NOTE IMDb
6,5/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueMickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.Mickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.Mickey, an NBA referee, meets Ellen, an American airline official, in Paris. It develops into a relationship of ups and downs.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
I wanted to like this. It does not shirk from showing the real difficulties marriage has - or the anti-climax marriage can prove after the romance of courtship.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.
However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.
The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.
I have genuinely loved this movie! I've seen it many times, I rewatch it every time I need something sweet to soothe my soul...realistic, romantic, funny! Plus...let's NOT forget Paris...seeing the beautiful city really adds up to the movie charm! If you ever come across this one and aren't sure if it's worth watching, I hope my review will help you to just leave everything aside and press 'play'! Beautiful romantic comedy!
Is there a specific reason why Crystal has not directed more often? I'm feeling like starting a petition and sending a copy of this to anyone who would potentially sign it. He, Mantegna, Kavner(the three reasons I gave it the much-deserved chance), Winger and Stevenson are fantastic. Their performances and the timing, spot-on. This is incredibly funny, in the clever, dry, not trying too hard kind of way. The humor does have a few gross moments, however, apart from that, it's all hilarious, if you're into the sarcastic, at times cynical, type of material. Hardly any gags or jokes fall flat, throughout it. It's well-acted, and the characters are good. In addition, it's highly involving, and you find yourself caring, not just laughing, during this. Part of the emotion comes from the honesty of this, that it isn't your usual romantic comedy of "boy who looks like a male model meets female lead who appears to have stepped right off the train from Glamourville", and so on and so forth. This has ups *and* downs, and goes beyond the superficial level of the Hollywood pap that we all know, without forgetting what genre of film it is. The story is imaginative and holds surprises. The writing is top-notch. Do note that this is not for kids, the rating the MPAA gave it makes sense. There is language and themes herein. I recommend this to any fan of anyone who was part of creating it, Billy in particular. 7/10
This movie is interesting and unique, in the sense that it focuses on love AFTER marriage, and not before.
Billy Crystal plays a basketball referee who travels to Paris in order to bury his recently-deceased father. However alone the way the casket is lost and he's stuck in Paris, where he meets another single woman (Debra Winger) who's under similarly unfortunate circumstances.
They go out, have a fun time, and then resume their normal lives. Crystal goes back to basketball in the US but soon finds he can't concentrate and keeps thinking about his relationship.
Eventually they reunite and get married but it's an uphill struggle.
The movie kind of reminded me of "GoodFellas" (!) due to its structure and how it focused on the downfall of the marriage. Like Ray Liotta's marriage in "GoodFellas" it's not all peachy like most Hollywood films portray them as being.
My favorite sequence is when Crystal is transporting his semen to a hospital and gets stopped by a traffic cop. Some very funny moments like this, as well as good chemistry between the stars and an interesting narrative structure, make it a worthwhile - if not particularly memorable - romantic comedy, better than many others in its genre. At least it's entertaining and believable.
Billy Crystal plays a basketball referee who travels to Paris in order to bury his recently-deceased father. However alone the way the casket is lost and he's stuck in Paris, where he meets another single woman (Debra Winger) who's under similarly unfortunate circumstances.
They go out, have a fun time, and then resume their normal lives. Crystal goes back to basketball in the US but soon finds he can't concentrate and keeps thinking about his relationship.
Eventually they reunite and get married but it's an uphill struggle.
The movie kind of reminded me of "GoodFellas" (!) due to its structure and how it focused on the downfall of the marriage. Like Ray Liotta's marriage in "GoodFellas" it's not all peachy like most Hollywood films portray them as being.
My favorite sequence is when Crystal is transporting his semen to a hospital and gets stopped by a traffic cop. Some very funny moments like this, as well as good chemistry between the stars and an interesting narrative structure, make it a worthwhile - if not particularly memorable - romantic comedy, better than many others in its genre. At least it's entertaining and believable.
There are those comedies that are a good watch once, and that's it. However, there are those few romantic comedies that capture your attention and the humor is able to stay with you for a long time. This is one of those films. Narrated by several of the characters in the film, it has a special quality one can never forget.
From beginning to end, the narrators tell the love story of how the two leads meet, fall in love, and have troubles. Around four or five years is covered in the whole two hour piece. It's comedically written, but then, Crystal is the genius behind that, and it was well executed acting and directing wise.
Anyone who enjoys beautiful cinematography and great lines in a film, you'll enjoy Billy Crystal's "Forget Paris".
From beginning to end, the narrators tell the love story of how the two leads meet, fall in love, and have troubles. Around four or five years is covered in the whole two hour piece. It's comedically written, but then, Crystal is the genius behind that, and it was well executed acting and directing wise.
Anyone who enjoys beautiful cinematography and great lines in a film, you'll enjoy Billy Crystal's "Forget Paris".
Le saviez-vous
- AnecdotesThe film provides a credit for the "lighting of the Eiffel Tower." According to Billy Crystal, Paris officials required the credit in order to allow filming that showed the tower.
- GaffesThis is actually a correction to the last geographical goof. They are all in a restaurant in NYC. They are at Helen's. They even say it several times, and they also make reference to the fact that it was a Nicks game. So they are supposed to be in NYC not LA. They have all flown in to NYC for the wedding.
- Crédits fousThe mannequin "SafetyMan" is credited as being played by "Himself"
- Bandes originalesLove Is Here To Stay
Written by George Gershwin and Ira Gershwin
Performed by Billie Holiday
Courtesy of Verve Records
By arrangment with PloyGram Special Markets
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- How long is Forget Paris?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 33 177 694 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 812 656 $US
- 21 mai 1995
- Montant brut mondial
- 33 177 694 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Forget Paris (1995) officially released in India in English?
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