NOTE IMDb
6,6/10
16 k
MA NOTE
Après avoir perdu son emploi, flirté avec son futur ancien patron et découvert que sa fille envisage de passer Thanksgiving avec son petit ami, Claudia Larson devra faire face aux fêtes en f... Tout lireAprès avoir perdu son emploi, flirté avec son futur ancien patron et découvert que sa fille envisage de passer Thanksgiving avec son petit ami, Claudia Larson devra faire face aux fêtes en famille.Après avoir perdu son emploi, flirté avec son futur ancien patron et découvert que sa fille envisage de passer Thanksgiving avec son petit ami, Claudia Larson devra faire face aux fêtes en famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Celeste Lecesne
- Ron Drewer
- (as James Lecesne)
Avis à la une
"Nobody means what they say on Thanksgiving, Mom. That's what the holiday is all about. Torture." - Claudia
That is my favorite line in this, one of my favorite movies. This is a holiday at anyone's home: a congregation of people you love beyond comprehension and hate beyond belief but are bound to by blood. There are so many wonderful and true moments in this film both funny and dramatic, that I cannot possibly name them all except to say that these moments, even the one between the sisters near the end, are what we give thanks for even if they are painful. Yes family gatherings are dreaded, but once they are over we are happy to have attended, because somewhere amidst the chaos we remember why we love these people, where we came from, who we are, and what is truly important in this life. coming to realizations such as this inevitably involves torture. we would much rather not think about it... this movie forces us to. Great movie.
That is my favorite line in this, one of my favorite movies. This is a holiday at anyone's home: a congregation of people you love beyond comprehension and hate beyond belief but are bound to by blood. There are so many wonderful and true moments in this film both funny and dramatic, that I cannot possibly name them all except to say that these moments, even the one between the sisters near the end, are what we give thanks for even if they are painful. Yes family gatherings are dreaded, but once they are over we are happy to have attended, because somewhere amidst the chaos we remember why we love these people, where we came from, who we are, and what is truly important in this life. coming to realizations such as this inevitably involves torture. we would much rather not think about it... this movie forces us to. Great movie.
This film, when stripped of all its humour, cover-ups and bravado, is one of the saddest stories put to film in recent years. The line that strikes me the most is nearing the end, when Claudia and Leo go to Joanne's to return her Tupperware. The dialogue goes as such:
Claudia: You don't know the first thing about me, Joanne. Nothing.
Joanne: Likewise, I'm sure. [pause] If I just met you on the street, if you gave me your phone number, I'd throw it away.
Ouch. If either of my sisters said that to me I'd have to hurt them. This is a touching, heartfelt film, and I adore it.
Claudia: You don't know the first thing about me, Joanne. Nothing.
Joanne: Likewise, I'm sure. [pause] If I just met you on the street, if you gave me your phone number, I'd throw it away.
Ouch. If either of my sisters said that to me I'd have to hurt them. This is a touching, heartfelt film, and I adore it.
People either love or hate this film. It seems to me that, for those who hate it, there is too much going on in the scenes. The dialogue is often open ended, and the action is at times frenetic so that the viewer isn't sure where he/she should be focusing attention. That, I submit, is the true beauty of this unusual movie. It has an over the top realism that makes it a rewarding film to watch multiple times. There are so many layers in the dialogue and the acting, so many subtleties between characters, that you can watch it many times and still be noticing something new. This may be billed a comedy, but it is filled with heartbreak and tragedy, betrayal and disappointments. This is not a run of the mill feel good holiday movie. I think those who rate this movie poorly, in some way, miss that. I hope Jodie Foster directs again. She's immensely gifted.
I have never written a review before, though I am frequently on IMDB, but now I think it is my duty to let prospective watchers of this movie know that it is really very good. Holly Hunter, Robert Downey Jr, and Anne Bancroft are all highlights. Cynthia Stevenson and Geraldine Chaplin are great too. The story is funny and smart, and Jodie Foster got most of the details right on. Rent this movie on Thanksgiving for the full effect; I do every year.
I am so glad I found this movie. It is a snug little favorite of mine already. I come from a big family (all weirdos) who somehow get along very well. But this story of a bunch of weirdos who do not is just GRAND. Others may say that the themes of family and home and blah blah are the central idea here, but I say it is that Claudia (Hunter, playing our protagonist) has a really wonderful brother (Downey Jr. who nearly steals this film altogether).
Brother Tommy comes home for the holidays unexpectedly because he finds out his sister has just had a reaaaaalllly bad day (fired from her job, teen daughter announces she's going to have sex, loses her coat, makes out with her boss, etc) and dealing alone with the family would be unthinkable. He arrives with some hilarious fanfare, and proves to be excellent moral support for Hunter, a distraction for his family, and the provender of an interesting new element....in the person of Leo Fish, who may or may not be Tommy's new "partner."
Tommy ((heavily embellished and ad-libbed by Downey...listen carefully to his banter...hilarious)ends up taking the inevitable flack for his gayness (probably why he was not going to come home in the first place) but her lets it roll off his back, choosing instead to enjoy his sister's company and his parents' foibles. He also really enjoys (and so do we) watching Claudia and Leo Fish figure each other out.
They do...albeit obliquely and elliptically, with the conclusion sort of up in the air (hee hee). But in the process we are treated to Leo's very funky and offhand outlook on life. Listen for his very wry speech about trying to talk golf with his own father...."Par Par Bogie Bogie Par Par" has become a catchphrase for "blah blah blah" in my house...
Anne Bancroft and Hunter are stellar, and McDermott is darned cute (the making-out-on-the-doorstep scene is darling). But Downey (yet again) is the one you watch. The director's commentary by Foster gives a clue that he was frustrating to work with, but it seems very worth it here. He is just SO watchable, boistrous, too-energetic, motor-mouthed and loveable. We should all have such a brother. Lucky Claudia.
OH! Don't miss the turkey scene. Play it again to catch the peripheral characters' faces. I cannot wait for Thanksgiving!
Brother Tommy comes home for the holidays unexpectedly because he finds out his sister has just had a reaaaaalllly bad day (fired from her job, teen daughter announces she's going to have sex, loses her coat, makes out with her boss, etc) and dealing alone with the family would be unthinkable. He arrives with some hilarious fanfare, and proves to be excellent moral support for Hunter, a distraction for his family, and the provender of an interesting new element....in the person of Leo Fish, who may or may not be Tommy's new "partner."
Tommy ((heavily embellished and ad-libbed by Downey...listen carefully to his banter...hilarious)ends up taking the inevitable flack for his gayness (probably why he was not going to come home in the first place) but her lets it roll off his back, choosing instead to enjoy his sister's company and his parents' foibles. He also really enjoys (and so do we) watching Claudia and Leo Fish figure each other out.
They do...albeit obliquely and elliptically, with the conclusion sort of up in the air (hee hee). But in the process we are treated to Leo's very funky and offhand outlook on life. Listen for his very wry speech about trying to talk golf with his own father...."Par Par Bogie Bogie Par Par" has become a catchphrase for "blah blah blah" in my house...
Anne Bancroft and Hunter are stellar, and McDermott is darned cute (the making-out-on-the-doorstep scene is darling). But Downey (yet again) is the one you watch. The director's commentary by Foster gives a clue that he was frustrating to work with, but it seems very worth it here. He is just SO watchable, boistrous, too-energetic, motor-mouthed and loveable. We should all have such a brother. Lucky Claudia.
OH! Don't miss the turkey scene. Play it again to catch the peripheral characters' faces. I cannot wait for Thanksgiving!
Le saviez-vous
- AnecdotesRobert Downey Jr. publicly admitted to using heroin during the making of this film. Jodie Foster wrote him a letter praising his work, but warning him that he could not keep doing this on other films.
- GaffesWhen Claudia is saying goodbye to her daughter in the car outside the Chicago airport, all the cars driving by have Maryland plates because the shot was actually filmed at BWI in Maryland.
- Bandes originalesEvil Ways
Performed by Rusted Root
Written by Clarence 'Frogman' Henry (as Clarence A. Henry)
Courtesy of Mercury Records, a division of PolyGram
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- How long is Home for the Holidays?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A casa por vacaciones
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 17 519 169 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 007 717 $US
- 5 nov. 1995
- Montant brut mondial
- 17 519 169 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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