Judge Dredd

I first saw this film in Asia, and thought it was an OK action/sci-fi film (Max von Sydow gave the film his blessing). But when I returned to the U.S. shortly afterwards, I was surprised by how much the film was being vilified. And the reviews didn't seem to bear any relation to the film I saw in Asia. There seems to be an anti-Stallone lobby in the U.S., which attacks every film he makes (even some of the better ones like Cliffhanger and Assassins). I simply don't get it. He happens to have appeared in some of the best action films of the last decade or two. He still commands 8-figure salaries for every film. He lives like some kind of Olympian god. OK, so 'Get Carter' was a pale, pale (PALE) shadow of the original (though beautifully photographed!), but Sylvester Stallone is as big as Jackie Chan overseas. This might make some of you glad that you aren't overseas. It makes me glad that I am (that and the low cost of living). Keep up the good/bad work, Sly!

JUDGE DREDD

Now the thing about this movie is everyone hates it… except me.

The movie is about a law enforcer set in the future that gets falsely accused of murder and is sentenced to life imprisonment. He escapes and is on a mission to try and find the person who set him up.

Anyone that has read the comics hated this film due to the fact that is apparently so different to the comics. From what I have been told, Dredd never takes off his helmet and reveals his face. Not in this film. His helmet is taken off within 15 minutes of the movies start. I never read the comic so I don't know any other differences, but that is probably why I enjoyed it.

This film has a very 90s feel to it. It reminds me in a way to Demolition Man. They are both set in the future and are both really good action movies, although Demolition Man is better. I do love the action films from the 90s. They have a good over the top feel to them.

The acting is alright in it considering it is a cheesy action movie. The movie stars Sylvester Stallone as Dredd. He looks uncomfortable in this role some of the time, but then Stallone does not suit some roles. A young Diane Lane plays his partner. She does a pretty good job. I was very surprised to see a cameo from one of my favourite singers… the legendary Ian Dury. He only had a very small part, but he was really good.

The effects and explosions were really good and well done. But that is what was expected from the action films of that era. The gun fights were completely over the top too… in a good way. I also loved the giant robot in the film. It was one of my favourite characters.

If you like cheese, Sly Stallone, futuristic films and never read the Dredd comics… then I can't see why you would hate this.

I will give it 7 out of 10.

"I am the law!"

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In the future the world has been scorched and is uninhabitable. The cities are overflowing and cramped. Violence and crime has gotten to the stages that the courts and juries of the past were unable to cope. The Judges were planned to be police, judge and executioners – the ultimate law keepers. The strictest of these is Judge Dredd. However Dredd's history is revealed when his long-forgotten genetic twin escapes from captivity and kills high ranking council members. The DNA evidence points to Dredd and he is sentenced accordingly. However he escapes with hacker Fergie and returns to the city to try and stop Rico's plan for his own laws.

It's been a few years since I saw this in the cinema and I thought I'd give it another go. However I had only average memories of it – memories that were pretty close to the mark now that I've seen it again. The film starts reasonably well and has a good little bit of humour in it – the recycling bot that says `recycle waste for food, it's good for the environment and OK for you!' is my favourite! However any nice touches like this and any debate on the nature of the Judges is quickly lost in a by-the-numbers blockbuster.

The action is OK but not great and the film doesn't manage to ever really have a genuine sense of excitement or tension. Director Cannon is much better at style than substance and here he proves that again. The cartoon violence will be OK for teenagers but is too basic and undemanding for many I think. The cityscapes are quite good but a tad OTT. Bladerunner got it pitch perfect all those years ago and every film since has tried to up the ante unnecessarily.

Stallone is a pretty good choice for Dredd because of his strong chin. I didn't care less if he removed his helmet or not, but his constant speaking in catchphrases did annoy me a bit. Oh – and I've heard a life time of `law' and `court' puns and kiss-off lines. Schneider is a misjudged comedy sidekick, he isn't used well and just gets in the way. The film would have been better without his `relief' and gone darker. Assante is a strong villain and the council is full of famous faces. Lane has nothing to do as Judge Hershey.

Overall this is a cartoon for teenagers and those just looking for lots of bangs. However, even for that crowd this may prove a little basic – I wanted it to be more sophisticated than it was and be darker (but not just violent as it has been misinterpreted as here). Maybe worth a watch with a beer and pizza but the fact that we haven't been treated to a JD2 speaks volumes.

I would hardly call this a Judge Dredd movie. While it starts off promising with an intriguing premise and great production design, the film quickly devolves into a typical Stallone action film. It's cliched, lacking in a good story, and missing something special. This is an interesting character that gets tossed aside pretty quickly so Stallone can take his helmet off and do his usual shtick. I don't dislike Stallone, but he seemed like an odd choice for this film.

This film, and its generally poor reception is a good example of what happens when huge marketing mistakes are made. Take a look at the cover of the DVD package: "Stallone: Judge Dredd". The film should have been titled "Judge Dredd" - even in the packaging - and the emphasis for the marketing of this film should have been less Stallone, more content. On the flip-side, when the most consistent complaint you can find among IMDb psychofants is "HE TOOK OFF HIS HELMET!", you really have to wonder if the film is quite as bad as so many believe.

Eagle Comics 2000 AD character Judge Dredd was one of the most original, entertaining and intelligently written and interestingly drawn sci-fi comics of recent times. With story arcs varying from 2 pages worth of panels to 4 or 5 episodes, and sometimes multi-threaded plots, this violent, political and tough cyberpunk version of Dirty Harry set some pretty high standards for adult comic authorship both in its native UK and in the USA, once the imports started flowing in. It freely traversed from film noir to flat-out wild sci-fi action to nihilistic hard justice, and did so with style and originality rarely seen in the comic medium. Hence, although I like Stallone in this film, it's not only misleading but a little insulting to call this 'a Stallone film'. The producers had very big shoes to fill, and though I am in the minority here, I believe they did well.

The production team chose a story arc which I was never very fond of, but one of the more do-able ones to be sure. Any Dredd-based film would necessitate a huge special effects budget, and most of them, even with the best special effects available, would likely be nearly impossible to pull off and might look ridiculous. To their credit, the Return of Rico story arc was rightfully recognized as good film material - it involves more emotional content than the usual Dredd fare, and actually required fewer outrageous special effects, than, say, the many Judge Death arcs might have.

Dredd is a "street judge" - and the judges are the closest thing to a government in a post-apocalyptic future where nuclear war has concentrated all of the world's population into mega-cities - hotbeds of crime and chaos, surrounded by mutagenic wastelands called The Cursed Earth. Dredd is the best of the best, a very tough cop who knows method, theory, and has an incorrigible sense of ethics and dedication to the law. Dredd is also mentor to an entire generation of judges, including the brilliant Hershey (Lane). Rico, Dredd's former best friend, and a psychotic murderer escapes from a high security prison with some help from a fascistic leader of the judges who is bent on securing power and a new world order with himself in charge. Soon, Dredd is framed for murder and exiled to the wastelands, and judges start to die all over the city. About midway through the film, Dredd learns the truth of his relationship to Rico and begins to figure out the sinister plot. Of course, there is only one thing for him to do - return to Megalopolis to stop the conspiracy before it plays out.

The film features good performances by a really nice cast. Armand Assante brings the character of Rico to life better than the comic book ever did. Diane Lane, Jurgen Prochnow and Max Von Sydow are always good, and though I had my doubts to begin with, Stallone pulls off Dredd very well. While some folks complain about Rob Schneider's irritating behavior, I found that his goofy character took a little of the edge off of Stallone's depressive performance of the most stoic law enforcement officer on planet earth. This is not one of Joan Chen's better roles. If you're a big Chen fan, you might think twice about seeing this.

All considered, I see Judge Dredd as a under-rated and mis-marketed film, which, through its fast pace, sophisticated sci-fi plot, Excellent special effects and very good cast, took all of the screenable elements of the comic book and made them accessible to an audience a bit wider than its original fan-base. If this review peaks your interest, see it!