Empire Records

I love this movie. This movie is the kind of movie I watch movies for (um....did you follow that?). I would make one suggestion, however....watch it twice before you decide if you like it or not. If you're like me you'll probably be lukewarm the first time you see it but like it more each time you see it after that.

The reason for seeing it twice is because the film's strong points become more evident the second (and beyond) time around. Each character is well-defined, with individual traits and idiosynchracies, but this can be lost the first time through because you're trying to follow the story. There is a very strong soundtrack for the movie, but you appreciate it more the second time through, because you better understand how the music applies to the scene. The actors have great chemistry and the character interactions are great. The movie never takes itself very seriously and it's just a lot of fun to watch. You'll find yourself rewinding it to see certain scenes again and again.

I grant you the movie will never win any Academy nominations. The plot is simplistic and the "neat" ending (all problems solved perfectly in just one day) is unrealistic (not that this bothered me....I personally loved the ending....if I want "reality" I'll watch the evening news). Also, trying to follow the storyline tends to take away from the character interaction the first time you see it; hence, the suggestion to see it at least twice. I actually didn't care for it the first time I saw it because I was looking at it strictly story-wise. The second time I saw it I concentrated on the characters and the dialogue(which I loved), and that's when I realized the appeal. If you're into serious movies that reflect real life and real suffering, you'll probably want to pass on this one. However, if you watch movies to have fun and laugh, watch this one. Also, if you like music- especially a moderately wide variety- you'll enjoy it. It's worth your time, but save the beer for the second viewing. "Sugarhigh" is awesome- Well done, Gina! Hot voice.... Oh, and Damn the Man! 9 out of 10.

This is truly a feel good film that I return to again and again. It's true they don't make films like this anymore which is why Empire Records is such a cult film. The story is simple but the chemistry and characters shine brighter.

It's hard to believe that this cult classic from 1995 is nearly three decades old. While elements of the film have stood the test of time (including one of the best film soundtracks to ever be made), there are bittersweet reminders here that the world that Empire Records depicts no longer exists. For those who were around in the 1990's, this often poignant movie will hit your nostalgic sweet spot, making you yearn for yesteryears. Yet, sentimentality aside, Empire Records presents a romanticized view of retail life as we once knew it. The fact the film takes place in a record store (which have sadly become extinct - for the most part) and only a few other locations are shown, the movie possesses a theatre-like charm. At times, you can't help but wonder if Empire Records should really be adapted for the stage (hey, there's a musical in there somewhere). The cast is attractive and clever, tossing witticisms left and right in a style reminiscent of Dorothy Parker. Everyone here has something smart or sassy to say. It's only when the film tries to go deep emotionally that things feel more maudlin than they need to. Fortunately, director Allan Moyle (there should be no surprise that he also directed two other cult favorites, Pump Up the Volume and Times Square among others) knows exactly when to lighten the mood with comedic bits that would fit in well on any sitcom of the era (hello, Friends). Some of the actors here went on to huge cinematic success, including Renee Zellweger in a fantastic early-in-her-career performance. On that note, we need her version of the song Sugar High to finally get the record release it deserves. Her performance of it (albeit it's less than two minutes on screen) is alone worth watching the film for. That and a look back at a time where young people had cool jobs in cool places and listened to really, really cool music - on vinyl, even.

i dunno. theres just something about this movie.

yeh, in actuality, its probably dreck. its probably worthless and people probably wont remember its years and years from now when they start making out the lists of '90s movies that changed the sphere of moviemaking.

so what?

for me, this movie really does capture the feel of the mid-'90s. i was like these people once. i wore an outfit scarily like the one liv tyler sports (although without the hideous unders combo, im sure), i knew people like every one of the 'archetypes' from the movie and i really, really wanted to work in a record store. hasnt everybody? and doesnt everybody want there to be a cool record store like this in their town?

i guess for me it is a nostalgia thing, but i watched it (again) the other night with my boyfriend, and we both still laughed during the funny parts and cuddled during the sweet parts and, well, danced during the dance parts.

its just fun to look back on such a 'time-period' movie like that ... the clothes, the attitudes, the music even ... how good is it to hear the gin blossoms again, eh?

im sure many would disagree, but for someone who was right there when it was all happening, so to say, its a gentle reminder of the days before mtv committed suicide, before liv tyler started making 'real' movies, and when phrases like 'whats with Today, today?' could travel through a junior high faster than mono.

with the recent release of the special edition dvd of this film, i'd suggest you go watch it. yeah, this movie is a light, fluffy gen-x teen movie with its music video moments. however, what was eight years ago just a normal teen movie has gained some semblance of social relevance -- compared to today's teen movies, this film can be seen as some sort of masterpiece.

for one thing, you never see films anymore where teens are actually fighting for something except for a date to the prom. the characters in empire records, yes, are submerged in their overdramatic romantic escapades, but their main prerogative in the film is to prevent a large corporation from buying out their independent record store. are there films that spark that kind of activist spirit in middle- and high- schoolers today? no. we're going backwards.

also, the humor in this film offers up some absurdist wit, which you never find in teen movies now. a kid glues some quarters to the floor so he can laugh at the poor saps who later try desperately to pick them up. a shoplifting teenager gives the fake name of 'warren beatty'. do kids today even know who warren beatty is? i doubt it.

this film was made in 1995, right before many of the laws allowing corporations to buy and control multiple media outlets were passed. the years since '96 have shown us a homogenization of music and movies, especially in the teen sphere, and it is turning today's teens into a bunch of celebrity-obsessed idiots.

compared to your sons and daughters, the kids in empire records can be now seen as role models.