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I liked the vibe, the theme and the story. The actors were great. Everybody made you felt the tensions in that family. The jokes were good, cruel some but not above the limit. I had those kind of laughs that you have when you watch Home Alone. This is a different kind of Christmas movie and I'm glad I found it. We need more movies like these.

I enjoyed the Ref immensely. It is an off-beat change of pace from most Christmas feel-good movies, yet it still comes together in the end. Denis Leary is very convincing as the successful cat burglar caught in the wrong place at the wrong time. Christine Baransky plays a delightfully deranged sister in law who is more interested in money and appearances than in family or Christmas. Kevin Spacey proves that he can play any part from milk toast nagged husband to serial killer.

One caution, though- if you are offended by cursing, then this movie is not for you. There is a great deal of cursing in it. If you've seen any of Denis Leary's stand-up, then you know what to expect, but if you want a Christmas movie to watch with the kids, go find A Christmas Story, Eloise at Christmastime or It's a Wonderful Life. Anything but this one!

Have you noticed? Lloyd, Kevin Spacey's character in "The Ref" is closely related to Lester, Kevin Spacey's character in "American Beauty" if you see both movies, back to back, you'll notice the astonishing similarities between the two. Twins? Maybe. If they are, or were, poor Lester, a lot of things will become immediately clear. To start with, he had Glynis Johns for a mother. Miss Jones creates such a frighteningly funny portrait of a castrating mother that Lester's emasculation is perfectly explained. Not to mention their choice of spouses, time bombs Judi Davis and Annette Bening This little piece of trivia will add, to the considerable pleasures of this delightful and underrated Ted Demme's dark fairy tale. The opening at the marriage counselor's office is just superb, I can see it endlessly, it never fails to make me laugh. Kevin Spacey and Judi Davis are a couple part Edward Albee part Terence Rattigan. They are priceless. Dennis Leary's energy is contagious and relentless. His best part to date. The clunky sub plot involving their son and, what it appears, like a hurried ending, doesn't spoil the fun. The writing by the brilliant Richard LaGravenesse and Marie Weiss is pure joy. Ideal to see with a bunch of friends.

"The Ref" isn't so much a dark comedy as it is a comedy which turns dramatic in an effective way. Denis Leary's frustration with Lloyd and Caroline is funny for a while. Fortunately, the film doesn't stick to it for the whole 97 minutes. Eventually he recedes into the background as his hostages break through their emotional barriers. If anything, the drama works better than the comedy. Spacey and Davis are heavy hitters, and Leary sets them up expertly. There is truth in their pain, and not some sort of manufactured, independent film, "piano music and sunsets" kind of truth. It takes a referee with a gun and a penchant for cutting through the b.s. To get them to deal honestly with their problems, and I thought it was an original and entertaining ride.

Denis Leary plays Gus, a cat burglar who's foiled in the opening minutes of the movie by a rich mans' alarm / booby trap. Now on the lam, he decides to take a hostage. Unfortunately, his choice of Caroline (Judy Davis) is not a good one, as she and her husband Lloyd (Kevin Spacey) are going through a VERY rough patch, and can never stop sniping at each other for very long. Things aren't going to get any better, and Gus is forced to spend an untenable Christmas Eve pretending to be their marriage counselor and having to deal with Lloyds' dysfunctional family.

"The Ref" would be an excellent Christmas time viewing choice for people who want to dispense with excess sentiment and more family friendly material. It has an extremely profane script (by Richard LaGravenese and Marie Weiss, based on Weiss's story), delivered to perfection by an incredibly well cast bunch of actors. The dialogue and situations are commanding enough that the time just flies by. The not terribly attractive bunch of characters includes Lloyds' rich & bitchy mother Rose (Glynis Johns), his weakling brother Gary (Adam LeFevre), Gary's abrasive wife Connie (Christine Baranski), and Lloyd and Carolines' troubled son Jesse (Robert J. Steinmiller Jr.), a student at a military school.

One can't help but sympathize with Gus to some degree; who would actually desire to spend time with this family? Still, even after all the fighting and yelling, we see truths come out and characters becoming more honest with themselves and others. The subplot with the incompetent, moronic officers on the local police force is rather silly. None of the scenes that don't involve the family are as interesting.

Leary is ideal for the lead, but it's Spacey and especially Davis who truly shine. Then again, everyone does a fine job. There are a number of recognizable actors throughout the supporting cast; in addition to Johns, LeFevre, and Baranski, there's Raymond J. Barry, Richard Bright, Bill Raymond, Robert Ridgely, J.K. Simmons, John Benjamin Hickey, Arthur J. Nascarella, and Vincent Pastore. Brights' widow, actress Rutanya Alda, has a brief cameo. Simmons plays a slimeball character named Siskel, so named because LaGravenese was getting a little revenge on film critic Siskel, who'd previously dismissed "The Fisher King" that LaGravenese had written. B.D. Wong appears unbilled.

Good fun, with a particularly satisfying wrap-up.

Eight out of 10.