Un enquêteur en assurance découvre peu à peu l'impact inquiétant qu'un écrivain de livres d'épouvante a sur ses fans.Un enquêteur en assurance découvre peu à peu l'impact inquiétant qu'un écrivain de livres d'épouvante a sur ses fans.Un enquêteur en assurance découvre peu à peu l'impact inquiétant qu'un écrivain de livres d'épouvante a sur ses fans.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Jürgen Prochnow
- Sutter Cane
- (as Jurgen Prochnow)
Avis à la une
The stories of H.P. Lovecraft can be summarized in a simple equation: Mankind + Ancient, Inescapable Horrors = Utter Doom. With IN THE MOUTH OF MADNESS, Director
John Carpenter uses the dread-filled atmospherics of Lovecraft, in order to pay homage to the writer.
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
Insurance fraud investigator, John Trent (Sam Neill) is sent to discover what happened to a pulp horror writer named Sutter Cane (Jurgen Prochnow), who seems to have vanished without a trace. Trent, a normal, rational man, soon finds himself entangled in a web of incredible, unexplainable occurrences upon finding the mysterious town of Hobb's End. Here, his skeptical / logical mind is tested beyond its limit.
Like Lovecraft, Carpenter gives us small glimpses of immense things that defy description. Reality bends in on itself, until we, along with Trent, can no longer discern fact from fiction. From the ax-wielding, mutant maniacs, to the unspeakable black church, Hobb's End is a place existing only in nightmare. A very satisfying, apocalyptic horror film...
I found this film terrifying. Sure there is no man in a stripy jumper coming to 'stab you up' and no one is tied to a chair and worked on with an angle grinder.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.
Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.
The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.
As someone who has read all of Lovecrafts books I can assure you that this movie has a strong Lovecraftian vibe to it. And even the title seems to be some sort of homage to Lovecrafts work, I presume (In the mouth of madness -> Innsmouth ?) Or maybe I'm just over-interpreting things. Who knows?
With that being said I really enjoyed the movie. It was refreshing and different. Sometimes the prospect of "not knowing what's real or not" is even scarier than straight up gore or monsters. After all the fear of the unknown is the ultimate essence of true horror. This movie had plenty of it so I can't complain.
With that being said I really enjoyed the movie. It was refreshing and different. Sometimes the prospect of "not knowing what's real or not" is even scarier than straight up gore or monsters. After all the fear of the unknown is the ultimate essence of true horror. This movie had plenty of it so I can't complain.
Insurance claims expert John Trent (Sam Neill) Goes off on a search for missing horror author Sutter Cane (Jürgen Prochnow), convinced his disappearance is a hoax. Once Trent goes looking for the missing author, he's lead to Hobb's End, a supposedly fictional New England town, to discover that something very wrong is going on
and Sutter Cane is responsible. "In the Mouth of Madness" came as a delightful surprise to me.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
I rented the DVD solely because I'd been wandering the video store shelves for close to 45 minutes (I have a little too much free time) and figured I'd be kicked out so I grabbed a handful of movies. This was one of them, and let me tell you I'm sure glad I did, because this is a damn fine flick!
To start, Sam Neill is excellent, as is Mr. Prochnow. The only bad performer here is Julie Carmen (Regina from Fright Night 2), who gives a wooden and thoroughly unconvincing "when-the-hell-do-I-get-my-paycheck?" performance.
Michael De Luca's script is sharp enough to never takes itself too seriously, while at the same time it can be very scary and dark. John Carpenter's direction was top-notch. Some of the guy's recent films have been disappointing, to say the least, but here he delivers the gore, suspense and action like a pro.
The special effects are great. The boys over at KNB effects studios cook up lots of monsters, gore and slime, delivering the goods as usual. The creatures here are indeed reminiscent of Carpenter's "The Thing", their creative and all look very lovecraftian in design.
At times the film can be extremely scary. The old trick of using darkness and shadows to convey creepiness that Carpenter's so good at are present and good as ever.
"In the mouth of madness" pulled all the right strings and I thoroughly enjoyed it. Highly recommended.
8/10.
Oh, and great ending.
What a treat of a film this was. It is witty, intelligent, and scary. The basic plot premise is anything but basic as the line between reality and fantasy is almost indistinguishable through most of the film. What is going on? Who really knows...I'm not sure even director John Carpenter knows. But what we do get is a guessing game of what is real and un-real in a very stylish, sophisticated, almost bizarre fashion. The film opens in a mental asylum with protagonist Sam Neill being put in a padded cell whilst in a straight-jacket. The setting is larger than life. The characters around Neill are caricatures for the most part. John Glover plays a doctor(Doctor Saperstein...a possible homage to Rosemary's Baby) with complete camp. David Warner, another doctor, begins talking to Neill and asking him about what happened. The rest of the film then details what Neill did working with regards to a lost author named Sutter Cane. The plot is much more complicated than that and may take subsequent viewings to fully understand WHAT can be understood. The end result is at the very least a very gratifying one as Carpenter constructs a dream-like story that has obvious roots in both the fiction of H. P. Lovecraft and Stephen King. The acting is good all around...Neill is excellent as John Trent. He makes a very believable presence in a sea of un-reality. Julie Carmen is also very good in her role. Look for Charlton Heston as a publisher and Bernie Casey in a cameo as well. Kudos to Mr. Carpenter for bringing his visions of horror to the silver screen once again. This may be his best film...certainly his most thought-provoking and sophisticated.
Le saviez-vous
- AnecdotesIn the film, the works of Sutter Cane are occasionally quoted. Most if not all of these quotes are actually taken directly from several H.P. Lovecraft short stories with some adaptations to fit them into the film story. Most notably, in the scene where Styles reads to Trent as he gazes into the abyss--her speech lifts much of its description, including such elements as "the illimitable gulf of the unknown" from the last few paragraphs of Lovecraft's "The Rats in the Walls." In an earlier scene as well, Trent reads a line verbatim from Lovecraft's "The Haunter of the Dark," in reference to the black church being "the seat of an evil older than mankind and wider than the known universe."
- GaffesTrent and Styles drive for at least 18 hours, through landscapes of cornfields in vast flatness, to reach the center of New Hampshire. New England isn't that big, and New Hampshire isn't that flat.
- Citations
John Trent: This shit really sells doesn't it?
Linda Styles: More than you'd think. Surprised?
John Trent: Lady, nothing surprises me anymore. We fucked up the air, the water, we fucked up each other. Why don't we just finish the job by flushing our brains down the toilet?
- Crédits fousAnimal action was monitored by the American Humane Association with on set supervision by the Toronto Humane Society. No animal was harmed in the making of this film.
Human interaction was monitored by the Inter Planetary Psychiatric Association. The body count was high, the casualties are heavy.
- Versions alternativesThe original theatrical release had the 1987-1994 New Line Cinema logo at the opening. The 2013 Blu-ray from Warner Bros. plasters it with the modern New Line logo. But the 2018 Blu-ray release from Shout! Factory restores the original logo.
- ConnexionsFeatured in Masters of Illusion: The Wizards of Special Effects (1994)
- Bandes originalesWe've Only Just Begun
Written by Roger Nichols and Paul Williams
Performed by The Carpenters
Published by Irving Music Inc. (BMI)
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- How long is In the Mouth of Madness?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- En la boca del terror
- Lieux de tournage
- Cathedral of the Transfiguration, Markham, Ontario, Canada(the black church - exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 924 549 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 441 807 $US
- 5 févr. 1995
- Montant brut mondial
- 8 926 413 $US
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