Les deux orphelines vampires

It starts well enough with the lovely orphan girls and their white sticks and their apparent blindness. Alexandra Pic and Isabelle Teboul are great throughout but the film is rather long and some of it seems to be repeated again. I understand that Jean Rollin was unwell at the time and, of course, this is a rather late of his films.

Many Jean Rollins fans didn't like this movie because it didn't have the kinky sex and rampant nudity of his earlier films, but I'm of the opinion that European cult directors like Rollins and Jesus Franco have actually done their best work when they didn't lazily rely on these elements (although with Franco you'd have to go back to late 60's to find evidence of this). Like with most Rollins movies the plot of this one is pretty incidental (something about blind, orphan, twin vampires trapped in a world that doesn't understand them) and the dialogue is downright laughable (if you have a choice watch it in French with English subtitles, or even turn off the English subtitles--it won't matter much). What makes the movie is the music, the atmosphere, and the startling visuals that at times approach the sublime surrealism of Jodorowsky (that's a compliment by the way). The leads are both very good. I was under the impression that this movie was so tame because Rollins had cast children in the lead roles. The actresses instead look to be in their late teens or early twenties (and they do have one brief nude scene). And if you miss the old Rollins standbys, Tina Aumont and Brigitte Lahaie both put in brief but interesting cameos (which is perfect because I never thought Lahaie especially could act her way out of a crisp paper sack). Maybe this isn't as good as many of Rollin's classic 70's films, but it's a lot better than all his recent SOV and hardcore porn efforts.

French cult filmmaker Jean Rollin again explores some familiar themes in this effort from his latter days. The two title characters are girls played by Alexandra Pic and Isabelle Teboul. People think that they are blind, and they cannot in fact see during the daytime, but they see everything in shades of blue during the night. They bemoan the fact that they are doomed to an endless cycle of new "lives" and imminent "death", while putting the bite on various unlucky French citizens. Although a kindly eye doctor (Bernard Charnace) adopts them, they don't want to let a change of scenery keep them from their usual habits.

Adapted by Rollin from a series of novels he had written, this understandably comes as a disappointment to fans of his highly erotic (and superior) 1970s output. This is more tame due to the ages of his two leads, and yet it still does have some sex appeal, and much of the atmosphere that is inherent in his work. It's haunting, with a lovely score by Philippe D'Aram, and has a fairly amusing script wherein the girls equate themselves with Aztec goddesses (since they see themselves as not being truly immortal). The supporting cast is good, including such performers as Natalie Perrey (also the script supervisor) as Sister Martha, Gudule as the Mother Superior, Nada Le Hoangan as the sickly Virginia, and the stunning Veronique Djaouti as the "She-Wolf". In quick cameos we see Rollin favourite Brigitte Lahaie and the great Tina Aumont as a "ghoul".

Pic and Teboul do a good job of maintaining some viewer interest, even as the film goes on quite a long time and meanders a bit. Even as they're willing to do evil things, their childish playfulness prevents them from being completely disagreeable. And their devotion to each other holds firm, all the way to the conclusion that is as haunting as the majority of the film.

Overall, "Two Orphan Vampires" is a good, if not great, Rollin film.

Seven out of 10.

A dreamy dark fairy tale about two lesbian orphans who are blind. Also they are vampire and can see in blue vision at night.

I haven't seen many Jean Rollins films, but I enjoyed this one much more than Demonaniacs. It was dark, but sweet. It was dream like with poetic dialog. The relationship between the two orphans was wholesome and Ioving. They weren't strong, they questioned who they are, and they enjoy some brandy to go with their blood. The movie was a great watch and I now feel the need to watch more of Rollins films.

No pun intended obviously as always. Jean Rollins - I reckon reading and seeing that name, people acquainted to him and his movies in general (most likely to be fan of his), will have some inkling ... but more an expectation of what to expect here. And then the movie comes and blows away all that - not in the sense you may think (not that kind of movie here).

The movie has one interesting new item/fact or whatever you would call it. I mean you can watch the whole thing under the prism of what is real and what is not ... but if we take this for what we are being shown, than we do get to see Vampires who are "daywalkers" ... but can not see when the sun is out.

So a nice spin on the whole blood sucking thing (individuals). If you are here for nudity and other such things ... well do not bother! It does have some nudity, but not to the degree you may be accustomed to when it comes to Rollins or other directors (and even some of the actors involved - like Brigitte Lahaie, who has a minor role in this).

It has a sort of over arching story .... but it is more about cinematography and getting from one place to another. And some "cameos" along the way. Though sometimes the lighting does not work in any way that would be good ... that aside, the effects are decent to say the least. Not much substance but still at least fragments of the fantasy (world) Rollins likes to delve in ... if you can dig it ... well you need no more ... (nudity/other things) ...