Ajouter une intrigue dans votre langueA recently orphaned young woman goes to live with eccentric relatives in Sussex, where she sets about improving their gloomy lives.A recently orphaned young woman goes to live with eccentric relatives in Sussex, where she sets about improving their gloomy lives.A recently orphaned young woman goes to live with eccentric relatives in Sussex, where she sets about improving their gloomy lives.
- Réalisation
- Scénario
- Casting principal
- Victoire aux 1 BAFTA Award
- 2 victoires et 4 nominations au total
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This is one of the few movies I'd put in the same category as "Rozencrantz and Guildenstern are Dead" - movies that get funnier the more times you watch them.
The "child" in question is the lone offspring of one Robert Poste (deceased) and, as we are soon to discover, Poste's progeny, Flora, is hardly one in need of saving. Orphaned in her budding womanhood, nettled by the golden orb of an unrealized literary career, Flora strikes out from the discerning (or snobbish) urban sophistication of London ( leaving behind her good friend Mary and Mary's invaluable manservant, Sneller) and heads for the bucolic splendor of the Sussex countryside to lodge with her relatives, the Starkadders, and find herself.
Robert Poste's child finds instead: a muck-begrimed tumbledown estate wherein resides a ready-for-Hollywood womanizer (Cousin Seth), an estate-coveting farmer (Cousin Reuben), a daffy romantic (Cousin Elfine), a too-loving mother (Cousin Judith), a 'vengeful god', proselytizing father (Cousin Amos), and an iron-willed matriarch (Greataunt Ada Doom). There's also a smattering of Lambsbreath (Adam) and a smidgen of Hawk-Monitor (Dick).
Inside the Starkadder fold Flora encounters a resistance to dish washing modernity (the twig versus the hand mop); the rumor of an unmentionable misdeed once perpetrated against her father; the oft-cited permanence of the Starkadders on their environs; and the matriarch's frequently mentioned trauma after having witnessed a particularly odious occurrence inside the outdoor log pile storage facility ("...something nasty in the woodshed"). Undaunted, Flora presents a cool brow and an almost impervious demeanor plus an extremely persuasive power to influence. Within COLD COMFORT FARM, where high fashion and applied scientific reasoning smash headlong into arrested sociological development and stunted personal/ familial growth, tear-inducing laughter is the order of the day.
As mentioned in the comments of others, Ms. Beckinsale, clad in her natty period togs and radiating a winsome, unflappable aura (while also projecting a strangely prepubescent vibe), hasn't had as good a role since Flora. Meanwhile, those master thespians, Freddie Jones, Ian McKellan, and the inimitable Eileen Atkins nearly go mad with delight as they burrow gleefully into their characters. Rufus Sewell's Seth smolders hilariously while Stephen Fry's Mybug, "soaked in nature's fecund blessing", blusters uproariously. This sort of comedy of manners and cultural collision required an intelligent, perceptive and witty director. John Schlesinger (DARLING, 1965) fit the bill gloriously.
Flora's decision to go to Cold Comfort Farm after her parents die sets the tone for the rest of the movie; it sounds "Interesting and appalling...the others just sound appalling!" If you want a good chuckle, or just love good British humor, by all means, see this movie!
This movie was the first I ever saw of Kate Beckinsale and I thought she was fantastic in it. I remained a fan for a long while, even though her subsequent movie performances (and choices) have been awful. She finally lost me with her recent laughable turn in Van Helsing. Nevertheless, she WAS good in Cold Comfort Farm, so if you're no fan of Beckinsale don't let that dissuade you from seeing this movie.
Other standouts in the cast are Eileen Atkins, Rufus Sewell, and Ian McKellen who is screamingly funny as a fire and brimstone preacher.
This film is definitely worth having on video or DVD in that it bears up very well to repeated viewings. I've seen it at least 5 times since its release, and my estimation of it rises with each viewing.
Le saviez-vous
- AnecdotesDirector John Schlesinger had to pay for the blow-up from 16mm to 35mm, because neither the BBC, nor Thames Television, who owned the overseas rights, thought the movie would work in the theater, and therefore would not waste their money on the print. It was the fifth highest-earning British movie released in U.S. theaters that year.
- GaffesThe candlestick on breakfast table during the first breakfast scene changes places depending upon the shot.
- Citations
Amos Starkadder: Ye miserable, crawlin' worms. Are ye here again then? Have ye come like Nimshi, son of Rehoboam, secretly out of your doomed houses, to hear what's comin' to ye? Have ye come, old and young, sick and well, matrons and virgins, if there be any virgins amongst you, which is not likely, the world being in the wicked state that it is. Have ye come to hear me tell you of the great, crimson, licking flames of hell fire? Aye! You've come, dozens of ye. Like rats to the granary, like field mice when it's harvest home. And what good will it do ye? You're all damned! Damned! Do you ever stop to think what that word means? No, you don't. It means endless, horrifying torment! It means your poor, sinful bodies stretched out on red-hot gridirons, in the nethermost, fiery pit of hell and those demons mocking ye while they waves cooling jellies in front of ye. You know what it's like when you burn your hand, taking a cake out of the oven, or lighting one of them godless cigarettes? And it stings with a fearful pain, aye? And you run to clap a bit of butter on it to take the pain away, aye? Well, I'll tell ye, there'll be no butter in hell!
- Crédits fousThe copyright at the end of this movie is listed as "MCMXV", which translates to 1915. The movie was copyrighted in 1995, so the numerals should read "MCMXCV".
- Bandes originalesI'm More Than Satisfied
Composed by Fats Waller (as Waller) / Raymond Klages (as Klayes)
Published by EMI Music/Redwood Music
Arrangement by Robert Lockhart
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cold Comfort Farm
- Lieux de tournage
- Kent and East Sussex Railway, Tenterden, Kent, Angleterre, Royaume-Uni(trains and station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 682 429 $US
- Week-end de sortie aux États-Unis et au Canada
- 66 427 $US
- 12 mai 1996
- Montant brut mondial
- 5 682 429 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1