Catherine the Great
- Téléfilm
- 1995
- 1h 40min
NOTE IMDb
6,1/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueTrapped in a loveless arranged marriage to the immature future Czar, a young German Princess proves a skillful political infighter and rises to become Catherine the Great.Trapped in a loveless arranged marriage to the immature future Czar, a young German Princess proves a skillful political infighter and rises to become Catherine the Great.Trapped in a loveless arranged marriage to the immature future Czar, a young German Princess proves a skillful political infighter and rises to become Catherine the Great.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
Once again, A&E brings us a beautiful looking production. The costumes, sets and, of course, performances by an exceptional cast, are stunning as always. However it seems that the writers were getting a bit tired while working on this one. It lacked the cleverness and vivacity of productions such as Vanity Fair and Pride and Prejudice, and the drama we enjoyed in Horatio and Tess. I was also disappointed to find that the version available in N.America is only 90 minutes long, and includes only Catherine's early reign. If you want to see the entire production you apparently need to get the 3-hour version, available in Germany.
All in all, it is worth watching, if only for the visuals and wonderful acting. Catherine Zeta Jones is brilliant and displays her versatility in this dramatic role. I cannot begin to comment on the equally strong performances of the rest of the cast, being restricted to 1000 characters here, but as I say, certainly worth the watch.
All in all, it is worth watching, if only for the visuals and wonderful acting. Catherine Zeta Jones is brilliant and displays her versatility in this dramatic role. I cannot begin to comment on the equally strong performances of the rest of the cast, being restricted to 1000 characters here, but as I say, certainly worth the watch.
Hey guys, After having read the preceding reviews and of course having seen the flick I just had to add this comment: I take my movies seriously and I take my history seriously---in general. I will easily admit that this film is a bit weak on both scores. But everybody obviously had a wonderful time!
And sometimes that counts for something. I had not seen Miss Zeta-Jones before but I am certainly glad to have seen her now. I will admit that Mae West was probably closer to the real Catherine (complexionwise, haircolorwise, and probably even sexualproclivitywise) but it was an absolute pleasure to watch a woman who is imperious as well as beautiful play a part in which she is required to be both those things! I mean, she pulled it off! And she looked absolutely great doing it! I Can't wait to see her again. Well now, the historic issues. I am really sorry that Potemkin didn't get a chance to show Catherine a Potemkin village in this particular version, but other than that the history didn't really bother me all that much. The fact is, I kind of liked the plot, even if it does come from never never land. So put me down as a complete Philistine if you will, I can't help but admit that I enjoyed this thing thoroughly, misguided as I may be. And let me throw in one more kudo. Anyone who cut his teeth on "Gunsmoke" as Mr. Chomsky did, and winds up directing a Russian Czarina quoting Rousseau can't be all bad. I hope you like it too.
And sometimes that counts for something. I had not seen Miss Zeta-Jones before but I am certainly glad to have seen her now. I will admit that Mae West was probably closer to the real Catherine (complexionwise, haircolorwise, and probably even sexualproclivitywise) but it was an absolute pleasure to watch a woman who is imperious as well as beautiful play a part in which she is required to be both those things! I mean, she pulled it off! And she looked absolutely great doing it! I Can't wait to see her again. Well now, the historic issues. I am really sorry that Potemkin didn't get a chance to show Catherine a Potemkin village in this particular version, but other than that the history didn't really bother me all that much. The fact is, I kind of liked the plot, even if it does come from never never land. So put me down as a complete Philistine if you will, I can't help but admit that I enjoyed this thing thoroughly, misguided as I may be. And let me throw in one more kudo. Anyone who cut his teeth on "Gunsmoke" as Mr. Chomsky did, and winds up directing a Russian Czarina quoting Rousseau can't be all bad. I hope you like it too.
This movie is a good example of how to make a movie about foreign royalty: good acting, a little drama, some good action, and some interesting sidelines. Catherine Zeta-Jones is great in one of her first major roles as the Russian queen, Catherine (Katharina) the Great. There are also some other actors unknown to me who do a good job at portraying how she affected people and what she was like. Though the movie seemed to drag on at different points it still kept you interested. If you've got about four hours on your hands go out and rent it or watch it on T.V. It would probably be good to show to students when studying that point in history, maybe.
8/10
8/10
The Empress Elizabeth II rules mid-eighteenth century Russia. She marries her heir, the physically impotent German prince Peter, to the German princess, Catherine (Catherine Zeta-Jones). Catherine takes a lover, bears a child, plots against her husband and deposes him after he has reigned only six months. She becomes the Empress Catherine II. Well-educated and with liberal ideas, she is an astute politician and wages war with success. Yet when rebellion confronts her with the choice between fostering freedom and suppressing rebellion, she chooses suppression.
Catherine II was a fascinating and complex ruler, the period was crucial in determining the future course of Russia, its expansionary empire, its reactionary society and primitive economy. This film, however, addresses none of these great themes, except in the most cursory and superficial manner. It is a shallow drama of empty spectacle, in which intimate diversions are followed by unconvincing public events, battles and rebellions. The psychological characteristics of the protagonists, the motivations that drive them, the reasons for their decisions are all left unexplained. "There are great matters at stake", says Catherine to Potyomkin (Paul McGann), but we are never told what they are. Such rationalizations as do emerge involve the anachronistic importation of late twentieth-century western liberal concerns into eighteenth-century Russian society.
Television drama need not seem cheap. This film does. There is a good cast, but the dialogue is empty and its delivery perfunctory, although Ian Richardson's Vorontsov is done well and Brian Blessed is surprisingly well-moduated (and exceptionally quiet) as Bestuzhev. Generally, the cast seems dispirited by the trite, thin, lines they are asked to utter. One hundred minutes spent watching Miss Zeta-Jones will always have its rewards. None the less, she is miscast. Most particularly, her voice is in its nature contemporary and middle class, with its very modern inability correctly to pronounce the letter 'r'; it is unsuitable to the role of an eighteenth century aristocrat and Empress. The set pieces are sparse and unconvincing and the direction humdrum.
The story and this cast deserved better than this slight spectacle.
Catherine II was a fascinating and complex ruler, the period was crucial in determining the future course of Russia, its expansionary empire, its reactionary society and primitive economy. This film, however, addresses none of these great themes, except in the most cursory and superficial manner. It is a shallow drama of empty spectacle, in which intimate diversions are followed by unconvincing public events, battles and rebellions. The psychological characteristics of the protagonists, the motivations that drive them, the reasons for their decisions are all left unexplained. "There are great matters at stake", says Catherine to Potyomkin (Paul McGann), but we are never told what they are. Such rationalizations as do emerge involve the anachronistic importation of late twentieth-century western liberal concerns into eighteenth-century Russian society.
Television drama need not seem cheap. This film does. There is a good cast, but the dialogue is empty and its delivery perfunctory, although Ian Richardson's Vorontsov is done well and Brian Blessed is surprisingly well-moduated (and exceptionally quiet) as Bestuzhev. Generally, the cast seems dispirited by the trite, thin, lines they are asked to utter. One hundred minutes spent watching Miss Zeta-Jones will always have its rewards. None the less, she is miscast. Most particularly, her voice is in its nature contemporary and middle class, with its very modern inability correctly to pronounce the letter 'r'; it is unsuitable to the role of an eighteenth century aristocrat and Empress. The set pieces are sparse and unconvincing and the direction humdrum.
The story and this cast deserved better than this slight spectacle.
This historical drama has a most interesting story. Catherine The Great was a powerful women and she brought Russia into the modern age.
Catherine Zeta-Jones is terrific in this film. She plays the part well expressing the independence and greatfulness of Catherine The Great. Highly recommended.
Catherine Zeta-Jones is terrific in this film. She plays the part well expressing the independence and greatfulness of Catherine The Great. Highly recommended.
Le saviez-vous
- AnecdotesJeanne Moreau (Elizabeth) played Catherine in Great Catherine (1969).
- GaffesWhen Catherine trades in her virginity to get pregnant, the skin of her mate's back and legs is tanned, while his buttocks are perfectly white. There were neither sunbathing nor a pair of trunks in 18th century.
- Versions alternativesApprox. 80 minutes were deleted from the US version by A&E compared to the original German version which was shown in 2 parts a 90 minutes.
- ConnexionsFeatured in Neighbours: A 10th Anniversary Celebration (1995)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Catalina la Grande
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 40min(100 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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