Blue Murder

The screenplay, by Ian David, is the primary reason why BLUE MURDER is the best TV ever produced in Australia -- in fact, it is better than 95% of the features produced in that country. And, yes, calling it the GOODFELLAS of Down Under is not exaggerating.

Other reviews here have detailed the content of this mini-series, so no point going there. I just hope my raving about it inspires people who haven't seen it to check it out and marvel at the sharp characterizations, brilliant performances, Michael Jenkins' intuitive direction and ultra-realistic dialogue.

The series captures the Aussie vernacular like nothing else ever has and portrays a "matey" political and social environment within the police force that allowed corruption to fester and become an accepted part of everyday life.

One powerful sequence, where a crooked lawyer is indifferently dropped into Sydney Harbor with a stove around his neck, perfectly captures the dark side of the Aussie "She'll be right, mate" approach to dealing with problems.

Richard Roxburgh as Roger Rogerson is nothing short of a revelation, but major nods must also go to Gary Sweet (his best performance by far), Gary Day (brilliant), Bill Hunter (solid as usual) and Alex Dimitriades (chillingly real).

If you're only retiring to that desert island with one Aussie DVD, this should be it.

Blue Murder is nothing short of a masterpiece. It delves into the world of police corruption and criminal activity and leaves nothing to the imagination. Everything about it is made all the more incredible due to the fact it's all true.

The casting is nothing short of genius. Richard Roxburgh as the infamous detective/criminal/murderer Roger "the Dodger" Rogerson is so utterly convincing and accurate you'd swear it was the man Roger himself. Tony Martin is equally brilliant as the notorious Neddy Smith, the charming, brutal and cunning criminal mastermind. All of the supporting cast do equal justice to the show, in particular Peter Phelps as 'Abo' Henry.

Blue Murder will have you utterly engrossed for all of its 4 hour running time, and leave you amazed and shaking your head in disbelief at the end. This is the real stuff, as it happened, as remarkable, and unthinkable as it is to comprehend. Go out of your way to see this one.

It says a lot about the accuracy of information in this series that it was not shown on TV in New South Wales (the Australian state where the action takes place) during the trials and inquiries (including a Royal Commission into corruption in the NSW police force) involving the main 'characters'. The story is just astounding.... hard to believe these were the daily activities of the NSW police. Excellent acting throughout, including that of Alex Dimitriades, which convinced me that he is not just the pretty boy of 'Heartbreak High'. It really was compulsive viewing for me when it was first screened.

What a pity that we in NSW and the ACT couldn't see this for five years. But then you can see just why. How good is Tony Martin as Neddy Smith? How graphic was the scene when Lanfranchi got blown away? How come Rogerson isn't in jail right now?

This is easily the best mini-series this country has produced. From the opening scenes to the end credits the story rips along at a furious and engaging pace. The writing, indeed the script editing are first rate. The direction of the story is clear and equally the actors seem to respond exactly to the needs of the character, story and director.

At no time does the viewer ever become bogged down in superfluous plot because it simply doesn't exist. Instead we get only the intriguing facts of this gripping saga of Australian crime. The research is clearly extensive and the whole production team have done a terrific job. This is what TV should be.