GoldenEye

Pierce Brosnan's first outing as the iconic spy was a good one. Goldeneye hit the mark with a great story, a progressive M, Bond girl and soundtrack. Pierce makes the role his own and nicely takes on the mantle of 007. Viewers can embrace a new and modern Bond for the 90s. Goldeneye is a special film for me as it was the first 007 film I watched with my parents and it hit the bullseye for me. I was captivated by this great story from start to finish. Decent film and Pierce's best Bond film.

After a 6 year hiatus due to protracted legal wranglings as to WHO owned the BOND film rights, GOLDENEYE was finally made! It was worth the wait! With the almost impossible assignment of both retaining the quintessential METHOD of the Connery period and the need to drag Bond screaming into the new millennium and its new technology, Martin Campbell actually pulled it off.

Brosnan, though not my personal favorite I have to say, did a damn near remarkable job, by not only bringing elements of Connery, Dalton and Moore to the role, but by stamping it with his own identity (he WAS actually first choice ahead of Dalton but was contractually tied to REMINGTON STEELE and could not gain a release!)

Wishing to link back with the earlier mega successful Bonds, the very title of GOLDENEYE was inspirational, immediately bringing to mind the latent image of GOLDFINGER. Not one half bad title song either compared to some recent efforts.

With Bernard Lee's sad demise, Judy Dench made a brilliant replacement as M, all balls and bravado. Similarly, Moneypenny is now a strictly new-age secretary admonishing 007 for his sexual harassment of her good self! Dearest of all, Desmond Llewelyn still shines as "Q" berating 007 for his behaviour and telling him to "grow up."

Famke Janssen is a throw-back to the good old days of Bond badgirls as the aptly named Xenia Onatopp. Izabella Scorupco however must be the most beautiful of all the "good" Bond girls. Feminine to the core and everything the average man would want to love and protect she is is simply yummy.....no more so than when she chides 007's cold-war repartee with his Russian counterpart as "Boys with Toys" Soo cute!

Action was at a premium from the rip-snorting bungee-jump (pre-credits) to the climactic battle atop the communications tower. Everything gelled in this movie to elevate it to amongst the top 5 Bond films...no question! Top dialog, state of the art fx, innuendos on tap and a really first rate villain. Shame none of the later Brosnan outings have come close to this one!

8.8 out of 10!

GOLDENEYE, the long-delayed debut of Pierce Brosnan as James Bond, was a film mired in MGM's convoluted legal problems for six years, problems which had nothing to do with the 007 franchise, but which happened to fall at the worst possible time; after Timothy Dalton's 'Serious Bond' experiment, LICENCE TO KILL, failed to break even in U.S. markets. Despite international grosses that made the film a profitable venture, many American critics, long grumbling that the Bond series had outlasted it's welcome, heaped abuse on the newer, leaner direction for 'Bond', and it's taciturn, less light-hearted star...and, with MGM's decision to put the expensive series 'on hold' until their own legal and financial issues could be resolved, LICENCE TO KILL became the unfair 'scapegoat' for the delay.

Much happened during the six-year hiatus; with the collapse of the Soviet Union, the Communist undercurrent of many Bond films (and the subject of most of Ian Fleming's novels) was lost; Richard Maibaum, the series' most prolific screenwriter, passed away, and ill health forced legendary producer Albert ('Cubby') Broccoli to turn over his duties to his daughter Barbara, and stepson, Michael G. Wilson (thus ending the other 'prime' 007 screenwriter's script contributions); many other key production figures would retire, die, or move on; and finally, as the delay continued, Timothy Dalton, nearing 50, announced that he was no longer interested in playing James Bond (sparking rumors that Eon Productions, no longer honor-bound by the senior Broccoli's choices, had given him 'the boot').

While all this opened the door for Pierce Brosnan's long-awaited debut as 007 (after his aborted first attempt, in THE LIVING DAYLIGHTS), with a new 'look' and style for the franchise, whether audiences would even accept a new 'James Bond' adventure was in doubt.

Fortunately, everything 'worked'. Brosnan, now 42, was more ruggedly believable as 007 than he would have been, at 34, and Dame Judi Dench, as the first woman 'M' (referring to Bond as a "sexist, misogynist dinosaur"), proved a perfect successor to the late Bernard Lee. While the plot of the film, involving the master plan of a renegade Russian General (Gottfried John) and an assumed dead 006 (Sean Bean) to use an electronic warfare system (GoldenEye) against England was nothing new, Brosnan's daring-do and one-liners (with humor restored to the franchise), as he proved his value in the new world 'order', found an audience 'primed' for James Bond's return...and the welcome cameo of the series' last original 'regular', "Q" (Desmond Llewelyn, 81, and as cranky as ever), cemented 007's links to both the past and the future.

James Bond's greatest crisis, whether he still had 'Box Office', had been overcome, and with audience favorite Pierce Brosnan in place, his emergence into the 21st century was assured.

This film is the best of the classic James Bond films, i.e. those before the Daniel Craig reboot. It hits the right tone where it is not too serious but also not too silly either. The pacing is exciting and Pierce Brosnan is classy as always.

This was Pierce Brosnan's first outing as Bond and is a real success. It managed to keep the quintessential Bond attributes yet brings the franchise bang up to date in the absence of the Cold War. Brosnan puts in a stellar performance as Bond and the supporting cast including the gritty Sean Bean as the double crossing villain and just the right amount comedy in Joe Don Baker as Jack Wade and Robbie Coltrane as Valentine Zukovsky. Nice nods to the past in the use of the Aston DB5 and mentions of M's predecessors. Even the soundtrack suits the film nicely. There is enough grit and spy content to please the Dalton fans and enough quips and craziness to please the Moore fans. Misses are few and far between - the product placement of the flaccid BMW 1.9 Z3 is poor - it so obviously Un-Bondlike that even the production crew realise and the below par motor barely features in the film at all. This aside, it's great Bond movie, one of the best infact and well worth a watch.