NOTE IMDb
6,0/10
21 k
MA NOTE
Un condamné ayant purgé sa peine retourne dans le monde de la pègre, avec l'aide d'un détective afin de piéger un gangster psychotique.Un condamné ayant purgé sa peine retourne dans le monde de la pègre, avec l'aide d'un détective afin de piéger un gangster psychotique.Un condamné ayant purgé sa peine retourne dans le monde de la pègre, avec l'aide d'un détective afin de piéger un gangster psychotique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
Ex-con Jimmy Kilmartin agrees to drive a truck of stolen cars as a favour to a friend. Whilst on the job he gets caught but refuses to role over on the others involved. Whilst in prison his wife is killed in a car crash and Jimmy leaves prison, bitter but with a determination to move on. However NYPD officer Calvin wants to use Kilmartin to get close to Little Junior Brown and get evidence to shut him down.
This was one of several vehicles that was planned to turn David Caruso from a TV hit to a big screen star - as we know, it didn't work out that way. However the story is pretty solid, it doesn't break new ground and there's nothing outside of the usual crime thriller plot to surprise you but it's really quite good. At times it's a little dull because it is so straight forward but it's mostly entertaining.
Caruso, for all his current lack of success, is actually very good. The problem is that he's good by doing the same "NY Irish tough but fair" role that he did in NYPD Blue, King of New York, Bodycount and most films he's done! It's good but I don't think he can do anything else. Jackson has presence as he always does and the support cast is really well filled out with people like Helen Hunt, Stanley Tucci, Rapaport, Philip Baker Hall, Ving Rhames. Nicolas Cage's Little Junior is a mixed bag. At some points he is effective but for the most part he's horribly OTT and hammy. His character is full of ticks and eccentricities that at the end of the day that's all Cage has to do.
Overall this is a solid thriller with no surprises. Caruso fans (like me) will like it regardless because it's Caruso doing his usual role. But others may not be so easily made to overlook the weaknesses.
This was one of several vehicles that was planned to turn David Caruso from a TV hit to a big screen star - as we know, it didn't work out that way. However the story is pretty solid, it doesn't break new ground and there's nothing outside of the usual crime thriller plot to surprise you but it's really quite good. At times it's a little dull because it is so straight forward but it's mostly entertaining.
Caruso, for all his current lack of success, is actually very good. The problem is that he's good by doing the same "NY Irish tough but fair" role that he did in NYPD Blue, King of New York, Bodycount and most films he's done! It's good but I don't think he can do anything else. Jackson has presence as he always does and the support cast is really well filled out with people like Helen Hunt, Stanley Tucci, Rapaport, Philip Baker Hall, Ving Rhames. Nicolas Cage's Little Junior is a mixed bag. At some points he is effective but for the most part he's horribly OTT and hammy. His character is full of ticks and eccentricities that at the end of the day that's all Cage has to do.
Overall this is a solid thriller with no surprises. Caruso fans (like me) will like it regardless because it's Caruso doing his usual role. But others may not be so easily made to overlook the weaknesses.
A mostly gripping crime drama with a good script and a great cast. This is David Caruso's best movie by far as a leading man, the reason he left NYPD Blue, and it portended a good career to follow. Well, his movie career tanked but this is still a good character study and underrated neo noir entry. Cage is all breathy snarl and wonderful menace in the flashy sociopath role originated by Richard Widmark. Hard to imagine assembling a backup cast with Ving Rhames, Helen Hunt, Stanley Tucci, Michael Rapaport and Samuel L. Jackson these days on this budget, and they all put in nice turns.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
David Caruso and a beefed up Nicholas Cage star in this remake of the 1947 noir film..In this one David Caruso, on parole, is talked into doing a job to help his cousin, when he is busted, his cousin takes advantage of him and his wife Helen Hunt. Caruso is offered a deal by a slippery DA with political aims, played with the usual excellence by Stanley Tucci. Caruso then discovers the meaning of the word politics and seeks revenge on those who betrayed him. An underrated movie that didnt get much press when released (probably due to Caruso's controversial exit from NYPD Blue) this film builds the suspense and keeps you involved and interested.Caruso, the Cagney for the 90s, plays his part great with a tension you can feel. All the other roles are played well in this sleeper movie.. Well recommended Kiss of Death rates a 8
My friend made me watch this and I found it to be a surprisingly entertaining movie. It's a remake of a 1940s film noir, but I haven't seen that one. Here David Caruso plays the typical gangster-gone-straight in order to support his new family, but one of his friends (played by Michael Rappaport) pulls him in for one last deal which (unsurprisingly) screws him over big time.
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
Le saviez-vous
- AnecdotesThe club featured in the film was actually a small business office building next to McDonald's in Queens, New York that was completely converted to the look in the film by production designer Mel Bourne. It is now abandoned, and remains unused to this day.
- GaffesThe Rolls-Royce being torched at the salvage yard has a perimeter frame; genuine Rolls-Royce Silver Shadows are unibody vehicles.
- Citations
Little Junior Brown: I have an acronym for myself. Know what it is? B.A.D. B.A.D... Balls, Attitude, Direction. You should give yourself an acronym... 'cause it helps you visualize your goals.
Jimmy Kilmartin: How about F.A.B.? Fucked At Birth.
Little Junior Brown: No good. Too negative.
- Versions alternativesThe FX cable TV version that aired in the late '90s/early 2000s did the usual violence and language edits and most notably during the strip club scenes adds black blurs (ex: when Nicolas Cage is talking to a few people, the topless dancer has a digitally added black dress so that the scene is safe to air).
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- How long is Kiss of Death?Alimenté par Alexa
Détails
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 942 422 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 317 066 $US
- 23 avr. 1995
- Montant brut mondial
- 14 942 422 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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