this character, who has literally surrendered his life to this terrible disease of alcoholism. We gasp in horror as we see Sanderson taking a shower with a bottle of gin in hand, and trembling to the refrigerator for a bottle of vodka: these are the true, tragic symptoms of alcoholism, and this film does an excellent job in addressing them. A brilliant, tragic, yet extremely essential study of the disease of alcoholism and how it can destroy every aspiration, every desire, and every state of consciousness we have within ourselves, when we are constantly craving "one more bottle of vodka" 24 hours a day, 7 days a week... Nicholas Cage delivers one of the most heartfelt and eerily convincing performances in the history of film, and this is one lamentable, subliminal look at one of the saddest and unnecessary addictions in humans: striving to either enhance, better, or in this case, destroy their lives in constantly drinking intoxicating and deadly substances. Sanderson to Sara: "You can never make me stop drinking"--- the sad, yet frighteningly real state of mind of a disparaged, hopeless, alcoholic. **** out of ****
    9jguz58

    Amazing, and gritty performances

    It's not a movie I could bear to watch very often, because it's sad to see people destroy themselves. But Nicolas Cage and Elisabeth Shue are riveting to watch here. As a person who has a past involvement in alcohol and substance abuse, I found Cage's performance especially compelling, and after watching him in this one, I am sure glad that lifestyle is behind me!

    The chemistry between these two is really great, two people that need each other in different ways, trying to cope with how screwed up their lives have become. Very real performances, if you're faint-of-heart be ready for some strong words, and not just obscenities. Wow! They really lay it on the line. Great performances by two of my favorites.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Author John O'Brien, on whose novel this movie is based, committed suicide two weeks after the movie went into production. Director Mike Figgis contemplated abandoning the project, but decided the film would make a good memorial for O'Brien.
    • Gaffes
      Yuri is supposed to be swearing in Latvian on the phone. In fact, he speaks gibberish.
    • Citations

      Ben Sanderson: I don't know if I started drinking 'cause my wife left me or my wife left me 'cause I started drinking, but fuck it anyway.

    • Crédits fous
      The opening credits do not appear until fifteen minutes into the film.
    • Versions alternatives
      LaserDisc version is unrated and contains more sexually explicit footage. First pressings of the VHS versions also contained this footage but later pressings did not. The Unrated Edition has also been released on DVD and Blu-ray and runs 112 min.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Vampire in Brooklyn/Mighty Aphrodite/Copycat/Leaving Las Vegas/Never Talk to Strangers (1995)
    • Bandes originales
      Angel Eyes
      Written by Matt Dennis and Earl K. Brent

      Performed by Sting

      Courtesy of A&M Records, Inc.

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    FAQ22

    • How long is Leaving Las Vegas?Alimenté par Alexa
    • What does Ben get told by a waitress at the casino (around 1:04:00), when he's sitting at a gaming table with Sera, which makes him react by flipping the table and screaming?
    • What are the differences between the R-Rated and Unrated Version?

    Détails

    Modifier
    • Date de sortie
      • 20 mars 1996 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Facebook
    • Langues
      • Anglais
      • Russe
    • Aussi connu sous le nom de
      • Adiós a Las Vegas
    • Lieux de tournage
      • River Palms Resort Casino - 2700 South Casino Drive, Laughlin, Nevada, États-Unis(interiors, as Gold River Casino and Resort)
    • Sociétés de production
      • Lumiere Pictures
      • Initial Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 600 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 32 029 928 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 70 864 $US
      • 29 oct. 1995
    • Montant brut mondial
      • 32 029 928 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 51min(111 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.66 : 1

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