The Shadow
- 1994
- Tous publics
- 1h 48min
Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Singer
- (as Sinoa)
Avis à la une
The Shadow is shown in this highly stylized big screen adaptation of the 30's radio show , the once starred by Orson Welles . Film gets exotic locations , derring-do adventures ,rip roaring , action-packed , tongue in check , it's a cinematic roller coaster pretty entertaining and with well made set pieces action , including numerous and elaborate FX . This exciting picture provides splendid production design by Joseph Nemec , while done more dynamically elsewhere , are fun and outstanding . This is an ambitious fantasy adventure with breathtaking special effects ; it has some well-staged scenes whose effectiveness owes much to Russell Mulcahy's strong pictorial sense . Older kids , teenagers may find the proceedings a bit hokey and paying little attention to logic , but everyone seems to be having a good time . The picture is a crossover among comic-strip hero , superhero feats , Saturday matinée serials and old-fashioned thirties movies . As this runs like an old Republic serial of the thirties or Forties on a multi-million dollar budget . Its arresting visuals , lavish realization and crude energy put filmmaker Russell Mulcahy on the map . Much of the dialogue springs as if balloons from the printed page and the interpretation is appropriately rudimentary . The picture has great loads of action , special effects abundant , glamorous cinematography by Stephen Burum and spectacular Jerry Goldsmith's musical score , including an enjoyable leitmotif .
The motion picture includes an interesting script by prestigious David Koepp and was rightly directed by Russell Mulcahy . Russell for some time worked in Britain as a filmmaker of video clips , but returned to his native country , Australia , to make his first fictional movie , ¨Razorback¨ . He was able to get the backing for what proved to be his greatest success ¨Highlander¨ . It led to two sequels , the first of which was realized by himself titled ¨Quickening¨ . He subsequently directed ¨Resurrection¨with Charlie Sheen and ¨Talos the mummy¨ , among others . Despite major stars and big budgets with which to work have not fulfilled their potential and he seemed less commanding with players than with action . The flick will appeal to adventure fans and comic-books enthusiastic . Rating : Good and amusing. Well worth seeing.
"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.
As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.
But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.
Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...
Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!
I can't think of a better choice for the lead than Alec Baldwin. He could easily play up the psychic aspects of the character. He even took the trademark Shadow laugh and made it creepier than ever.
See this movie! If you're a fan of the Batman films or the Rocketeer, this movie is for you.
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
Le saviez-vous
- AnecdotesWhen Shiwan Khan and Lamont Cranston first meet, their dialogue about where Cranston purchased his tie is a spoof on product placement during the radio airing of The Shadow.
- GaffesShiwan Khan says that he is the last living descendant of Genghis Khan, which is provably not true (see trivia). He is probably counting only the line of approved dynastic marriages, as opposed to by-blows from one-night stands and other "mongrel" branches.
- Citations
Margo Lane: Oh, God I dreamed.
Lamont Cranston: So did I. What did you dream?
Margo Lane: I was lying naked on a beach in the South Seas. The tide was coming up to my toes. The sun was beating down. My skin hot and cool at the same time. It was wonderful. What was yours?
Lamont Cranston: I dreamed I tore all the skin off my face and was somebody else underneath.
Margo Lane: You have problems.
Lamont Cranston: I'm aware of that.
- ConnexionsEdited into Taylor Dayne: Original Sin (1995)
- Bandes originalesOriginal Sin (Theme from 'The Shadow')
Written, Produced and Arranged by Jim Steinman
Performed by Taylor Dayne
Courtesy of Arista Records, Inc.
Meilleurs choix
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 063 435 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 713 845 $US
- 4 juil. 1994
- Montant brut mondial
- 48 063 435 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage