Get Smart

It sucked. Andy Dick was pathetic. He was too effeminate to pull off this poorly written comedy. As a big fan of the original get smart, I am glad they pulled the plug on this stinker. What made the original series fun was the great schtick written by none other than Mel Brooks and Buck Henry.

I first became a fan of "Get Smart" in 1991 via Nick at Nite's airings, and by the end of 1993 I had every episode on tape (of course this was in the days before full-season DVD releases of every TV show ever made), so when in December 1994 I heard "Get Smart" was back in production, I was a very happy fangirl, being that my interest in the show was still at a peak!

When the first episode aired on Fox in January 1995, I was on a vacation, but I still made sure I was in the hotel to watch it (and I had it taping on timer back home), I was practically squeeee'ing with delight!

After watching all 7 of the new episodes over January and February, I went away from the experience happy, but with the mindset that the original was still better. As for the one commenter who said Zach (whose agent number was never revealed) had no straight-person to play off of, I think 66 was perfect for that role. She was as serious as Zach was silly, and I think the interplay between them really worked for some good comedy, and their uneasy tolerance for each other would have kept the two from becoming lovers had the series been picked up for 1995-96 season, avoiding falling into the "Moonlighting" trap.

The new arrangement of the show's theme really worked too, it was very modern-spy-movie chic, but still recognizable as the "Get Smart" theme :)

Overall: I would say a 7 out of 10. They should have tried to get the show's creators back, but it was still a very entertaining and valiant effort on Fox's part.

Thirty years ago, bumbling agent Maxwell Smart (Don Adams) and his lovely sidekick, Agent 99 (Barbara Feldon) helped the United States Spy Agency, Control, defeat the bad guys at Chaos. Now, in the present day (1995), Max is the top dog at Control while 99 is a Senator, getting funds to keep the spies in operation, among other things! Also, there are two young gumshoes at Control. One is Max and 99's son, Zach (Andy Dick), who has just been promoted to full agent. He is as clumsy as his dad but makes things work out. The other new spy is beautiful agent 66 (Elaine Hendrix), who is a modern-day Mata Hari, using her looks and smarts to defeat the enemy. In the first episode, Chaos is after a dress made out of fabric that will not burn, even with a blowtorch underneath. 66 is supposed to model the dress at a show and, therefore, prevent its theft but the lights go out on the runway. Has chaos got the dress after all? We will see. Another episode concerns a plan to catch a crooked casino owner with Chaos ties. Max actually gets called to help with this one and narrowly escapes death, hilariously. Can Zach and Max keep on foiling the enemy with their antics? Yes! What heaven to find there was this sequel series! I didn't realize it was ever on the air until I bought this disc. Although Dick and Hendrix are the main stars, Adams is in it quite often, happily. The three of them do a terrific job. Feldon's time is very limited but wow, does she look great! Costumes, effects, sets, gadgets, scripts, and direction are all quite fine. One new element that keeps occurring is a cast member called Agent Zero, who shows up as a different person each time, in the name of "disguise". Sometimes he's an old lady, sometimes a construction worker, etc. Now, that's comedy. One time he appears as Robert Goulet, to warn Max, who is seated at a cabaret, that folks are trying to kill him! Mac the Knife becomes Max, Take Care, but, Max, of course, is upset that he doesn't know the correct words to the song. It all works out, natch. If you loved the old series but are unhappy that you've seen all of the episodes multiple times, try to find this newer series on disc. Smart you will be to do so.

It's too bad this series was cancelled so quickly, because by the last episode or so, it really became Get Smart. This last episode featured Bernie Kopell reprising his role as KAOS agent Siegfried; Siegfried and his daughter are holding Max and 99's son, Zach, hostage. Zach and Siegfried's daughter both bemoan their weird childhoods as the children of spies; Zach says his parents lied and said they worked for a greeting card company. Siegfried's daughter replies, "He told us he was the doctor on a cruise ship!" (In case anyone doesn't know, Kopell played the ship's doctor for years on The Love Boat.) Whenever Don Adams and Barbara Feldon were on screen, though, the newer characters were blown away. In another episode, Max and 99 are at an embassy party and go out for a romantic stroll on the terrace. Too bad we didn't stay with them, and were stuck with the younger (less funny, less appealing) characters at the party. It's like the producers and writers were feeling their way, and were almost there.

I was one member of the small writing/producing staff on the remake of Get Smart. I can't argue with any of the comments left by the fans of the original.

Get Smart (the original) is my favorite show of all time. So you can imagine how thrilling it was to write new material for Maxwell Smart and Agent 99. (and Siegfried!) Andy Dick was really very, very funny. And Elaine Hendricks, who played his co-agent, is a gem still waiting to be discovered. But it is REALLY hard to re-do something that was almost perfect to begin with. Imagine remaking Casablanca or The Wizard of Oz -- Well, in the sitcom world, Get Smart was the equivalent. The standard was just too high.

So, the experience was great, and I have a picture of myself standing between Maxwell Smart and Siegfried that's worth a million bucks... Would you believe, a dollar-fifty?