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Au travers des oliviers

Titre original : Zire darakhatan zeyton
  • 1994
  • Tous publics
  • 1h 43min
NOTE IMDb
7,7/10
11 k
MA NOTE
Tahereh Ladanian in Au travers des oliviers (1994)
DrameLe passage à l'âge adulte

Ajouter une intrigue dans votre langueA depiction of the off-screen relationship between the actors who play the newlyweds in the film Et la vie continue (1992).A depiction of the off-screen relationship between the actors who play the newlyweds in the film Et la vie continue (1992).A depiction of the off-screen relationship between the actors who play the newlyweds in the film Et la vie continue (1992).

  • Réalisation
    • Abbas Kiarostami
  • Scénario
    • Abbas Kiarostami
  • Casting principal
    • Mohamad Ali Keshavarz
    • Farhad Kheradmand
    • Zarifeh Shiva
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    11 k
    MA NOTE
    • Réalisation
      • Abbas Kiarostami
    • Scénario
      • Abbas Kiarostami
    • Casting principal
      • Mohamad Ali Keshavarz
      • Farhad Kheradmand
      • Zarifeh Shiva
    • 36avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 6 nominations au total

    Photos43

    Voir l'affiche
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    Rôles principaux18

    Modifier
    Mohamad Ali Keshavarz
    Mohamad Ali Keshavarz
    • Film Director (Kargardan)
    Farhad Kheradmand
    • Bazigar (Farhad)
    Zarifeh Shiva
    • Monshi-e Sahneh (Mrs. Shiva)
    Hossein Rezai
    • Hossein
    Tahereh Ladanian
    • Tahereh
    Mahbanou Darabi
    • Madar Bozorg
    Ahmed Ahmedpoor
    • Ahmed Ahmedpoor
    Babek Ahmedpoor
    Babek Ahmedpoor
    • Ahmed
    Ostadvali Babaei
    • Teacher
    • (as Astadouli Babani)
    Nosrat Bagheri
    • Achiz
    • (as Nasret Betri)
    N. Boursadiki
    • Tahra
    Khodabakhsh Defaei
    • Teacher
    • (as Kheda Barech Defai)
    Azim Aziz Nia
    • Azim
    Kardouni Nouri
    Zahra Nourouzi
    • Kouly's Daughter
    Hocine Redai
    • Hocine
    Hossein Jafarian
    • Hossein
    • (non crédité)
    Jafar Panahi
    Jafar Panahi
    • Panahi
    • (non crédité)
    • Réalisation
      • Abbas Kiarostami
    • Scénario
      • Abbas Kiarostami
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    7,711.1K
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    Avis à la une

    8yadavanita-18093

    A Movie about making a movie but not like a Documentary but feels like a complete Movie itself.

    Abbas Kiarostami's movies along the likes of Mr.Yasujiro Ozu and Edward yang are just like a calm stream of river that keeps on flowing eternally providing neverending relief, life and peace. If you have enough patience and interest these movies will never bore you, and you could even watch them for many hours if their runtime was even mkre, but at last provide you with a feelgood experience as their movies are so close to our everyday reality that they feel like the stories in them could happen anywhere around us in any part of the world. Third part of Abbas kiarostami's Koker trilogy providing behind the scenes outlook to "And life goes on...(1992)", almost feels like a complete story in itself about 2 youngsters trying hard to find eachother in all the tension surrounding, after the 1990 earthquake. The minimalistic director Abbas kiarostami does wonders in almost his every movie that many action directors could not, a true genius.
    mrmumps

    Graceful heartfelt thanks for the empathy.

    Found this film to easily engage my heart without burdening my head with too much technique. Funny, sad, the two sides of the ever encompassing cinema coin. An seemingly effortless exploration of the relationships of men and women, tradition and experience, the old and the somewhat new. And what a beautiful rhythmic last sequence, one of the best of all my moviegoing history.
    Indego-Productions

    A Great example of a film inspired by Italian Neo-Realism

    Through the Olive Trees is a great example of how neo-realistic techniques can show realism in film making. One personal criticism would be the music, but that is purely personal, and takes nothing away from the film. A masterpeice.
    10meleftheriou-1

    no need to see the first two films in the trilogy

    I'd just like to disagree with those who suggest this film may not be accessible to people who have not seen the first two films in the trilogy. I haven't, but have not been as bewitched by a film since I saw Aggelopoulos' Travelling Players for the first time. My heart responded, the hairs on the back of my neck responded, my being responded. No matter if my brain wasn't fully au fait with what came before. Superb doesn't begin to cover it. How he captured these (non)performances from his actors is beyond me: perhaps, unfamiliar with the conventions of film-making, they were uniquely equipped to sidestep them.

    Michael
    bob the moo

    Quite hard work despite interesting characters and places to round out the trilogy

    Following a film he made a few years backs, a director returns to the area where it was shot to try and find the actors who he used. The area has been hit by a large earthquake and the film is designed to help the area as well as follow up on the people. Among the cast is a young man, Hossein, who has fallen for one of the other actors and seeks to marry her – but her grandmother refuses to consider any such offer; ironic perhaps, considering Hossein's character in the film is married to the very girl he loves in real life.

    While making the sequel (or follow up) to "Where is the friend's house?" Abbas Kiarostami met a man who told him that he was married 5 days after the devastating earthquake (50,000 dead) that is the foundation for that film. A few years later Kiarostami decided to use this man and his story as the basis for this rather intriguing film within a film. The dual plots are interesting and work well in contrast to one another to fill out a plot that is not the easiest to get excited about or really engaged by. In this regard many viewers may feel bored or distant from the material as it doesn't quite build a story that well. The "film within a film" concept is interesting but it produces many scenes that are replayed over and over (different takes) without the repeats adding a great deal – in fact they seem to take away from the rhythm of the film more than give to it. As with other Kiarostami films, it is slow and requires work, but even if you are willing to put yourself into it, it is still not easy work.

    The characters and place are interesting and it does feel like these are over and above the material itself. The film will be of greater interest to those who have seen the other films in the trilogy as the places and people have history to them, but they are still well enough done to avoid it being key to the film. The cast do pretty well throughout; Rezai steals the show with a good performance; Ladanian is totally absent and her performance will be hard (was hard!) for a Western audience to appreciate. Keshavarz does pretty well in the role of the director.

    Overall this is not a film to come to unless you have seen at least one of the other two films (ideally both. It is watchable without this knowledge but even with it, it is hard work at times. The narrative is slow and not that important apparently and, although the characters and places are interesting, I did struggle to really get emotionally involved in the film. Interesting enough to be worth a look but don't expect too much from it.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The first film in which Abbas Kiarostami has hired a professional actor (Mohamad Ali Keshavarz who plays the director of the film-within-the-film).
    • Citations

      Hossein: Mam, I'm really sorry. I want to do everything you ask me, but I won't do masonry. I don't work in construction anymore. I came to act in your film. I will work as an actor, but not as a mason.

    • Connexions
      Featured in Cinema Iran (2005)
    • Bandes originales
      Conc. C 4.Allegro Giusto
      Written by Domenico Cimarosa

      Performed by Heinz Holliger

    Meilleurs choix

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    FAQ16

    • How long is Through the Olive Trees?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 janvier 1995 (France)
    • Pays d’origine
      • Iran
      • France
    • Site officiel
      • sourehcinema
    • Langue
      • Persan
    • Aussi connu sous le nom de
      • Through the Olive Trees
    • Lieux de tournage
      • Gilan, Iran
    • Sociétés de production
      • Abbas Kiarostami Productions
      • CiBy 2000
      • Farabi Cinema Foundation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 40 300 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 43min(103 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
      • Dolby SR
    • Rapport de forme
      • 1.66 : 1

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