Flirt

1995
R
1h 25min

NOTE IMDb

6,3/10

2,3 k

MA NOTE

Home Video Trailer from Sony Pictures Home Entertainment

Lire trailer2:09

1 Video

20 photos

Drama Romance

Ajouter une intrigue dans votre langueThree short films about lovers' ultimatums are set in New York, Berlin and Tokyo.Three short films about lovers' ultimatums are set in New York, Berlin and Tokyo.Three short films about lovers' ultimatums are set in New York, Berlin and Tokyo.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,3/10

2,3 k

MA NOTE

Voir les informations de production sur IMDbPro

Men's Room Man #
(as Robert Burke)

Martin Donovan

Walter

Erica Gimpel

Nurse
(as Erica Gimple)

Michael Imperioli

Michael

Holt McCallany

Bartender

Lianna Pai

Woman at Phone Booth

Harold Perrineau

Men's Room Man #
(as Harold Perrineau Jr.)

Parker Posey

Emily

Bill Sage

Bill

Patricia Scanlon

Woman at Bar

Paul Schulze

Karen Sillas

Doctor Clint
(as Karen Silos)

Hannah Sullivan

Trish

José Zúñiga

Cab Driver
(as Jose Zuniga)

Boris Aljinovic

Simon(e)

Dominik Bender

Johann

Susie Bick

Model

Réalisation
- Hal Hartley
Scénario
- Hal Hartley
Toute la distribution et toute l’équipe technique
Production, box office et plus encore chez IMDbPro

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
This started off as a 30 minute short which Hal Hartley shot in New York as he was preparing to make Amateur (1994). He was subsequently handed the money to expand his half hour featurette.

Citations
Emily: I want you to tell me if there's a future for me and you.
Bill: A future, huh?
Emily: Yes.
Bill: How can I answer that?
Emily: Yes or no.
Bill: I can't see the future.
Emily: [annoyed] You don't *need* to see it if you know it's there.

Connexions
Referenced in In a Savage Land: Cast & Crew Interviews (2001)

Bandes originales
Paris is waiting
Written and performed by Lost, Lonely & Vicious

Avis des utilisateurs15

Commentaire à la une

10/10

a bit of a tour de force

Definitely an Art movie, sort of the anti-Rashômon: three different events described as if they were the same. Obviously such a film foregrounds the direction, and the dialog is recognizably Hartleyesque.

Hal Hartley weaves the same dialog through three only roughly similar stories given by their settings, the characters involved, and the cinematic treatments different meanings.

An art film about how films make art out of life. Or something.

Warning: if you lack intellectual curiosity (it's definitely not for the passive viewer) or are homophobic this will push your buttons; hence the 1-out-of-10 ratings above.