Week-end en famille

What I like most about this movie is the atmosphere it creates: the anticipation of returning home during the dreariness of the season's weather, the hustle and bustle of the holiday, the conflict between the loneliness and yet the quiet peace of waking to the first moonlit dusting of snow. There's always such a buildup to that big day, and then it's over, and, as one titled scene suggests, "now what?"

But what touches me about this movie is what it has to say about love. "The very thought of you" is more than a song at the movie's end, it's a theme that permeates the movie: such as when the father watches the home movie of his children, illuminating one of the pivital moments of his life that was only seconds in length, but brings his life such joy and meaning. The movie reminds us that it is "the very thought of you" that brings joy to us all.

"Nobody means what they say on Thanksgiving, Mom. That's what the holiday is all about. Torture." - Claudia

That is my favorite line in this, one of my favorite movies. This is a holiday at anyone's home: a congregation of people you love beyond comprehension and hate beyond belief but are bound to by blood. There are so many wonderful and true moments in this film both funny and dramatic, that I cannot possibly name them all except to say that these moments, even the one between the sisters near the end, are what we give thanks for even if they are painful. Yes family gatherings are dreaded, but once they are over we are happy to have attended, because somewhere amidst the chaos we remember why we love these people, where we came from, who we are, and what is truly important in this life. coming to realizations such as this inevitably involves torture. we would much rather not think about it... this movie forces us to. Great movie.

This is a great little gem of a film. The whole time i was watching this film i couldn't help but notice the similarities to my family. The craziness, the fights i mean everything. I laughed so hard during this film but mostly when Robert Downey Jr. was on screen. It is not to say that Holly Hunter was bad, she was quite good as was everyone else but Downey had this presense on the screen and he just stole the movie. while it was apparent he was using heavily he was still at his best on screen. The DVD commentary by Jodie Foster really gives insight to the film and it really sounds like Downey was a pain to work with because of his improvising everything but you feel she has a genuine sisterly love for him. Bottom line is that it was a funny, insightful, and realistic film.

I am so glad I found this movie. It is a snug little favorite of mine already. I come from a big family (all weirdos) who somehow get along very well. But this story of a bunch of weirdos who do not is just GRAND. Others may say that the themes of family and home and blah blah are the central idea here, but I say it is that Claudia (Hunter, playing our protagonist) has a really wonderful brother (Downey Jr. who nearly steals this film altogether).

Brother Tommy comes home for the holidays unexpectedly because he finds out his sister has just had a reaaaaalllly bad day (fired from her job, teen daughter announces she's going to have sex, loses her coat, makes out with her boss, etc) and dealing alone with the family would be unthinkable. He arrives with some hilarious fanfare, and proves to be excellent moral support for Hunter, a distraction for his family, and the provender of an interesting new element....in the person of Leo Fish, who may or may not be Tommy's new "partner."

Tommy ((heavily embellished and ad-libbed by Downey...listen carefully to his banter...hilarious)ends up taking the inevitable flack for his gayness (probably why he was not going to come home in the first place) but her lets it roll off his back, choosing instead to enjoy his sister's company and his parents' foibles. He also really enjoys (and so do we) watching Claudia and Leo Fish figure each other out.

They do...albeit obliquely and elliptically, with the conclusion sort of up in the air (hee hee). But in the process we are treated to Leo's very funky and offhand outlook on life. Listen for his very wry speech about trying to talk golf with his own father...."Par Par Bogie Bogie Par Par" has become a catchphrase for "blah blah blah" in my house...

Anne Bancroft and Hunter are stellar, and McDermott is darned cute (the making-out-on-the-doorstep scene is darling). But Downey (yet again) is the one you watch. The director's commentary by Foster gives a clue that he was frustrating to work with, but it seems very worth it here. He is just SO watchable, boistrous, too-energetic, motor-mouthed and loveable. We should all have such a brother. Lucky Claudia.

OH! Don't miss the turkey scene. Play it again to catch the peripheral characters' faces. I cannot wait for Thanksgiving!

This film, when stripped of all its humour, cover-ups and bravado, is one of the saddest stories put to film in recent years. The line that strikes me the most is nearing the end, when Claudia and Leo go to Joanne's to return her Tupperware. The dialogue goes as such:

Claudia: You don't know the first thing about me, Joanne. Nothing.

Joanne: Likewise, I'm sure. [pause] If I just met you on the street, if you gave me your phone number, I'd throw it away.

Ouch. If either of my sisters said that to me I'd have to hurt them. This is a touching, heartfelt film, and I adore it.