Kiss of Death

Everyone agrees that the casting was marque. And that it has great source material. But I feel it gets a bum rap with critics. And Nicolas Cage was exactly what the film needed. I thought so then and I think so now. Color, flash, and style. Something out of the ordinary to give it some desperately needed weight. And Cage makes weight. Literally. That is the strongest look I had seen since Stallone did "First Blood, Part II". Cage is a physical bull and it's impressive. I wouldn't have recognized him if I hadn't seen the trailer with his name on it beforehand. If you never saw this, see it. For no other reason than to be scared of Nic Cage. I was.

Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.

I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.

Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.

I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.

You may find a gem here!

America has the best justice money can buy- meaning gentry that pay for the privilege of justice receive it and normal citizens will see justice only by pure accident. Here is a normal citizen who served his time but continues to be harassed by police- a common tactic of pigs- since they are too stupid to be detectives- they make their informants do all the dirty work of investigation under penalty of return to prison on some lies and setups-ya know- who they gonna believe? Me or you? This is the framework this movie operates in- the reality that most cops and lawyers are total scum that need two neat in the back of the head, and justice is a fairy tale in America.

Add in a little action jackson moments to spice it up and we have a watchable movie that is reasonably OK- not stellar- but watchable to the finish and a decent job of acting by our lead. This is one of the few action flicks that actually tries to do some acting- our lead does a great job- his supporting actors do OK- but not great.

All in all- I would watch this movie for a matinée by myself. One of the humorous things in this movie is you see Nicholas Cage bulked up as a guido in a disco.

This was part of the David Caruso effort to dominate movies as he was tv at the time. Unfortunately for him, and probably us, he never really managed to pull it off. Because he had developed a reputation (valid or not I don't know) as a bit of a *%#^ people seemed happy to see him fail.

Its a shame because he is a good actor and he's good in this. As is the rest of the cast which is full of A and A- actors.

It won't knock your socks off but it will entertain so mission accomplished!

A mostly gripping crime drama with a good script and a great cast. This is David Caruso's best movie by far as a leading man, the reason he left NYPD Blue, and it portended a good career to follow. Well, his movie career tanked but this is still a good character study and underrated neo noir entry. Cage is all breathy snarl and wonderful menace in the flashy sociopath role originated by Richard Widmark. Hard to imagine assembling a backup cast with Ving Rhames, Helen Hunt, Stanley Tucci, Michael Rapaport and Samuel L. Jackson these days on this budget, and they all put in nice turns.

Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.

"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.