La Haine

'Mean Streets' in french - and so much more. While there are so many references to Scorsese that you could almost call it an homage, this French milestone deals with the disillusioned youth who live in the outskirts of Paris in such an elegant - and honest - way, that I would go so far as to call it the most relevant French film of the last 20 years. But it's also a cinematic masterpiece and great, often hilarious entertainment. Everything fits: the musical choices, the outstanding performances by the 3 main characters, the beautiful cinematography and flawless direction. And, perhaps most of all, THE perfect script.

As much a realistic portrayal of a torn society as it is an artistic achievement, 'La Haine' is essential viewing.

My vote: 10 out of 10

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Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Moviemakers when filming French based films have traditionally tended to sentimentalise the ‘people' through the celebration of les petits gens, the little people of Pagnol and Clair as well as more recently the fantastical Parisian wonderland environments of Amelie and Moulin Rouge. With La Haine, young director Mathieu Kassovitz took the flipside of this and gave an illustration of the awfulness of life in the depressed blue-collar areas of Paris

La Haine (‘Hate') begins after a night of rioting on a dismal housing estate on the northern outskirts of Paris and focuses on 24 hours in the lives of three close friends aged around 20. They are Vince (Vincent Cassel), an explosive working-class Jew, Hubert (Hubert Kounde), a handsome, soft-spoken black, and Said (Said Taghmaoui), a mercurial streetwise Arab. With little hopes or prospect of regular employment due to where they come from, the trio drift aimlessly, engaging in petty theft, and seething with aggressive resentment against an uncaring world. L'Avenir c'est nous (We Are the Future) is the ironic slogan on the estate's playground, but this is a film about people who believe they have no future.

The quality of the performances from the 3 main actors, their conviction, the way they interact with one another and the vigour and fluency of Kassovitz's script and direction make this a very special movie indeed. Its full of action, detail, unexpected incidents and quirky humour. For instance, the boys have a bizarre encounter in a public lavatory in central Paris with a diminutive survivor of the Gulag that is as puzzling to them as it is to us. Does the story the Gulag survivor tells them have a deeper meaning than on the surface? Of course it does, and importantly this film makes you think as to what the metaphor means. Throughout violence is always on the point of erupting. There are constant confrontations with a brutal, racist police force, and Vince has a 44 Magnum revolver that a plainclothes cop lost during the riots, which we know will eventually be used on someone. However none of this ever descends into mere gratuitous violence like so many Hollywood films

La Haine presents a state of affairs of the alienation faced by many young people in the ‘projects' in France, and all over the world. It doesn't offer any solutions, though the point is forcibly made that in France, as elsewhere, parts of the police force are part of the problem rather than the solution. Of course, much of what we are shown is familiar to us from British and American films .

The strength of the film is that it neither glamorises nor patronises its characters. They hate their life because it's boring, and they despise the society that's created it for them, together with parks, football fields and a few mod cons with which to comfort them. In particular, they hate the police, who hate them right back. The film's other major achievement is to show in a tangible and very expressive way how a cycle of distrust and anger is created on both sides of this awful divide, so that there is very little anyone can do about it. In other words violence and hate breeds more violence and hate.

A criticism that could be levelled is that in the US / UK versions the sub-titles don't help, pushing what is very authentic dialogue into something more like cliché, as well as pointless miss-translations that occur. However this is just a minor thing, and does not and should not reflect at all on the film itself.

This certainly is one of the greatest films of the 1990s. Its one of those rare films that you will think about for the days and weeks after – not solely about the film itself, but on wider issues such as society, poverty and racism.

When the youth Abdel goes to the hospital in coma due to a battering he receives at the police station, there are riots in the outskirts of Paris and one policeman loses his revolver. On the next morning, the Arab Said (Saïd Taghmaoui) summons his Jewish friend Vinz (Vincent Cassel) and they meet the black boxer Hubert (Hubert Koundé) in the slum where they live. Soon Vinz shows the missing gun that he found in the night before and he tells that if Abdel dies, he will revenge his friend killing a police officer. The trio of troublemaker and pothead friends head to the downtown of Paris where they spend the day asking for trouble. On the end of the long night, tragedy happens.

The awarded "La Haine" is an impressive French movie that follows along 24 hours, the lives of three idle friends from a poor suburb of Paris that belong to a lost generation. I saw this movie in the 90's and today I have decided to see it again to compare the situations shown in the movie with what is recently happening in Brazil with several riots and it is amazing the similarities: lost youths with neither instruction nor job; unprepared and brutal police force; low quality of life in the slums or ghettos in the outskirts of the big cities (in Brazil, there are several slums also in the noble areas). The only difference is basically that France belongs to the First World and Brazil to the Third World; the rest is identical. My vote is eight.

Title (Brazil): "O Ódio" ("The Hate")

A very suggestive view of an environment abandoned to itself. I loved the fact that all the events happens in a single and normal day, as to highlight the fact that anything insane could happen in any moment. Brilliant execution, stable cinematography and good acting.

La Haine aka Hate is a story about three friends living near Paris in France (one Jew, one Arab and one black) who have nothing special in their lives and try to live a day at a time by drinking and having a good time and also working (at least the black character, who owns a boxing hall). Their friend, however, is captured by a police which tortures and maltreats him so badly that he is sent to a hospital in a critical condition. This makes the youth gangs in city including the three protagonists start a war against the police and authorities for the horrible wrongs they and their friend have suffered, and suddenly they notice the whole society is collapsing, and all there is is hate and need to revenge...Violence and mayhem is almost everywhere, including authorities which should do nothing but fight against it..

This film is powerful and grim. Totally unforgettable is the last scene which at my first viewing time blew me away. It comes very suddenly and there are no warnings what will happen at the end of this film. The message is so important and these marks of the "apocalypse" can be found in our everyday life everywhere. The society is falling and it is "spinning" as the voice over says just before the end credits..The film brings into question such horrific facts as racism which should have passed away long times ago, but no. Racism is such a primitive, stupid and despisable cancer among people, that there is no hope of better future if individuals don't understand the real facts of life and right ways to live with each other. Hate feeds hate as the character Hubert says, and that is something that our stupid race has not learned.

There is one very powerful scene just before the end scene and it deals with a skinhead and these three characters who could kill him right away and pay something back. It is very challenging scene and even Vinz, the most revenge seeking character, starts to see things different way after that. The whole point of La Haine is violence in all its forms. Why there is violence and why the hell it is used so often everywhere in every form? Don't we ever learn? These kind of films are important and so powerful that unfortunately people who should see them don't want to or they can't bacause it would be as a mirror for them..

The film is also a comment on power used by police as they are pretty tough and hard in this film. Police think that they can use any methods in order to get some answers, or in order to have some fun..It certainly doesn't judge police as "pigs" or violent sadists in general, but it is a warning example of what must NOT happen anywhere ever, by police or by others. One has to see through the film and to its core in order to understand what it says. Otherwise there is no point in watching these kind of films. La Haine is that kind of a film that it should be seen by police and youths as well, because there are still possibilities to prevent things to go too far in our life and world we live in.

The camera techniques used in this film are magnificent. Director/screenwriter Mathieu Kassovitz uses camera so smoothly and passionately and there are many similarities in techniques between this film and his more recent, Assassin(s). I am very happy for this young talent to have won the director's award at Cannes. These kind of talents deserve their prizes because there are so many stupid and worthless films which don't have nothing artistic in them and have nothing to say, and are just mindless and greedy entertainment. The black and white is very great element and the film strikes greatly without colors. The same case is with the Belgian classic Man Bites Dog, by Remy Belvaux, Benoit Poelvoorde and Andre Bonzel.

A great masterpiece in French modern cinema and recommended for the fans of intelligent and important cinema so seldom found from big studios or Hollywood (there are exceptions, of course) nowadays.

10/10