Friday
- 1995
- Tous publics
- 1h 31min
Deux potes Smokey et Craig fument l'herbe d'un dealer de drogues et tentent de trouver un moyen d'obtenir les 200 dollars qu'ils doivent au dealer avant 22 heures ce soir là.Deux potes Smokey et Craig fument l'herbe d'un dealer de drogues et tentent de trouver un moyen d'obtenir les 200 dollars qu'ils doivent au dealer avant 22 heures ce soir là.Deux potes Smokey et Craig fument l'herbe d'un dealer de drogues et tentent de trouver un moyen d'obtenir les 200 dollars qu'ils doivent au dealer avant 22 heures ce soir là.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Tom Lister Jr.
- Deebo
- (as Tiny 'Zeus' Lister Jr.)
Avis à la une
It's cliché, I know, but damn life was simpler in the 90's. People actually went to other people's houses. You knew you're neighbours a lot better, whether you liked them or not. And there just seemed to be more connection. Catfishin' actually had to be done over the phone with your voice, versus a fake social media account.
'Friday' brings back all those 90's feelings and it's downright funny through a lot of it. Young Chris Tucker is hilarious. There's still some serious messages too during some real father/son talk.
At the end of the day, regardless of the time period or whatever background you come from, 'Friday' is a movie worth seeing for some good laughs.
'Friday' brings back all those 90's feelings and it's downright funny through a lot of it. Young Chris Tucker is hilarious. There's still some serious messages too during some real father/son talk.
At the end of the day, regardless of the time period or whatever background you come from, 'Friday' is a movie worth seeing for some good laughs.
(Re-review in 2015): It's interesting to see how this has been labeled the first "Hood" comedy. I'm sure there have been others - though written by, of all people, Joel Schumacher, I've always thought of 1976's Car Wash as the grand-daddy of them. It's also become a benchmark for stoners; for the 20th anniversary, it was screened for a special event on 4/20. Sadly, I couldn't attend full of the green stuff, but it was still an enjoyable experience seeing it again. Not great, but good.
For all of the comparisons to it being Boyz N tha Hood as a crude comedy, that it is in part. But it's also like the Watts equivalent of something closer Clerks, also by first-time filmmakers: it's mostly about two guys who don't have much going on with their lives or prospects or action, but they're surrounded by so many 'lively' personalities and moments that are meant to get BIG laughs, regardless of a story structure that is super-strong outside of the Day-In-The-Life thing. And both borrow of course from Do the Right Thing, though Cube actually goes for his own version of the violent climax with a fight. The lack of any cops shows this is a fairly insulated world. Works for me.
If it doesn't really have the same existential heft as Clerks, well, it's not fully trying to be that anyway. What we get here also, of course, is the breakthrough for Chris Tucker - an opportunity he'd only really pursue for another few years before spending his life, it appears, on Rush Hour checks (and a surprise guest spot in Silver Linings Playbook, of all things). His work here is still electrifying and high-charged, though maybe this time I saw more of the obvious "tics" of the character (like, we get it, the Angel Dust bit is one of the major highlights of the movie, but can't you move on?) And Cube is good as straight man for Tucker's foole, and has a few moments too.
This is one of those movies I watched a LOT 'back in the day' as one might say. It's really a movie, despite being rated R, for 13 year olds, black or white, and seeing it at 13 made as big an impression as seeing Clerks or Pulp Fiction or whatever. At the time I thought it was that good on the level. But some things do last better than others, and the seams in Friday show much more over time. Some bits don't work - the crackhead (?) hustler is hit or miss, mostly great in the "HEY, SMOKY BACk HERE TAKING A S***!" bit - though Tony Lister, DEEBO of course in capital letters, is still amazing. And I found myself laughing often through the film, in part due to things still working, like anything with Bernie Mac (and Tony Cox!), and sometimes just nostalgia. It surprised me just how much I remembered in terms of dialog - if only I remembered everything from school like this, I'd be probably a smarter man today... oh well.
Bottom line, enough of it holds up to recommend as a fun comedy, but the effect of 20 years of stoner/hood/black comedies have diluted some of its effectiveness; any time Craig narrated, or that quick montage of 'things that happened today' right before the fight, drag the movie down. And why do they go OUTSIDE knowing that the drive-by is going to happen? That they might shoot the houses whether or not they're there? Doesn't make sense.
Maybe I'm putting too much thought into it here. But, for what it was, and is, it's fun, dirty stuff.
For all of the comparisons to it being Boyz N tha Hood as a crude comedy, that it is in part. But it's also like the Watts equivalent of something closer Clerks, also by first-time filmmakers: it's mostly about two guys who don't have much going on with their lives or prospects or action, but they're surrounded by so many 'lively' personalities and moments that are meant to get BIG laughs, regardless of a story structure that is super-strong outside of the Day-In-The-Life thing. And both borrow of course from Do the Right Thing, though Cube actually goes for his own version of the violent climax with a fight. The lack of any cops shows this is a fairly insulated world. Works for me.
If it doesn't really have the same existential heft as Clerks, well, it's not fully trying to be that anyway. What we get here also, of course, is the breakthrough for Chris Tucker - an opportunity he'd only really pursue for another few years before spending his life, it appears, on Rush Hour checks (and a surprise guest spot in Silver Linings Playbook, of all things). His work here is still electrifying and high-charged, though maybe this time I saw more of the obvious "tics" of the character (like, we get it, the Angel Dust bit is one of the major highlights of the movie, but can't you move on?) And Cube is good as straight man for Tucker's foole, and has a few moments too.
This is one of those movies I watched a LOT 'back in the day' as one might say. It's really a movie, despite being rated R, for 13 year olds, black or white, and seeing it at 13 made as big an impression as seeing Clerks or Pulp Fiction or whatever. At the time I thought it was that good on the level. But some things do last better than others, and the seams in Friday show much more over time. Some bits don't work - the crackhead (?) hustler is hit or miss, mostly great in the "HEY, SMOKY BACk HERE TAKING A S***!" bit - though Tony Lister, DEEBO of course in capital letters, is still amazing. And I found myself laughing often through the film, in part due to things still working, like anything with Bernie Mac (and Tony Cox!), and sometimes just nostalgia. It surprised me just how much I remembered in terms of dialog - if only I remembered everything from school like this, I'd be probably a smarter man today... oh well.
Bottom line, enough of it holds up to recommend as a fun comedy, but the effect of 20 years of stoner/hood/black comedies have diluted some of its effectiveness; any time Craig narrated, or that quick montage of 'things that happened today' right before the fight, drag the movie down. And why do they go OUTSIDE knowing that the drive-by is going to happen? That they might shoot the houses whether or not they're there? Doesn't make sense.
Maybe I'm putting too much thought into it here. But, for what it was, and is, it's fun, dirty stuff.
When I was 14, I first saw Friday and almost choked from laughter. The script by Ice Cube and DJ Pooh is right on target with it's ghetto humor. Another plus point for the film is it doesn't stereotype. But it's Chris Tucker as Smokey who makes this film. His high pitched voice and mannerisms are classic.Hard-core rapper Ice Cube, after appearing in such hard-hitting films as Boyz 'N the Hood and Higher Learning, played his first comic role in this picture he co-wrote with frequent musical collaborator DJ Pooh. Craig (Ice Cube) manages to get fired on his day off (though he claims it's through no fault of his own) and spends the day hanging out with his buddy Smokey (Chris Tucker) and trying to avoid his father (John Witherspoon), who wants him to find another job immediately. Smokey (whose name might have something to do with his tremendous fondness for marijuana) has even more serious problems; he was given $200 worth of weed to sell by Big Worm (Faizon Love), but he ended up smoking it instead, and if he can't come up with the money by the end of the day, he'll be in a world of hurt (and will put Craig in the same place just for being his friend). And Deebo (Tom "Tiny" Lister, Jr.), a gargantuan bully who roams the neighborhood on his bicycle, has it in for Craig, while Craig tries his best just to stay out of his way. As one would expect, Friday features a strong hip-hop soundtrack, featuring tracks by such artists as Dr. Dre, Cypress Hill, Mack 10, and Funkdoobiest, as well as old-school R&B selections from The Isley Brothers, Roger, and Rose Royce
Chris Tucker and Ice Cube what more do you want for a Movie like this!? This movie was funny, bright and original. theirs not a point in the movie where it goes dull or boring.
Its starts off when Craig (Cube) wakes up on a Friday morning with his friend Smokey (Tucker) outside of his house for only Smokey to find out Craig got fired on his day off, Smokey tries helping Craig feel better by Rolling him Joints and drinking beer, Craig doesn't touch weed, until Smokey forces him to, they both end up getting high, Along comes Big Worm, the man that gives Smokey the weed to sell, only for Smokey to smoke, later on Big Worm finds out Smokey doesn't have the cash to cough up so Big Worm gives Smokey a deadline warning, or a drive-by. Craig has nothing to do with it, but nothing matters no more.
Through out the movie comes local bully's, Stupid Neighbours, dumb friends, Early 90's rap music, drive-by's, Horney midgets, fights and Craig & Smokey. A lot can go down between Thursday and Saturday!
10/10
Its starts off when Craig (Cube) wakes up on a Friday morning with his friend Smokey (Tucker) outside of his house for only Smokey to find out Craig got fired on his day off, Smokey tries helping Craig feel better by Rolling him Joints and drinking beer, Craig doesn't touch weed, until Smokey forces him to, they both end up getting high, Along comes Big Worm, the man that gives Smokey the weed to sell, only for Smokey to smoke, later on Big Worm finds out Smokey doesn't have the cash to cough up so Big Worm gives Smokey a deadline warning, or a drive-by. Craig has nothing to do with it, but nothing matters no more.
Through out the movie comes local bully's, Stupid Neighbours, dumb friends, Early 90's rap music, drive-by's, Horney midgets, fights and Craig & Smokey. A lot can go down between Thursday and Saturday!
10/10
Believe me, If you could relate to SMOKEY and CRAIG, then you would see why this flick is so funny! While Dumb & Dumber and Austin Powers:The Spy Who Shagged Me, had me rollin' at times, it didn't do enough to throw me at that front porch where our two main characters sit and do nothing but get high and jive!
Yeah I can understand those critics who say "what's the point"? But in this flick, You don't need a point! Just plain and simple laughs! This is already a camp classic in case y'all don"t know! Please give it a look.
Yeah I can understand those critics who say "what's the point"? But in this flick, You don't need a point! Just plain and simple laughs! This is already a camp classic in case y'all don"t know! Please give it a look.
Le saviez-vous
- AnecdotesThe neighborhood in which Friday is set is the same South Central Los Angeles area in which F. Gary Gray spent his childhood. Principle houses that were used for filming were houses of old friends of Gray. The scene where Deebo (Tom Lister Jr.) punches Red (DJ Pooh) causing him to fly through the air is Gray's childhood home.
- GaffesWhen Craig is lying in bed the clock changed to 12:00, But when he sits up to and claps off the lights the clock still says 11:59.
- Citations
Craig Jones: We ain't got no sugar.
Smokey: No sugar? Damn. Y'all ain't never got two things that match. Either y'all got Kool-aid, no sugar. Peanut butter, no jelly. Ham, no burger. Daaamn.
- Versions alternativesDuring the fight scene on some TV versions there is a 2 second shot of Felicia flinching.
- ConnexionsEdited into Next Friday (2000)
- Bandes originalesTryin' to See Another Day
Performed by The Isley Brothers
Written by Ronald Isley (as R. Isley), Ernie Isley (as E. Isley), and Angela Winbush (as A. Winbush Isley)
Courtesy of Elektra Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Todo en un viernes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 467 564 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 589 341 $US
- 30 avr. 1995
- Montant brut mondial
- 28 215 918 $US
- Durée
- 1h 31min(91 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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