Wo ping fan dim

When people hear the name Chow yan fat, they associate him with John Woo, of course this is not bad thing. Chow yan fat certainly is the master of heroic bloodshed. But he is foremost a very charismatic and good actor. In Peace Hotel you get an example of very good acting by him. He really carries the movie. The story plays in the wild west of China ( an eastern instead of western, this gives the whole story a very original approach)in which several gangs are at war with each other and where there is one neutral place where everyone is welcome, and where no one will dare to use their weapons. This is because they respect the owner of this " Peace Hotel " (Chow Yan Fat). Everyone believes he is a very notorius killer (the rumour in the movie goes that Chow Yan Fat came to that hotel and killed everyone in sight without remorse and since that event he stayed in the hotel, to maintain the piece. It is a delight to see and find out why Chow Yan Fat did all this and why he stays at this hotel! At first Chow Yan Fat is very sympethatic, but later on you can see that Chow Yan Fat can be a bad motherf###. There is also some very interesting character development from the other actors. The action is brutal and fierce, like it is in real life, so do not expect beautiful filmed action sequences. But do not fear them also, because they fit the story very well.So go watch this movie, if you are ready for a very different HK action movie.

Chow Yun-Fat in the wild west? Why not?

Known as "The Killer" yet again, Chow commits mass murder in a blind rage, and then vanishes from the murder scene to build the "Peace Hotel," a supposedly sacred place for crooks and degenerates to run to if they're on the run from the law or any criminal element, and have nowhere else to go.

That all changes when a woman played by Cecilia Yip arrives claiming to be Chow's long-lost wife. I tell you, I've never heard more lies spewed forth from a movie character in such a short amount of time until I saw this movie. It's just lie after lie with this one, and she's persistent, too. Chow never falls for these sob stories of hers, and quickly debunks them as the myths they are, usually following up with a smack upside the head with a paper fan or a broom or something.

Then a gang arrives, apparently after her for killing one of their bosses, but Chow's code won't allow her to be killed by them. No matter. It's obvious and inevitable that he'll take up the sword once again.

As a comedy-drama, Peace Hotel works in a few ways, but not many. It makes for an unconvincing romance story. And as an action story, it's abysmal. The swordfights are some of the worst-edited sequences I've ever seen. Imagine Paul Greengrass filming a man swinging a flaming torch (and later, a sword) through countless bad guys. Now imagine Olivier Megaton, fresh from Taken 3, editing that footage. Now imagine that footage sped up. Yeah. It's bad.

The single shootout sequence, however, is fantastic, and a major contrast to the editing style applied to the swordfights. I suspect John Woo, who helped produce this film, took over the director's chair for this sequence, because I can't see how the same director who did such poor swordfight sequences could have done such a grand shootout like the one on display here. It's the only plausible explanation.

Overall, the acting is corny and not all that great, although Chow seems to really give it his all and seems to be the only one really trying to churn out a decent performance. The comedy works, sometimes, but often falls flat. The plot twists are silly. The music is distractingly poor sometimes. I think the second half, with the exception of the shootout, is where things really started to fall apart. Unfortunate, because this could have been better had it been handled with more care.

In a weird Western wasteland, a bandit by the name of Wong A-Ping- known ominously as The Killer- is something of a legend. Unstoppable and unmatched in brutality, he roams the land, wreaking havoc and taking lives. After a personal tragedy, he establishes the so-called Peace Hotel, a sanctuary where violence is strictly forbidden. For a time, the hotel thrives, acting as a beacon of order and safety throughout the unlawful, dangerous land. However, the machinations of an attractive con-woman named Shau Siu-man- as well as the villainous gang hot on her tail- threaten to disrupt the situation irrevocably, in Wai Ka-Fai's directorial debut 'Peace Hotel.'

A western with artistic stylizations, the film is off-beat and somewhat entertaining; if not terribly original or well-written. The majority of the characters are caricatures, the dialogue is farcical and to call the story predictable would be an understatement. The central conceit is an interesting one, but it is not exploited in a manner that is either subtle or particularly effective. However, one does get quite wrapped up in 'Peace Hotel' anyway, as one would with a cowboy B-movie from the 50's. There are plenty of twists in the tale, a dash of romance and much humor; a concoction that makes for an enjoyable- if underwhelming- viewing experience.

It must be said that the production design overseen by Wai Ming Yau and Chung-Man Yee is impressive and atmospheric work. The sets look weathered, with the titular hotel being particularly striking. The costume design is also worthy of note, not to mention Wing-Hang Wong's cinematography. It is highly stylized and distinct, at times almost dreamlike. Admittedly though, the hurried camera movement occasionally makes for sequences that are overly hectic, particularly the fight scenes; which are quite hard to follow.

That may be more of an issue resulting from Kuo-Chung Chou's editing, though; which is loose and untidy. Many scenes feel disjointed and the narrative is made unnecessarily abstruse, with the impact of the overall film being somewhat lessened. As mentioned above, the fight scenes are especially bewildering, looking like they were shot on 8mm and edited by a blind man for an amateur music video from the early nineties. The pacing is also problematic, with the beginning being quite slow and the latter half of the film feeling quite rushed. Under Wai Ka-Fai's direction, Chou's work leaves an impression on the viewer alright- and not a positive one.

The cast do much more memorable work, Chow Yun-Fat and Cecilia Yip in particular. Chow is a very charismatic performer, with a magnetic screen presence, and his performance as Wong A-Ping is reserved and steady. The character may be underwritten, but he makes him a likable fellow of some depth all the same. Credit for the film's story also goes to Chow, so aside from a good performance he came up with an intriguing concept to boot.

Yip plays Shau Siu-man, a self-centered rogue you cant help but like; perhaps because of the joy of her performance. She doesn't take the role too seriously, there's a tongue-in-cheek element to her chicanery that is most attractive, and she and Chow have a natural chemistry that makes watching them together a treat. Of note from the supporting cast are Shun Lau as a blind resident of the hotel and Jacklyn Wu, who appears in flashback as Chow's wife.

In short, 'Peace Hotel' doesn't make for fantastic cinema, but it does hold entertainment value. The visuals are strong, as are the performances from the cast. The unremarkable story and its oftentimes laughably banal dialogue is problematic though- as is the terrible editing- dooming the film to the realm of mediocrity. John Lennon once sang 'Give Peace A Chance,' but if it's 'Peace Hotel;' perhaps it isn't worth it.

Peace Hotel is a western set in China in the 1930's and is probably best described as a cross between 'A Fistful Of Dollars' and 'The Killer'. Chow Yun-Fat (in his last film in Hong Kong before going to America) plays a retired killer who opens the 'Peace Hotel' where people can hide from their enemies with no questions asked. He teams up with Cecilia Yip with whom he had last starred with in the gripping World War II drama 'Hong Kong 1941' (1984). She plays a confidence trickster who is wanted by a large and dangerous gang that threaten to destroy the refuge to get to her. Both are excellent in this film and have a great on-screen chemistry.

The music by Healthy Poon and Cacine Wong is effective and in a similar vein to the Ennio Morricone score in the spaghetti westerns and the theme song by Alex San (music),Erica Lee (lyricist)and Cass Pang Ling (performer) fully deserved its win at the 1996 Hong Kong Film awards.

Those watching this film expecting highly choreographed gun-play sequences due to the presence of John Woo as executive producer will be disappointed as the action is infrequent and is filmed in a confusing style that probably better represents the confusion of a real fight. Peace Hotel is more character-driven than action orientated anyway and is all the better for it. Written by Chow Yun-Fat and Wai Ka-Fai (who is probably best known for co-directing 'Fulltime Killer' (2001)) there is some great dialogue and more character development than is usual for a film in the genre.

Peace Hotel may not be as good as some of Chow Yun-Fat's earlier work with John Woo, but it makes an attempt to be different and deserves credit for that.

Review: I quite enjoyed this film, mainly because of the crazy lady who told load of lies to stay in the hotel but the action scenes wasn't that great, because of the shoddy camera work. Chow Yun-Fat puts in his usual great performance and the different characters also made it quite enjoyable. Once Chow Yun-Fat's character, The Killer, falls for the lying, cheating and very deceptive girl, the storyline does get a bit weak but the witty storyline and original concept beforehand, was great. Although the movie is full of subtitles, it's still easy to follow and the open ending was sad in one way but intriguing in another. Most of the movie is based around a hotel, with a Western backdrop, so the scale of the movie isn't that big but the ending was still pretty epic. With that aside, everything about this small budget movie worked and I'm slowly becoming a big fan of Chow Yun-Fat. Enjoyable! 

Round-Up: This was the first movie directed by Ka-Fai Wait, 54, in 1995 and he has gone on to direct 17 more movies for the Oriental market, which I personally haven't heard of. Chow Yun- Fat also wrote this movie with the director, and with the production skills of John Woo, it's not surprising that this project turned out so well. 

I recommend this movie to people who are into their action/crime/drama/romance/westerns starring Chow Yun-Fat, Cecilia Yip, Ho Chin and Shun Lau. 5/10