Xena, une puissante princesse guerrière au passé sombre, s'apprête à se racheter. Elle est rejointe par Gabrielle, barde de la petite ville. Ensemble, ils parcourent le monde antique et lutt... Tout lireXena, une puissante princesse guerrière au passé sombre, s'apprête à se racheter. Elle est rejointe par Gabrielle, barde de la petite ville. Ensemble, ils parcourent le monde antique et luttent pour le bien commun contre les seigneurs de guerre et les dieux impitoyables.Xena, une puissante princesse guerrière au passé sombre, s'apprête à se racheter. Elle est rejointe par Gabrielle, barde de la petite ville. Ensemble, ils parcourent le monde antique et luttent pour le bien commun contre les seigneurs de guerre et les dieux impitoyables.
- Récompensé par 1 Primetime Emmy
- 9 victoires et 34 nominations au total
Parcourir les épisodes
Avis à la une
I love this show. Lucy Lawless and Renee O'Connor are fabulous as Xena and Gabrielle. Xena is a former warlord trying to atone for her past by traveling the world doing good. Gabrielle is her sidekick, a bard writing the stories of Xena's adventures. The show is packed (usually) with action, realistically, and breath-takingly, performed by Lawless and O'Connor. And when the show ventures into comedy, it is capable of being the funniest show on television. Did I mention that I LOVE THIS SHOW!
Just like Hercules it was really good-corny show.
Sure some effects were bad. That didn't matter to me because the show was able to carry itself and become an iCONIC show. It had great characters and a mystical story
Verdict: in 2021 people are still complaining about females not getting lead roles....umm...this "female" crushed the 90s. It was better than Hercules.
Sure some effects were bad. That didn't matter to me because the show was able to carry itself and become an iCONIC show. It had great characters and a mystical story
Verdict: in 2021 people are still complaining about females not getting lead roles....umm...this "female" crushed the 90s. It was better than Hercules.
This was an amazing show that switched from comedy to high drama to tragedy to sword-fighting action and mayhem. All of this usually happened in the same episode. A great show for students of mythology, although the writers did incorporate their own ideas (into the mythological settings and characters) to give the show more texture and layers. The best part of the show was Xena and Gabrielle's intense affection, friendship and respect for one another. They are truly partners in everything they do and always willing to sacrifice for one another. However, there's plenty of comedy as well to keep the show from getting too serious. The more episodes you watch, the more you'll like and understand the concept of the show, and how it works on different levels simultaneously. Very highly recommended.
Here's the thing, see, about XENA - the fantasy action show telling the tale of the formerly evil Xena, now a force for good, and Gabrielle the Amazon Queen, her warrior/bard partner.
You have two really beautiful women dressed in impractical leather goods flitting about the Ancient World wielding shiny weapons with great skill and nary a thought to chronology or historical accuracy. You have the relentless modern American speech. You have the over-discussed, over-analysed and highly subjective element of "lesbian subtext". You have campy humour, sly winks at the audience, over-the-top fight sequences, and more dialogue limited to the screaming of each other's names than the second half of Titanic.
You have re-used extras, recycled sets, a bikini-clad Aphrodite spouting Valley-girl speech, a penchant for killing off popular guest stars, TWO man-free pregnancies, high angst levels, a range of episodes that swing madly from dark violence to Andrew Lloyd-Webber style musicals and from intense drama to slapstick comedy.
You have strong female leads who accept responsibility for their choices and their actions, good and bad. You have really beautiful scenery in the form of New Zealand. You have great chemistry between the two stars, and you have enough smarts to know how to combine all of these things into a show that succeeds more than it fails.
Give it a chance. I promise, ten episodes and you'll be hooked. In short, XENA: WARRIOR PRINCESS is smart TV pretending that it's dumb. Which is just fine by me, thanks.
You have two really beautiful women dressed in impractical leather goods flitting about the Ancient World wielding shiny weapons with great skill and nary a thought to chronology or historical accuracy. You have the relentless modern American speech. You have the over-discussed, over-analysed and highly subjective element of "lesbian subtext". You have campy humour, sly winks at the audience, over-the-top fight sequences, and more dialogue limited to the screaming of each other's names than the second half of Titanic.
You have re-used extras, recycled sets, a bikini-clad Aphrodite spouting Valley-girl speech, a penchant for killing off popular guest stars, TWO man-free pregnancies, high angst levels, a range of episodes that swing madly from dark violence to Andrew Lloyd-Webber style musicals and from intense drama to slapstick comedy.
You have strong female leads who accept responsibility for their choices and their actions, good and bad. You have really beautiful scenery in the form of New Zealand. You have great chemistry between the two stars, and you have enough smarts to know how to combine all of these things into a show that succeeds more than it fails.
Give it a chance. I promise, ten episodes and you'll be hooked. In short, XENA: WARRIOR PRINCESS is smart TV pretending that it's dumb. Which is just fine by me, thanks.
After waging brutal war for years, Xena finds her conscience stopping her, and she devotes her life(and her considerable abilities) to helping out anyone who needs it. Along with Gabrielle, a young woman from a small village who wants to see the world, they meet many cultures(including primitive ones... and yes, they tend to be treated respectfully, if not necessarily entirely accurately; we see scenes of rituals, dances and the like, and it isn't looked down upon), mythologies(Greek, Norse, Indian, etc., deities and demons alike) and creatures. The themes of battle or love are explored well, as well as whether you can truly escape your past or not. This often has a silly, goofy tone and approach(Sam Raimi, the creator, is known for his love of The Three Stooges), and it won't be for everyone. It does also get serious, dramatic and downright epic at other times, with fantasy beings faced and fought. The acting varies(and it definitely gets to be over the top for some of the humor), but when it really needs to be good, it usually is. This has great guest stars, such as Kevin Smith(no, the thin one) as Ares(his hunger for armed conflict really shines through), Bruce Campbell(yup, he's in this, too... and yes, he's arrogant as always) as Autolycus the master thief and Karl Urban(no, really, he's actually convincing in this) as Ceasar. The action is cool, with reasonable choreography(not on the level of movies), and they change it up some so it doesn't get to be repetitive. And somehow, it doesn't get to be boring in spite of our titular lead being a much better fighter than almost anyone else(so yeah, not always a sense of risk, at least from that). Sets and costumes are well-done, considering the budget. The FX get greater as this goes. In the first few of the seven seasons, this doesn't go that far beyond the basic setup, but then it does start taking chances and it is often interesting. There is disturbing content, sensuality and violence in this. I recommend this to fans of the people behind it, and what it's inspired by. 7/10
Le saviez-vous
- AnecdotesRenée O'Connor was not in the opening credits for season 1. At Lucy Lawless' insistence, Renee was included in opening credits from season 2 onwards.
- GaffesXena was present at the Trojan war in one story arc, but she also knew Julius Caesar in another. These are an event and a person that were 1000 years apart. Several other time jumps occur in the series.
- Crédits fousStarting with Cradle of Hope (1995), most episodes feature a witty disclaimer at the end of the end credits.
- Versions alternativesIn Germany most episodes are cut for violence to secure a "Not under 12" rating for broadcast in the afternoon.
- ConnexionsEdited into Xena Warrior Princess and Hercules the Legendary Journeys (2003)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How many seasons does Xena: Warrior Princess have?Alimenté par Alexa
Détails
- Durée45 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant