NOTE IMDb
6,5/10
53 k
MA NOTE
Gail, expert en rafting, affronte deux tueurs armés tout en naviguant sur une rivière d'une violence spectaculaire.Gail, expert en rafting, affronte deux tueurs armés tout en naviguant sur une rivière d'une violence spectaculaire.Gail, expert en rafting, affronte deux tueurs armés tout en naviguant sur une rivière d'une violence spectaculaire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Victor Galloway
- Gail's Father
- (as Victor H. Galloway)
Avis à la une
For a conventional Hollywood adventure story, THE RIVER WILD isn't bad at all. While it lacks the rawness of similarly-themed independent fare and the kind of twists and surprises you'd expect from the best this genre has to offer, it tells the story it sets out to tell with a large amount of success, mainly thanks to the lean script and no-nonsense pacing. Much of the action comes from a series of spectacular white-water rafting sequences in which the stunt team are really put through their paces. These mark the film's highlight. The human plot, involving a couple of hostage-takers, is less spectacular, but the film still gets by thanks to the calibre of the cast.
Meryl Streep, although a little too earnest in some places for my liking, takes plaudits as the outdoors expert who has to use her wits to survive both nature and the evils of mankind. Kevin Bacon and John C. Reilly are fine as the no-good criminals, and Benjamin Bratt bags a nice little role as a good-guy ranger. Youngster Joe Mazzello is a more mature presence than in the previous year's JURASSIC PARK, and David Straithairn (THE BOURNE ULTIMATUM) gets to have some fun as the straight-laced father forced into becoming a hero. Okay, so you know the outcome from the outset (and in a 12-certificate family adventure nothing THAT bad is ever going to happen), but this is nonetheless a mildly entertaining little movie.
Meryl Streep, although a little too earnest in some places for my liking, takes plaudits as the outdoors expert who has to use her wits to survive both nature and the evils of mankind. Kevin Bacon and John C. Reilly are fine as the no-good criminals, and Benjamin Bratt bags a nice little role as a good-guy ranger. Youngster Joe Mazzello is a more mature presence than in the previous year's JURASSIC PARK, and David Straithairn (THE BOURNE ULTIMATUM) gets to have some fun as the straight-laced father forced into becoming a hero. Okay, so you know the outcome from the outset (and in a 12-certificate family adventure nothing THAT bad is ever going to happen), but this is nonetheless a mildly entertaining little movie.
Meryl Streep plays a part out of her normal range in Curtis Hanson's 1994 actioner, as an expert whitewater rafter, who has to save herself and her son - eventually with the aid of hubby - from a couple of desperados, who insist on being taken through some awesome rapids. I don't know how much was Streep, how much stunt-double, and how much effects, but her character emerges as a convincing woman of action who is also an anxious mother.
Kevin Bacon is very effective as a regular guy, who just happens to be a psychotic criminal in his off moments; John C Reilly plays his weak, shifty sidekick; and Joseph Mazzello is the son, who initially finds Bacon more fun than his dad. It is David Strathairn, though, who for me takes the male acting honours, as a distant, serious-minded husband and father, who gets going when the going gets tough - though luckily, through thick and thin, he never loses his glasses!
There is more than a touch of Deliverance, and the ending is pre-ordained; but the film is entertaining and gripping throughout, and is aided by some breathtaking Rockies scenery, beautifully shot. (There's a faithful dog too!)
Kevin Bacon is very effective as a regular guy, who just happens to be a psychotic criminal in his off moments; John C Reilly plays his weak, shifty sidekick; and Joseph Mazzello is the son, who initially finds Bacon more fun than his dad. It is David Strathairn, though, who for me takes the male acting honours, as a distant, serious-minded husband and father, who gets going when the going gets tough - though luckily, through thick and thin, he never loses his glasses!
There is more than a touch of Deliverance, and the ending is pre-ordained; but the film is entertaining and gripping throughout, and is aided by some breathtaking Rockies scenery, beautifully shot. (There's a faithful dog too!)
Meryl Streep gets a totally different kind of role in "The River Wild". She and her husband (David Strathairn) and son (Joseph Mazzello, of "Jurassic Park") go on a rafting trip and encounter some guys (Kevin Bacon and John C. Reilly) who turn out to be not what they seem.
The obvious similarity is "Deliverance", but I also detected a similarity to "The Hand that Rocks the Cradle", the way that Kevin Bacon's character turns the boy against the mother. I once did a boat trip down the Snake River, and some of the rapids here look like what I remember (although the movie may have exaggerated the rapids).
Overall, it's a pretty fun movie. A real jolt of nature, if I may say so. Also starring Benjamin Bratt. Director Curtis Hanson also directed "L.A. Confidential", "Wonder Boys" and "8 Mile".
The obvious similarity is "Deliverance", but I also detected a similarity to "The Hand that Rocks the Cradle", the way that Kevin Bacon's character turns the boy against the mother. I once did a boat trip down the Snake River, and some of the rapids here look like what I remember (although the movie may have exaggerated the rapids).
Overall, it's a pretty fun movie. A real jolt of nature, if I may say so. Also starring Benjamin Bratt. Director Curtis Hanson also directed "L.A. Confidential", "Wonder Boys" and "8 Mile".
To celebrate her son Roarke's birthday and help build his relationship with his father (and her), Gail takes the family unit up to where she used to work as a river guide for a bit of white water rafting. Once there they meet another group heading down river and, when Wade and Terry lose their guide, Gail agrees to let them follow them in their own boat. However when Gail and Tom begin to feel uncomfortable with their guests they try to slip away unnoticed only for Wade to pull a gun and insist that Gail will help them proceed downriver and cross the legendary Gauntlet.
I first watched this when it came out in the cinema and I remember enjoying it. However noticing it back on television recently I couldn't help but be a little uninterested in it and wondered if I had just false memories of how good it really had been and so decided to watch it again and see. After a slow opening the film gets down to business with the two boats getting together and gradually going to the conclusion that we know is coming but enjoy heading towards anyway. The film delivers its straightforward plot well in the early stages, using the father-figure conflict well (even if it ignores the heavy feminist subtext) to generate the tension, while the later stages is more of a simple hostage thriller sort of affair. This aspect is still quite enjoyable even if it is not as tight as it really needed to be and, as a non-rafter, I wasn't sure how intimidated I was meant to be by the load of water that was the gauntlet.
As a result, the film is a little talky but the cast are able to deal with it and it is really only the clunky, slow start that suffers as a result. I'm not a big fan of Meryl Streep and I didn't think she was totally fitted to the material given her but mostly her performance was natural enough to be convincing. Strathairn plays second fiddle to Streep but he is still enjoyable as he delivers an insecure character. With these two big names in the lead it would have been easy for them to dominate but it is Kevin Bacon that steals the film with a charismatic performance that he easily turns into menace hardly his greatest performance but he makes more of it than others have in the past. Mazzello is a typical 'cute kid' American actor but he is good enough for this material and he is pretty good in the first half when he is given the material. Reilly and Bratt add some well-known faces to the mix but really neither has that much to do.
Overall this is not a great film but it is good enough to be worth seeing once. The action is not typical for this genre and the novelty value of it makes it seem more interesting. The film looks good and it is tense enough to do the job while the plot gets past the slow start to deliver an interesting set up and a solid enough series of set pieces with a good cast and director onboard (sorry!).
I first watched this when it came out in the cinema and I remember enjoying it. However noticing it back on television recently I couldn't help but be a little uninterested in it and wondered if I had just false memories of how good it really had been and so decided to watch it again and see. After a slow opening the film gets down to business with the two boats getting together and gradually going to the conclusion that we know is coming but enjoy heading towards anyway. The film delivers its straightforward plot well in the early stages, using the father-figure conflict well (even if it ignores the heavy feminist subtext) to generate the tension, while the later stages is more of a simple hostage thriller sort of affair. This aspect is still quite enjoyable even if it is not as tight as it really needed to be and, as a non-rafter, I wasn't sure how intimidated I was meant to be by the load of water that was the gauntlet.
As a result, the film is a little talky but the cast are able to deal with it and it is really only the clunky, slow start that suffers as a result. I'm not a big fan of Meryl Streep and I didn't think she was totally fitted to the material given her but mostly her performance was natural enough to be convincing. Strathairn plays second fiddle to Streep but he is still enjoyable as he delivers an insecure character. With these two big names in the lead it would have been easy for them to dominate but it is Kevin Bacon that steals the film with a charismatic performance that he easily turns into menace hardly his greatest performance but he makes more of it than others have in the past. Mazzello is a typical 'cute kid' American actor but he is good enough for this material and he is pretty good in the first half when he is given the material. Reilly and Bratt add some well-known faces to the mix but really neither has that much to do.
Overall this is not a great film but it is good enough to be worth seeing once. The action is not typical for this genre and the novelty value of it makes it seem more interesting. The film looks good and it is tense enough to do the job while the plot gets past the slow start to deliver an interesting set up and a solid enough series of set pieces with a good cast and director onboard (sorry!).
I hadn't heard of this movie until my parents told me about it, and we ended up watching it tonight. I thought it was pretty entertaining! It definitely "feels" like a 90s movie at times, and it can be a bit cheesy, but it doesn't really need to be anything more or less than that in my opinion.
The performances by Kevin Bacon and Meryl Streep are great. I loved seeing Bacon play a bad guy, I don't know if I ever have until this point. The story is gripping mostly during the latter half of the movie, the intensity is turned up and there's a pretty solid payoff by the end of it. This movie would be too generic if it weren't for the river setting throughout the whole movie - it really added some memorable moments, and I'm sure I won't be forgetting this one.
Overall, this was a fun time! It has everything that I'd normally look for in a suspenseful/thriller, has likable cast members and throws a spin on a conventional drama, turning it into something memorable and worth giving a look.
The performances by Kevin Bacon and Meryl Streep are great. I loved seeing Bacon play a bad guy, I don't know if I ever have until this point. The story is gripping mostly during the latter half of the movie, the intensity is turned up and there's a pretty solid payoff by the end of it. This movie would be too generic if it weren't for the river setting throughout the whole movie - it really added some memorable moments, and I'm sure I won't be forgetting this one.
Overall, this was a fun time! It has everything that I'd normally look for in a suspenseful/thriller, has likable cast members and throws a spin on a conventional drama, turning it into something memorable and worth giving a look.
Le saviez-vous
- AnecdotesAn exhausted Meryl Streep balked when Director Curtis Hanson asked her to shoot one more scene before filming finished for the end of the day. However, she decided to attempt it. Swept off the raft, she was in real danger of drowning, before she was rescued. Returning upriver, she told a pale and shaking Hanson that "in the future, when I say I can't do something, I think we should believe me." Hanson hastily agreed.
- GaffesWhen Tom loses his grip on the cliff and plunges into the river, the cliff face is actually gray fabric painted to look like rock. If you look carefully, it moves and bounces like fabric as he rolls down it.
- Crédits fousDog named 'Maggie' is listed in the credits (almost top-billing) as being played by a dog named 'Buffy.'
- Bandes originalesCope
Written by David Gibbs, Paul Brouwer, Steve Hurley, and Paul Hurley
Performed by Gigolo Aunts
Courtesy of the RCA Records Label of BMG Music
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- How long is The River Wild?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El salvaje río
- Lieux de tournage
- Kootenai River, Libby, Montana, États-Unis(The raft shooting the rapids)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 46 816 343 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 214 450 $US
- 2 oct. 1994
- Montant brut mondial
- 94 216 343 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to La rivière sauvage (1994) in Brazil?
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