High Society

I never was a big fan of Absolutely Fabulous....so maybe that's why I liked this one so much! Although when they got rid of the Val character, it was a death blow to the show - I still have one of the episodes on tape because I enjoyed it so much. This was the episode where Stephano quit and Val took over the office. I've watched this with numerous friends numerous times and no one has hated it (as the person before me claimed). I'm unsure if this is because he may have only seen one episode. Anyhow, I had a feeling this would not make it because it was over the top and not a great fit for Murphy Brown (more like something that would go well with Will & Grace). Perhaps when the Gay network is up and running, they will put this on again.

I was thrilled that Jean Smart and Mary McDonnell were going to do a sitcom probably inspired by the British comedy, Absolutely Fabulous, about two upper class spoiled New Yorkers. Faith Prince was terribly underused and under-rated. She was supposed to be huge after her triumphant performance in Guys and Dolls opposite Nathan Lane but Smart and McDonnell did what they could with a terrible script. I was hoping that the show would last longer than it did which was only a few episodes. Both actresses are accomplished veterans of the sitcom genre that they should have used their experiences to make this show better. Maybe the idea of two rich and spoiled divorced women are reminiscent of The First Wives Club. I didn't care for that much neither.

AbFab was successful in England. In fact, it was successful in America! Americans LOVE AbFab. So of course it made sense to try try try to make an American AbFab. AmFab, perhaps? But it just couldn't work. It could never work. Americans like to see themselves in a certain light. Sure, we drink. But the people we want to WATCH drinking are either funny southern/mountain folk, or angry violent urban youth... not middle-aged wealthy moms. Middle-aged wealthy moms have a pretty wide berth here, of course, but it just doesn't go that far. High Society may have offered less of everything we didn't want, but how could you really have anything resembling AbFab if you couldn't construct a situation where, say, Patsy wakes up in a garbage barge, and it's COMPLETELY RIGHT!?!

Often-compared to "Absolutely Fabulous," but really nothing like it, "High Society" should have been an enormous hit. Jean Smart and Mary McDonnell had remarkable chemistry together and the writing was top-notch, which should have been enough to keep the series afloat. Wrong. Some people had a hard time picturing Smart as anything but her homely character from "Designing Women," despite the fact most of her roles have been closer to Ellie than Charlene. Critics trashed it. Even actor John Schneider trashed it in an interview on TNN (then he subsequently ended up on "Veronica's Closet"). In several reviews, the characters in "Society" were criticized for laughing at their own jokes. Yet a few years later, Megan Mullally was hailed on "Will and Grace" for doing that same thing. Take the two characters from this show and roll them into one and you have "Will and Grace"'s Karen Walker, complete with Dott's look and Ellie's last name. Personally, I think this was one of the funniest sitcom of all time - too bad it was so closely compared to AbFab that very few people remember it!

I have seen a lot of TV in my time, both good and bad, and I cannot agree with the comment that this show is hideous. My only problem is that I was too young to appreciate both AbFab and High Society when they first started airing. I have seen on this site where people scoff at the use of Valium as a way to get a laugh because the drug is too weak. Let's face it. None of the Americanized versions of British comedies were allowed to be as free with their material as their counterparts in the 1990's. American television was more restricted than other nations, especially on regular networks. People immediately labeled Jean Smart as "family TV" because of one role, so they failed to accept her as Ellie Walker. Mary McDonnell is a two-time Oscar nominee with amazing talent, so how could she possibly be funny? That's what people thought, and they were wrong. What's sad is that some of the people who put this show down are probably tremendous fans of the American adaptation of The Office. Funny how it's acceptable today to rip off a show, but ten years ago, it was a deadly sin.