Un psychologue agoraphobe et une détective doivent travailler ensemble pour arrêter un tueur en série qui copie les tueurs en série du passé.Un psychologue agoraphobe et une détective doivent travailler ensemble pour arrêter un tueur en série qui copie les tueurs en série du passé.Un psychologue agoraphobe et une détective doivent travailler ensemble pour arrêter un tueur en série qui copie les tueurs en série du passé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
- Cop #1
- (as Scott De Venney)
Avis à la une
This thriling film contains grisly killings, some very clever shocks, exploitation, and lots of scary creepings in the dark. The simple plot ,peculiarly tasteless , delivers an opportunist concept, though being subsequently more and more complex, when the nasty serial killer attempts to reproduce the murders of others notorious serial killers as Ted Bundy, Sam's son, Dahmer, Jack the Ripper and Murders by Numbers. There are various flashes of interest between the intriguingly matched stars. The screenwriters carry out to replicate even the feminist structure from Silence Of The Lambs with Holly Hunter and Sigourney Weaver splintering the Clarice Starling/Jodie Foster character. And while consulting convicted psycho Harry Connick at inside prison , how the another killer proceeds to murder. SIgourney Weaver plays a boozing, agarophobic psychologist suffering the effects of an attack by a terrible sicko, being almost hanged drawn and quartered. Weaver gives sometimes overacting, eventually grabs our deep attention along the way. Harry Connick as a Southern psychopath stuck on murder who is convict in prison while advising the police in hunting for another serial murderer who imitates him, he offers the movie's best portratal by a country mile. Will Patton is the obstinate cop, Hunter's ex-lover, unreasonably jealous of the unfortunate cop well played by Delmot Mulroney. And finally William McNamara who provides an extremely nasty madman role, though annoying, as the crowded serial killer and psychopath, a Hannibal Lecter lookalike.
It delivers a frightening and suspenseful soundtrack by the musician Christopher Young, a real expert in creating dark and sinister atmosphere. As well as an evocative and adequate cinematography by prestigious Lazslo Kovacs. This particularly nasty motion picture was well directed by Jon Amiel who keeps the tension high and his camera dwells lingeringly on sadistic details. He has made acceptable movies as Queen of hearts, Tune in tomorrow, Sommersby, The man who Knew too little, Entrapment, The Core. Rating 6.5/10. Decent thriller. Well worth watching for Sigourney Weaver and Holly Hunter fans .
Until the terror begins again, this time involving not only the ex-pschologist (Sigourney Weaver) but also a cop played by Holly Hunter.
"Copycat" was much better than I thought it would be. I originally saw it on TBS years ago; I remember the ads claiming it would be on, but for some reason the rights fell through and it didn't air for another month or so... through this time period I hadn't heard anything about the film, but within the very first few minutes I instantly knew it was going to be much better than the standard "Silence" rip-off.
I may be alone here (and trust me, I know it) but I enjoy this more than "Silence of the Lambs," which kind of bores me at times. "Copycat" is dark and unexpectedly intelligent -- it is also perfectly cast. Weaver is fine (if unexceptional) whereas Hunter's macho-female traits are put into play perfectly by her casting as a cop.
The killer in the movie is played by Harry Connick Jr., and even he does a good job, which is saying quite a lot.
The movie has unexpected twists and is very clever in its own right. It is undoubtedly influenced (heavily) by "Silence of the Lambs" but is successful in the way it adds its own qualities to the mix -- much like "Se7en" this is a serial killer movie cashing in on the success of "Silence," but not necessarily stealing its content.
Very surprised. Catch it if you can.
Sure, it's the same old serial killer movie. It does add a couple of interesting wrinkles and with solid female leads. Hunter is confident and fully realized. Weaver and her point of view deliver a sincere and fragile personality. The movie opens with the memorable bathroom attack. The other memorable aspect is Weaver struggling in her home. The investigation and the serial killer are less compelling. This follows the formula and it does it pretty well.
Le saviez-vous
- AnecdotesYears later, Sigourney Weaver would state that she was most proud of her work in this film. She worked hard to portray the mindset of an agoraphobic, and has regretted that the movie was lost in a shuffle of thrillers at the time and is not better remembered.
- Gaffes(at around 1h 30 mins) When the copycat killer does the "Dahmer" crime, he dumps the decapitated body into the river. Jeffrey Dahmer would've never done this, as he kept all the bodies in his apartment for further sexual gratification, then he dismembered them and submerged them in acid, sometimes he ate parts, also he boiled the heads and kept the skulls for a sculpture he was planning to do. He killed for companion, to have a submissive partner by his side, he killed men he felt attracted to and he would've never gotten rid of a body.
- Citations
Helen Hudson: Fuck you.
Peter Foley: What?
Helen Hudson: You heard me, you little twerp. Do you think I'm afraid of you?
Peter Foley: I know you are.
Helen Hudson: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter Foley: Watch it, bitch, or I will slice that smile off your face, do you hear me?
Helen Hudson: Daryll Lee couldn't get it up either.
Peter Foley: DO YOU HEAR ME?
[Helen spits in Peter's face]
Peter Foley: Okay, I see, Helen. Nice try. You wanna know a little secret? Huh? I'm on to your trick. I won't kill you fast no matter how much you're gonna want me to.
- Versions alternativesItalian video version tones down most of the violence; most notably, Darryl Lee Cullum is not shown slitting the policeman's throat in the prologue.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Meilleurs choix
- How long is Copycat?Alimenté par Alexa
- Was a sequel to this movie planned?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El imitador
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 051 917 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 170 522 $US
- 29 oct. 1995
- Montant brut mondial
- 32 051 917 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1