Ajouter une intrigue dans votre langueHow was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.How was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.How was it possible that a movie like Plan 9 from Outer Space (1957) could be made? This documentary about Edward D. Wood Jr.'s masterpiece gives the answer.
- Récompenses
- 1 victoire et 1 nomination au total
Maila Nurmi
- Self
- (as Vampira)
Lynn Lemon
- Self
- (as Reverend Dr. Lynn Lemon)
Bela Lugosi
- Self
- (images d'archives)
Norma McCarty
- Self
- (as Norma McCarty-Wood)
Michael McCarthy
- Self
- (as Michael McCarty)
Mona McKinnon
- Self
- (voix)
Joseph F. Robertson
- Self
- (as Joe Robertson)
Edward D. Wood Jr.
- Self
- (images d'archives)
Avis à la une
I loved this film. Not being a swooning Ed Wood Jr. fan, I prefer to appreciate his "boundless enthusiasm" and acknowledge his shortcomings. His movies are fun, but his personal story is one racked with pain. I hoped, and was delighted to find, that this film would be about understanding his turbulent life, rather than simply heaping him with posthumous praise. From beginning to end, this film evolves from a documentary into a mythology, leaving the cast and the viewer unexpectedly connected to each other and to Ed Wood Jr.
What we get are people who knew Ed Wood the best talking about him from all perspectives, positive and negative, and showing us their character as much as Ed's. We get insight into Ed's personal and professional life: from his romances, to his drinking, to his sexuality, to his friends, to his enemies, and even to his film making.
The film itself is shot in a low-budget way that seems done out of respect for Ed, as if using the techniques of most theatrically released movies from 1996 would be disrespectful (sort of like wearing a nicer suit than the President). The set designer uses a sense of humor and also a great deal of insight when matching each cast member with their background.
Fans will be excited to hear personal testimony regarding Ed Wood controversies, and new comers will be amazed that this man was real. The DVD is full of impossible to find gems ("Crossroads of Lorado" and photo galleries), but the real treasure of this film is the surprisingly engaging and interconnected story.
Ed Wood had a habit of defining people through their association with him (for better or worse), to the point where one woman will go down in history as "Swimming Pool Owner" for once letting him and his friends be baptized in her pool. This ability to define a person's legacy comes through universally, as the most amazing effect of the film is to not only give a well rounded idea of the man that was Ed Wood Jr., but also to give a comprehensive view of the community that he created. Somehow, without ever having more that one cast member being interviewed on screen at a time, the connection that Ed Wood created amongst the various people in his life becomes clear, and the viewer is left with great sense of involvement.
Even the title hints at the B-list horror genre, but by the end, we see that even this is a kindness. What begins as unrelated stories by random people ends with the conclusion that all of the cast will be forever weaved into an unpredictably cohesive fabric that history will bring into haunting unity with Wood's legend.
In many ways a living contradiction, Ed Wood Jr. could not be condensed to a single viewpoint. This collaborative effort is the closest to knowing him that we can ever get. Being itself a juxtaposition of themes, it is at once respectful, provocative, thoughtful, gripping, fun, sad, kind, and fulfilling.
What we get are people who knew Ed Wood the best talking about him from all perspectives, positive and negative, and showing us their character as much as Ed's. We get insight into Ed's personal and professional life: from his romances, to his drinking, to his sexuality, to his friends, to his enemies, and even to his film making.
The film itself is shot in a low-budget way that seems done out of respect for Ed, as if using the techniques of most theatrically released movies from 1996 would be disrespectful (sort of like wearing a nicer suit than the President). The set designer uses a sense of humor and also a great deal of insight when matching each cast member with their background.
Fans will be excited to hear personal testimony regarding Ed Wood controversies, and new comers will be amazed that this man was real. The DVD is full of impossible to find gems ("Crossroads of Lorado" and photo galleries), but the real treasure of this film is the surprisingly engaging and interconnected story.
Ed Wood had a habit of defining people through their association with him (for better or worse), to the point where one woman will go down in history as "Swimming Pool Owner" for once letting him and his friends be baptized in her pool. This ability to define a person's legacy comes through universally, as the most amazing effect of the film is to not only give a well rounded idea of the man that was Ed Wood Jr., but also to give a comprehensive view of the community that he created. Somehow, without ever having more that one cast member being interviewed on screen at a time, the connection that Ed Wood created amongst the various people in his life becomes clear, and the viewer is left with great sense of involvement.
Even the title hints at the B-list horror genre, but by the end, we see that even this is a kindness. What begins as unrelated stories by random people ends with the conclusion that all of the cast will be forever weaved into an unpredictably cohesive fabric that history will bring into haunting unity with Wood's legend.
In many ways a living contradiction, Ed Wood Jr. could not be condensed to a single viewpoint. This collaborative effort is the closest to knowing him that we can ever get. Being itself a juxtaposition of themes, it is at once respectful, provocative, thoughtful, gripping, fun, sad, kind, and fulfilling.
The Haunted World of Edward D. Wood, Jr. isn't a particularly good documentary. Aesthetically, it's lackluster and cheap looking, the people in it go off on tangents which make it very unfocused and in-cohesive, but this adds to it's charm. I say this because it's a documentary about an oddball that made oddball pictures and surrounded himself with fellow oddballs and, as such, there's really no other way to document the life and career of the man and his crew of misfits. There are some glimpses of insight into both the genius and the ineptness of Wood, and the portrayal of both qualities is a credit to the genuineness of the documentary. Overall, it's worth a watch for the Wood fan and those of cinema in general, but don't expect brilliance here. Expect a documentary made after Wood's own heart.
Well, I can't say this is a bad documentary but it isn't one that is being terribly interesting or well made either. Guess it serves its purpose but I did wish it covered some more new grounds and explored more of Edward D. Wood Jr.'s life and especially his personality.
The thing is that this documentary won't offer anything new for the Ed Wood enthusiasts and those who aren't interested in Wood's persona or movies probably won't even watch this movie in the first place. So who does this documentary appeal to exactly and what audience did it got made for? It just isn't being clear enough for me to say but having said all of that, this is not a bad watch and it at least features a ton of Wood regulars in it, not saying anything new really but it's still interesting to hear their side of things, though it at times doesn't gives you a clear view of things since sometimes everybody is telling you are different version of things, so you still don't know what is being totally true and what's not.
I was actually surprised to see the amount of people, who were once involved with Wood, they got in front of the camera to speak. Not just the obvious persons like Dolores Fuller, Vampira, Conrad Brooks and Paul Marco but also people such Norma McCarty, who he was married with for one day and reverend Lynn Lemon, who pretty much got ripped off for money by Wood. This is sort of refreshing that it's not just being a documentary in which everybody is saying good things about its main subject but there is also definitely criticism and times in which Wood's bad sides and mannerisms get emphasized. Especially Bela Lugosi Jr. makes it very clear he did not liked Wood at all and hated him for what he did to the final years of his father's career and life.
It was also nice to see Lyle Talbot in this, who starred in a couple of the most infamous Wood movies and died in the same year as this documentary got released, at the age of 94, making this documentary probably the last thing he appeared in.
As strange as it might sound, I'm a really big Ed Wood admirer, not because of the quality of his movies but the way he always got them made and the love and passion he put in to them. He by no means was the worst director that ever lived but it's definitely fact he was one of the absolute worst writers out there. But I still don't feel I truly understand the true person and this documentary didn't do anything to change that. I wished it delved a bit deeper into his personality and private live and not just focused on his movies and the people he was involved with so much.
Of course I still learned some new stuff from this documentary and it does contain some unique footage, such as the first commercial Wood directed in the '40's. But the things I mostly learned from this documentary were mostly non-Wood related, such as Vampira being a bit of a wild thing when it came to men and especially celebrities. I never knew she was involved with Orson Welles more than once in his life. They were lovers, as Vampira is not reluctant to tell you about, even though she didn't really got asked about it and then suddenly pretends as if it's something she doesn't want to talk about too much or go into detail about it.
The documentary isn't shot all that interesting. It just consists out of a bunch of Wood regulars sitting around, getting interviewed and some archive footage, from mostly Wood's own work. At times it even looks and feels as if the interviews got shot in different years and this documentary is just a compilation of already existing interviews, though I doubt this really was the case though.
It perhaps was also a bit of a problem that the documentary makers obviously were Wood admirers, just happy to do this and to talk to some of the people who appeared in his movies, or that were involved with him in another way. It makes this movie of a happy and entertaining documentary, rather than an interesting and insightful one. I'm not complaining all that much about it though, since I still had a good time watching it, as any other Wood enthusiast should be able to do.
7/10
http://bobafett1138.blogspot.com/
The thing is that this documentary won't offer anything new for the Ed Wood enthusiasts and those who aren't interested in Wood's persona or movies probably won't even watch this movie in the first place. So who does this documentary appeal to exactly and what audience did it got made for? It just isn't being clear enough for me to say but having said all of that, this is not a bad watch and it at least features a ton of Wood regulars in it, not saying anything new really but it's still interesting to hear their side of things, though it at times doesn't gives you a clear view of things since sometimes everybody is telling you are different version of things, so you still don't know what is being totally true and what's not.
I was actually surprised to see the amount of people, who were once involved with Wood, they got in front of the camera to speak. Not just the obvious persons like Dolores Fuller, Vampira, Conrad Brooks and Paul Marco but also people such Norma McCarty, who he was married with for one day and reverend Lynn Lemon, who pretty much got ripped off for money by Wood. This is sort of refreshing that it's not just being a documentary in which everybody is saying good things about its main subject but there is also definitely criticism and times in which Wood's bad sides and mannerisms get emphasized. Especially Bela Lugosi Jr. makes it very clear he did not liked Wood at all and hated him for what he did to the final years of his father's career and life.
It was also nice to see Lyle Talbot in this, who starred in a couple of the most infamous Wood movies and died in the same year as this documentary got released, at the age of 94, making this documentary probably the last thing he appeared in.
As strange as it might sound, I'm a really big Ed Wood admirer, not because of the quality of his movies but the way he always got them made and the love and passion he put in to them. He by no means was the worst director that ever lived but it's definitely fact he was one of the absolute worst writers out there. But I still don't feel I truly understand the true person and this documentary didn't do anything to change that. I wished it delved a bit deeper into his personality and private live and not just focused on his movies and the people he was involved with so much.
Of course I still learned some new stuff from this documentary and it does contain some unique footage, such as the first commercial Wood directed in the '40's. But the things I mostly learned from this documentary were mostly non-Wood related, such as Vampira being a bit of a wild thing when it came to men and especially celebrities. I never knew she was involved with Orson Welles more than once in his life. They were lovers, as Vampira is not reluctant to tell you about, even though she didn't really got asked about it and then suddenly pretends as if it's something she doesn't want to talk about too much or go into detail about it.
The documentary isn't shot all that interesting. It just consists out of a bunch of Wood regulars sitting around, getting interviewed and some archive footage, from mostly Wood's own work. At times it even looks and feels as if the interviews got shot in different years and this documentary is just a compilation of already existing interviews, though I doubt this really was the case though.
It perhaps was also a bit of a problem that the documentary makers obviously were Wood admirers, just happy to do this and to talk to some of the people who appeared in his movies, or that were involved with him in another way. It makes this movie of a happy and entertaining documentary, rather than an interesting and insightful one. I'm not complaining all that much about it though, since I still had a good time watching it, as any other Wood enthusiast should be able to do.
7/10
http://bobafett1138.blogspot.com/
Haunted World of Edward D. Wood, Jr., The (1996)
**** (out of 4)
Wonderful documentary about the life and times of the legendary and infamous director of various "Z" films including Glen or Glenda?, Bride of the Monster and the notorious Plan 9 From Outer Space. This documentary features interviews with various people who worked with Wood including Vampira, Dolores Fuller, Paul Marco, Conrad Brooks, Loretta King, Norma McCarty, Reverend Lynn Lemon, Lyle Talbot and Harry Thomas. Bela Lugosi, Jr. started a storm of controversy with his rather stupid comments here where he calls Wood a "loser and a user". This might not be too bad if Lugosi, Jr. even knew a single thing or had seen any of these films. Several horror historians who have interviewed Lugosi Jr. have stated that he has seen and knows very little work of his father's so to make certain comments like he does here was very stupid but he did end up taking them back. The documentary does a great job at telling us everything we need to know about the director including stuff about his early life and his days during WW2 where he actually fought in some of the most brutal battles of the war. The history and behind the scenes look at his infamous horror movies is certainly the highlight here as we get all sorts of great stories about how these films were made and we also get a lot of rumors laid to rest. The film runs nearly 2-hours but it never gets boring and it really does a great job at showing this man, although the film doesn't go into much of his late 60's, early 70's work in the adult industry.
**** (out of 4)
Wonderful documentary about the life and times of the legendary and infamous director of various "Z" films including Glen or Glenda?, Bride of the Monster and the notorious Plan 9 From Outer Space. This documentary features interviews with various people who worked with Wood including Vampira, Dolores Fuller, Paul Marco, Conrad Brooks, Loretta King, Norma McCarty, Reverend Lynn Lemon, Lyle Talbot and Harry Thomas. Bela Lugosi, Jr. started a storm of controversy with his rather stupid comments here where he calls Wood a "loser and a user". This might not be too bad if Lugosi, Jr. even knew a single thing or had seen any of these films. Several horror historians who have interviewed Lugosi Jr. have stated that he has seen and knows very little work of his father's so to make certain comments like he does here was very stupid but he did end up taking them back. The documentary does a great job at telling us everything we need to know about the director including stuff about his early life and his days during WW2 where he actually fought in some of the most brutal battles of the war. The history and behind the scenes look at his infamous horror movies is certainly the highlight here as we get all sorts of great stories about how these films were made and we also get a lot of rumors laid to rest. The film runs nearly 2-hours but it never gets boring and it really does a great job at showing this man, although the film doesn't go into much of his late 60's, early 70's work in the adult industry.
It was the Nu-Art theatre in a rundown part of Hollywood, and I got autographs from Dolores Fuller, Conrad (Kelso) Brooks, Paul Marco, Forrest J Ackerman (YAY Uncle Forry! Also toured his Mansion of Horror- SciFi memoribilia later that week), & Rev Lyn Lemon- the Baptist pastor whose church financed Plan 9 (a tall gracious dignified man, not as all as portrayed in the Tim Burton film which many saw as slanderous of Bela, whose son was also at the premier.)
The best Hollywood experience of my several visits there!
Btw, it's an informative & fun movie!
The best Hollywood experience of my several visits there!
Btw, it's an informative & fun movie!
Le saviez-vous
- ConnexionsFeatures Naissance d'une nation (1915)
- Bandes originalesSomeone To Tell It To
Performed by Dolores Fuller
Music by Jimmy Van Heusen (as James Van Huesen)
Lyrics by Dolores Fuller & Sammy Cahn
Published by Warner Music
Used with permission
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By what name was The Haunted World of Edward D. Wood Jr. (1995) officially released in Canada in English?
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