La Bible: Joseph

Competently made Biblical production dealing with revelant epic deeds narrated in the Old Testament. It is a luxuriously mounted production that gives a feeling of religious spectacle. Biblic story of Joseph: Paul Mercurio, and his 10 envious siblings. Covering Jacob, who long time ago was blessed as successor by Isaac posing as Esau, his sons and especially Joseph. He was sold to slavery by his jealous brothers Reuben, Zebulon, Simeon, Judah .. They had a real jealousy of his skills and of being their father's favorite. As they take him, seize, tear off his coat and throw him into a dry well. The following day, he is given to traders on their way to Egypt . At a popular market, Joseph is sold as a slave to Pothipar, the Pharaoh Prime Minister : Ben Kingsley . His prophetic abilities and highly productive work win his master's trust and he is appointed as a major servant. One day, he is seduced Pothiphar's tempting wife : Lesley Ann Warren , but Joseph rejects her . The scorned woman seeks vengeance and acussing him of violation. He is imprisionated and at the jail prophetizes the future of two locked powerful men who served the Pharaoh . Later on, he is called by Pharaoh himself : Stefano Dionisi , to interpret his twisted dreams . As Joseph describes the famous dream of seven thin cows that eat seven fat cows. Then Joseph predicts the dream in which 7 years of plentiful harvest, Egypt will suffer 7 years famine .Later on, Pharaoh Ramses I appoints Joseph as the main Chancellor.

Biblical history miniseries formed by two long episodes , shot in enough budget imitating the American Colossal, but made in Italian style. This Old Testament story is decently told , taking parts here and there of the notorious historical happenings . It contains great production design, spectacular scenes and famous as well as charming actors. The movie gives engaging messages about fraternity, compassion, forgiveness, love, brotherhood and redemption. Paul Mercurio gives an acceptable acting as the good son whose ruthless brothers become increasily resentful of their dad's preference of Joseph, carring out a merciless revenge . Martin Landau gives a good interpretation as Jacob who married Rachel well played by Alice Krige .Support cast is frankly fine, such as Dominique Sanda, Ben Kingsley, Warren Clarke, Lesley Ann Warren, Renato Scarpa, Peter Eyre, Oliver Cotton, Arthur Brass, and Monica Bellucci as Pharaoh's wife, among others.

It packs an impressive and rousing musical score by Marco Frisina supervised by Ennio Morricone. And a colorful, brilliant cinematography by Raffaele de Mertes, shot on location in Morocco. The picture was compellingly directed by Roger Young. Roger is a good artisan, usually filming for TV and occassionally for big screen. He has shot various miniseries which have been a joy of his long career. He filmed several episodes of the prestigious Bible series, such as Jesus, Moses, Paulus of Tarso, Salomon, Barrabbas and Joseph. Rating 7/10. Better than average. Well worth seeing.

This story has been previously adapted as follows : Joseph and hid Bethren 1961 by Luciano Ricci, Irving Rapper with Geoffrey Horne as Joseph, Finlay Currie, Robert Morley, Terence Hill, Belinda Lee, Helmut Schneider. In the beginning 2000 by Kevin Connor with Eddie Cibrian as Joseph, Christopher Lee as Pharaoh Ramses, Steven Berkoff as Puthiphar, Amanda Donohue as his wife.

The story of Joseph and his brothers is one of the most impressing and rich of significance stories amongst the many others great legends from the Bible. Even the Nobel Prize winner - German author Thomas Mann - wrote a novel called 'Joseph and his Brothers' giving his personal interpretation of this intense, gripping and compassionate episode of the Bible. However, the cinema never pays much attention to this story. In fact, anyone can easily remember movies like 'The Ten Commandments' which tells the adventure of Moses in his search for the Promised Land or 'Sanson and Dellila'. But the drama of the betrayed Joseph, his suffer among the Egyptians and his conquer of power and fortune, was never at the first line of consideration by the producers of Hollywood. This movie, produced in Italy, bring to us this entranced story with an average success. The movie is a bit overlong (180 min) but never boring; the sets and costumes are accurate and the movie has a great photograph. Martin Landau gives a convinced performance as Jacob, Ben Kingsley is correct as Potifar but Paul Mercurio is very bad as Joseph. Maybe another actor with more intensity could give more strenght and energy to the movie. Anyway, if you find this one in a DVD/VHS rent store and if you like Biblical movies, don't lose this one. It's really worthwhile.

Joseph is an excellent dramatisation of the Biblical story. It's a tale best known in popular culture today as the basis for the Lloyd Webber musical, but I found it refreshing to sit down and watch a thorough and accurate account of the story as it was in the Bible, and without all the glitzy silliness that Webber brought to the table.

The production values and script are as great as ever for this series, with the Moroccan locations perfectly standing in for Canaan and Egypt (the depiction of the famine in particular is terrifyingly realised). What stands out most, though, is the calibre of the cast in this one.

Ben Kingsley far and away steals the show as the complicated Potiphar; he's a man you could easily hate when he first shows up, but there's much more to him than that. Kingsley isn't the only winner here. Martin Landau, as the ancient elder Jacob, is also outstanding, adding real heart to the production. Lesley Ann Warren is sexy and delicious as Potiphar's scheming wife. Paul Mercurio (STRICTLY BALLROOM) makes a charismatic Joseph, even if he didn't entirely lose his Aussie accent, and it makes you wonder what happened to him.

They throw him into a well and sell him into slavery; yet, he makes them rich masters and forgives them all the misery and hatred... that would be called 'simpleton's naiveness' in a world where luck takes over all respected values and where power reigns over goodness. Many people would mock such naiveness nowadays and throughout history when a strong hand has been far more appreciated than a good heart. Is there still anything that can persuade us to believe in 'subtle reign of goodness' 'subtle reign of heart'?

Yes! That is the story of Joseph from the Book of Genesis, the story of a young boy sold into slavery by his envious brothers who overcomes particular hardship and injustice in order to be placed one day over the Pharaoh's house, his people and his entire kingdom, in order to become "Zapaneth Paneah" – a 'saviour' for Egypt and all surrounding lands; finally, in order to embrace his brothers in tears of pardoning.

Although the story of Joseph was, for a long time, quite neglected in cinema, the new biblical project in the 1990s could not skip this significant tale after ABRAHAM with Richard Harris and JACOB with Matthew Modine. I was quite skeptical about this movie in the mid-1990s taking into consideration some critics' opinions. The director, Roger Young, is known for taking liberties with historical content and, as he was not known in my country at that time, some critics spread negative viewpoints about the production before its TV premiere in Poland. Nevertheless, what we saw during the 1996 Easter time was far beyond our expectations. Again, critics disappointed us terribly...

The entire movie is faithful to the Bible to such extend that there are hardly any changes, even minor ones, which makes it one of the most accurate productions ever. Yet, it is not a sort of sheer continuous narrative in accordance with the Bible but a very innovative execution of the captivating, mesmerizing content. The story in most part of the film's first half is told 'in media res.' We get the insight into an Egyptian slave market and a slave boy of Canaan who opens his mouth only in prayer bought by a rich master Potiphar (Ben Kingsley). Although things begin to improve for both, a woman steps in... Joseph (Paul Mercurio) tells his dramatic story to his master just after the unfair accusations have been made up by Potiphar's wife (Lesley Ann Warren) and... everything gets so vivid, combined with emotions and personal suggestions. Thanks to that, Potiphar is more aware of Joseph's innocence. In a memorable scene, his wife asks him sarcastically: "What is more important to you? His God or my good name?" his thrilling answer sounds "Truth" ... At the same time, Joseph shouts desperately "Lord, my God why have you forsaken me?" Events to come truly prove that his God was with him...

However, besides the story that has overwhelmed lots of different people for centuries, "Joseph" offers much more. When the story itself does not suffice for many (that is the case with all biblical material) what we want, as viewers, is something that will remain in our memories, that will leave us breathless, something awesome within the perfectly familiar walls of our knowledge and experience. Something like that may be provided only by certain artistic merits. "Joseph" as a movie offers us all of them including lovely cinematography, memorable sets and very good camera work. While watching the movie for the second time, I paid particular attention to camera work, to single images and I was mesmerized by some moments which are both symbolically and visually significant.

The cast... Paul Mercurio in the lead portrays a man of integrity, a man of forgiveness, a man who has truly seen the evils of rape and vengeance and, consequently, appears to be "endowed with a spirit of God" as poetically described in the script, or, more realistically, very reliable to all the people around, even to such greatness itself like the Pharaoh himself. He is boyish for women, upright for masters, gentle for brothers and faithful to his values. All these unique features of Joseph are beautifully portrayed by Paul Mercurio. The supporting cast include great stars of cinema as well as unknown actors who do equally fine jobs in their roles. Ben Kingsley as Potiphar focuses on patience, Martin Landau as Jacob emphasizes father's love, Stefano Dionisi as Pharaoh highlights confusion of a ruler and Vincenzo Nicoli as, perhaps, Joseph's most wicked brother, Simeon, stresses integral aspect of jealousy and hatred. A mention must be made of beautiful Monica Bellucci as Pharaoh's wife. But a nice contrast is highlighted by two women: Valeria Cavalli as Asenath: a subtle, beautiful woman pleasing to Joseph and Lesley Ann Warren as wicked, lustful and cruel Potiphar's wife.

In short, for me, Joseph has been a biblical experience on screen, a movie that touched me to tears, a motion picture that addressed my heart. Whenever I am depressed, sad or tired of earthly vanity, it is one of the films that takes me into a consoling reality. Timeless story of a gentle heart that brings all worldly revenge, cruelty and jealousy to their knees, which never stops saying "Forgiveness is greater than vengeance; compassion more powerful than anger"

As a teacher of ancient history with an earned doctorate in Biblical theology, I must compliment the producers of 'Joseph' for doing the impossible: staying faithfully true to Biblical text, and holding the attention of young and old alike for three hours.

'Joseph' captures the power, pathos, and splendor of the greatest of Bible characterizations--Joseph, the hated brother, becomes not only lord over his entire family, but the second most powerful man in the ancient world. Ben Kingsley, as he did in 'Moses', and Martin Landau (as Jacob) steal the show, but Paul Mercurio does an admirable job as the main character. Vincenzo Nicoli is outstanding as the vengeful brother Simeon, and, as the last to confront the powerful Joseph--now his savior, Nicoli does nothing less than reduce us to tears.

The film is also true to the many nuances of Egyptian and Hebrew history, which most audiences would neither notice, nor care to notice; yet, such nuances prove highly effective! To note the Egyptians' penchant for cleanliness, and to depict Joseph's famous coat as not necessarily 'many colored' shows the expert research which went into this film.

Although some explicit (though historically accurate) sexual scenes must be screened from the very young, this film captures not only the drama and climactic ascension to a powerful emotional conclusion, but also the characterization of moral goodness so extant in Joseph. I watched 'Joseph' with my middle school students, and as they busily synthesized their thirty or so 'characteristics of a role model' into an essay, one of them asked why there were no such heroes today. The question at once revealed not only the impression this film made, but also the perceptive dearth of role-models in our modern society.

Though including a few anachronistic liberties (such as Joseph's "My God, my God..." paraphrase of Christ's cry from the cross, 'Joseph' is a winner! It is THE best of the TNT series, of which only 'Jacob' was a flop. Kudos for the direction, musical score, and casting directors; they are well-deserving of the awards which this film has earned. To quote Potifer: "...what matters most is the truth", and 'Joseph' delivers it with Biblical reverance and Hollywood expertise. HIGHLY RECOMMENDED!