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One of the early scenes in "Pulp Fiction" features two hit-men discussing what a Big Mac is called in other countries. Their dialogue is witty and entertaining, and it's also disarming, because it makes these two thugs seem all too normal. If you didn't know better, you might assume these were regular guys having chit-chat on their way to work. Other than the comic payoff at the end of the scene, in which they use parts of this conversation to taunt their victims, their talk has no relevance to anything in the film, or to anything else, for that matter. Yet without such scenes, "Pulp Fiction" wouldn't be "Pulp Fiction." I get the sense that Tarantino put into the film whatever struck his fancy, and somehow the final product is not only coherent but wonderfully textured.

It's no wonder that fans spend so much time debating what was in the suitcase, reading far more into the story than Tarantino probably intended. The film is so intricately structured, with so many astonishing details, many of which you won't pick up on the first viewing, that it seems to cry out for some deeper explanation. But there is no deeper explanation. "Pulp Fiction," is, as the title indicates, purely an exercise in technique and style, albeit a brilliant and layered one. Containing numerous references to other films, it is like a great work of abstract art, or "art about art." It has all the characteristics we associate with great movies: fine writing, first-rate acting, unforgettable characters, and one of the most well-constructed narratives I've ever seen in a film. But to what end? The self-contained story does not seem to have bearing on anything but itself.

The movie becomes a bit easier to understand once you realize that it's essentially a black comedy dressed up as a crime drama. Each of the three main story threads begins with a situation that could easily form the subplot of any standard gangster movie. But something always goes wrong, some small unexpected accident that causes the whole situation to come tumbling down, leading the increasingly desperate characters to absurd measures. Tarantino's originality stems from his ability to focus on small details and follow them where they lead, even if they move the story away from conventional plot developments.

Perhaps no screenplay has ever found a better use for digressions. Indeed, the whole film seems to consist of digressions. No character ever says anything in a simple, straightforward manner. Jules could have simply told Yolanda, "Be cool and no one's going to get hurt," which is just the type of line you'd find in a generic, run-of-the-mill action flick. Instead, he goes off on a tangent about what Fonzie is like. Tarantino savors every word of his characters, finding a potential wisecrack in every statement and infusing the dialogue with clever pop culture references. But the lines aren't just witty; they are full of intelligent observations about human behavior. Think of Mia's statement to Vincent, "That's when you know you've found somebody special: when you can just shut the f--- up for a minute and comfortably enjoy the silence."

What is the movie's purpose exactly? I'm not sure, but it does deal a lot with the theme of power. Marsellus is the sort of character who looms over the entire film while being invisible most of the time. The whole point of the big date sequence, which happens to be my favorite section of the film, is the power that Marsellus has over his men without even being present. This power is what gets Vincent to act in ways you would not ordinarily expect from a dumb, stoned gangster faced with an attractive woman whose husband has gone away. The power theme also helps explain one of the more controversial aspects of the film, its liberal use of the N-word. In this film, the word isn't just used as an epithet to describe blacks: Jules, for instance, at one point applies the term to Vincent. It has more to do with power than with race. The powerful characters utter the word to express their dominance over weaker characters. Most of these gangsters are not racist in practice. Indeed, they are intermingled racially, and have achieved a level of equality that surpasses the habits of many law-abiding citizens in our society. They resort to racial epithets because it's a patter that establishes their separateness from the non-criminal world.

There's a nice moral progression to the stories. We presume that Vincent hesitates to sleep with Mia out of fear rather than loyalty. Later, Butch's act of heroism could be motivated by honor, but we're never sure. The film ends, however, with Jules making a clear moral choice. Thus, the movie seems to be exploring whether violent outlaws can act other than for self-preservation.

Still, it's hard to find much of a larger meaning tying together these eccentric set of stories. None of the stories are really "about" anything. They certainly are not about hit-men pontificating about burgers. Nor is the film really a satire or a farce, although it contains elements of both. At times, it feels like a tale that didn't need to be told, but for whatever reason this movie tells it and does a better job than most films of its kind, or of any other kind.

I like the bit with the cheeseburger. It makes me want to go and get a cheeseburger

This is Tarantino's masterpiece, there's no other way to say it. It has arguably one of the smartest scripts I've ever seen. The story, which is non-linear, is so well constructed it takes several viewings to grasp it all. The movie doesn't seem to be about any spesific thing, but there is a subtle hint of redemption as a central theme. The characters and preformances in this movie are practically perfect. This is still one of the best performances I've seen from Sam Jackson, and it's an outrage he didn't win an Oscar. Each scene has its own unique flavour and charm, every segment has its own arc while also tying into the main plot. The comedy is great, the serious moments are great, every word of dialogue is exciting despite seemingly not having any reason to exist. This movie is just such a great time, and I recommend it to everyone who loves movies. I cannot think of a single genuine flaw with it, and it will remain one of my favorite movies for a long time.

I can only speak for myself, but I had never seen anything as stylish, cleverly constructed, well written and electrifying as this milestone when I first saw it in 1994. What really pulled me in right from the start is what we've now come to know as a Tarantino trademark: the dialogue. When gangsters Jules and Vincent talk to each other (or all the other characters, for that matter) there is a natural flow, a sense of realism and yet something slightly over the top and very theatrical about their lines – it's a mixture that immediately grabs your attention (even if it's just two dudes talking about what kind of hamburger they prefer, or contemplating the value of a foot-massage). Then there's the music: the songs Tarantino chose for his masterpiece fit their respective scenes so perfectly that most of those pieces of music are now immediately associated with 'Pulp Fiction'. And the narrative: the different story lines that come together, the elegantly used flashbacks, the use of "chapters" – there is so much playful creativity at play here, it's just a pure joy to watch.

If you're a bit of a film geek, you realize how much knowledge about film and love for the work of other greats – and inspiration from them - went into this (Leone, DePalma, Scorsese and, of course, dozens of hyper-stylized Asian gangster flicks), but to those accusing Tarantino of copying or even "stealing" from other film-makers I can only say: There has never been an artist who adored his kind of art that was NOT inspired or influenced by his favorite artists. And if you watch Tarantino's masterpiece today, it's impossible not to recognize just what a breath of fresh air it was (still is, actually). Somehow, movies - especially gangster films - never looked quite the same after 'Pulp Fiction'. Probably the most influential film of the last 20 years, it's got simply everything: amazing performances (especially Sam Jackson); it features some of the most sizzling, iconic dialogue ever written; it has arguably one of the best non-original soundtracks ever - it's such a crazy, cool, inspirational ride that you feel dizzy after watching it for the first time. It's – well: it's 'Pulp Fiction'. 10 stars out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Pulp Fiction is the most original, rule breaking film I have ever seen. Instead of following the widely used 3 act structure, Pulp Fiction makes up its own and while the 3 stories may seem completely disconnected at first, once you look closely you can find the underlying themes that they all share. Anyone who says that the movie lacks focus or has no meaning hasn't analysed enough. I highly recommend this film since it is number one on my list of my favourite movies of all time.

Before I saw this I assumed it was probably overrated. I was wrong. It lives up to and surpasses its reputation in pretty much every way. I would definitely recommend.

To put this in context, I am 34 years old and I have to say that this is the best film I have seen without doubt and I don't expect it will be beaten as far as I am concerned. Obviously times move on, and I acknowledge that due to its violence and one particularly uncomfortable scene this film is not for everyone, but I still remember watching it for the first time, and it blew me away. Anyone who watches it now has to remember that it actually changed the history of cinema. In context- it followed a decade or more of action films that always ended with a chase sequence where the hero saved the day - you could have written those films yourself. Pulp had you gripped and credited the audience with intelligence. There is not a line of wasted dialogue and the movie incorporates a number of complexities that are not immediately obvious. It also resurrected the career of Grease icon John Travolta and highlighted the acting talent of Samuel L Jackson. There are many films now that are edited out of sequence and have multiple plots etc but this is the one they all want to be, or all want to beat, but never will.

My oh my. "Pulp Fiction" is one of those roller-coasters of a movie. It is both a joy and a trial to sit through. Amazingly original and unforgettable, Quentin Tarantino's trash masterpiece never gets old or seem outdated. It put a face on American independent film making in 1994. Miramax had been around since the 1970s and no one had heard of it before this film. Studios went into a panic when this film came out because they knew it would be an amazing hit. Of course it was. Independent film making became the rage and hit its peak in 1996 when four of the five nominated Best Picture films were from independent studios. The screenplay and direction by Tarantino are quite amazing, but the cast makes the film work. John Travolta (Oscar nominated) re-invented his career with this film. Bruce Willis cemented his celebrity. Samuel L. Jackson and Uma Thurman (both Oscar nominees) became marketable superstars. Others who make appearances include: Ving Rhames, Christopher Walken, Eric Stoltz, Rosanna Arquette, Steve Buscemi, Frank Whaley, Harvey Keitel, and of course Quentin Tarantino himself. They all leave lasting impressions as well. Samuel L. Jackson stood out the most to me, his lack of substantial screen time may have cost him the Oscar. Just an amazing accomplishment, all involved deserve recognition. Easily 5 stars out of 5.

I don't get as much out of Pulp Fiction as everybody else does. I don't like that it doesn't have a strong message, I think the dialogue goes on self-impressed tangents some times and the Mia Wallace story doesn't tie in with the rest of the film and it just isn't that interesting to me. However, that doesn't mean I don't appreciate its style. The entire film from the costume design, to the camera work, to the setting of LA are dripping with noir atmosphere. The writing, while it does jerk itself off at times, is still pretty memorable and enjoyable to listen to. The acting is fantastic all around, getting especially good performances from Samuel L Jackson, John Travolta and Bruce Willis.

While I don't think its a masterpiece, it is something fun to watch if you're looking for something different and intriguing.

I don't understand why this is the 8th highest rated movie of all time. I saw how highly rated it was so decided to watch it. After the first half an hour I found it enjoyable but my mind wasn't blown. As the movie continued I kept waiting for something to happen that warrants its 8.9 stars. Nothing actually happens in this movie. I hope its just me because through my eyes its the most overrated movie of all time.

Viewers are taken on a ride through three different stories that entertwine together around the world of Marcellus Wallace. Quentin Tarantino proves that he is the master of witty dialogue and a fast plot that doesn't allow the viewer a moment of boredom or rest. From the story of two hit-man on a job, to a fixed boxing match to a date between a hit-man and the wife of a mob boss. There was definitely a lot of care into the writing of the script, as everything no matter the order it is in, fits with the story. Many mysteries have been left such as what is inside of the briefcase and why Marcellus Wallace has a band-aid on the back of his neck, which may be connected. The movie redefined the action genre and reinvigorated the careers of both John Travolta and Bruce Willis. This movie is required viewing for any fan of film.

Pulp Fiction may be the single best film ever made, and quite appropriately it is by one of the most creative directors of all time, Quentin Tarantino. This movie is amazing from the beginning definition of pulp to the end credits and boasts one of the best casts ever assembled with the likes of Bruce Willis, Samuel L. Jackson, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth and Christopher Walken. The dialog is surprisingly humorous for this type of film, and I think that's what has made it so successful. Wrongfully denied the many Oscars it was nominated for, Pulp Fiction is by far the best film of the 90s and no Tarantino film has surpassed the quality of this movie (although Kill Bill came close). As far as I'm concerned this is the top film of all-time and definitely deserves a watch if you haven't seen it.

Conflicted on this one. I like a lot of elements of it, the characters are (mostly) really compelling and interesting. I think some of the "Segments" are a lot stronger than others. I think that the first part of Bruce Willis's story is just... bland. I didn't find it very interesting or compelling. It gets interesting though. The first and last are by far my favourite, but for the most part it's pretty strong. I do think this film is slightly overrated. That's not to say that it isn't good, but I think a lot of people think it is a whole lot better then it is. The film is acted well and I enjoyed all the action, not to mention the comedy in this film caught me by surprise. I found it really hilarious. I see why everyone had/has a crush on Uma Thurman now, she really is deserving of the main character on the cover. I also remembered how much I like long shots. I think they allow exposition to be delivered in a way that is more pleasing to the audience. Overall, good crime flick with some great comedy and action but a tad overrated. 7-8/10.

I heard so many people claim that this movie is a masterpiece and it also has high ratings. So I was intrigued to give it a go. I didn't get much enjoyment out of it. Maybe you have to watch it multiple times to enjoy it. As for the first viewing it didn't satisfy me.

Tarantino is without a doubt one of the best directors of all time and maybe the best of the 90's. His first film, Reservoir Dogs was amazing and claustrophobic, his segment in Four Rooms was by far the greatest (even though Rodriguez's was excellent too)and Jackie Brown is a wonderful homage to the Blaxploitation films of the 70's. However, Pulp Fiction remains my favourite.

It was nominated for so many Oscars that I still find it hard to believe that it only got one: Best original script. I'm not complaining because Forrest Gump got best picture, since that film was also Oscar-worthy, but come on, movies like Tarantino's or the Shawshank Redemption deserved much more.

Anyway, going back to the movie, I particularly liked the first and second chapters, and that's really a contradiction because one of the movie's finest characters, Mr. Wolf, appears on the third. Bruce Willis also does a great job, and as far as I'm concerned he fell in love with the movie right after having read the script. I like the way his character gives a "tough guy" image at the beginning and then we discover he's so affectionate and tender to his wife. Travolta is obviously the star of the movie and his second encounter with Bruce Willis in the kitchen along with the scene where he dances with Uma Thurman is when the movie reaches it's highest point.

The other star is Samuel L. Jackson, who plays a wise assassin that obviously knows how to handle situations. "And I will strike down upon thee with great vengeance and furious anger..." is my favourite quote.

Summarizing, Pulp Fiction is a modern classic and a must-see for anyone who is at least aware of what a movie is. I give it a 9 out of 10.

I tried to complete it many times and i just can't. It's too boring and the silence between every word and the next is too long, most of the film with no dialogues that effect or support the story.

The characters don't have any true connection to eachother or to the viwer they just meets eachother because the writer want that , the blood is over and have no logic also the movie just goes without clear directions no drama no massages not even true fire guns and gangs work, its just characters moving with some shooting and a lot of blood.

Seriously bad color grading and camera movements, i didn't feel in touch with any character or scene except the first 20-30 minutes.

This is my favorite film of all time. Every second of this film is engaging, and I'm not exaggerating when I say that. Tarantino's direction and script is brilliant, and every role is perfectly cast. Everything that happens in this movie has a purpose, and you don't realize it's hidden in plain sight until the final moments

Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.

The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.

Like my title suggests, for years I believed this movie was overrated. Not just this movie, but Tarantino movie's in general. Maybe it's because I didn't pay full attention, maybe I'm just becoming wiser as I get closer to being in my 40s, who knows, but there's something special about Tarantino movies, and theirs something special about this much loved classic.

I think what partly put me off when I first watched this movie was I just focused on the drug use, I just naturally dislike movie's that not highlight drugs, but have stories that revolve around them. But this is something way more than that.

It's hard to explain this story because there really isn't one, it's a multitude of stories. And this is what I've grown to love and respect about this movie. My belief is you take an average movie, it has one plot, handful of leads, and a bunch of filler characters that are there to make the world feel real but really not beneficial to the movie's narrative.

Pulp Fiction has a ridiculous number of characters, that at a glance are just mashed together just for the purpose of having big named stars in a movie. But that's incorrect. At the movie's conclusion you realise how important every character is. Ones dialogue or ones actions impact every others narrative, they seamlessly interwine together.

And Tarantino even with everyone of these characters, and theirs a lot makes them all memorably distinguishable, they are uniquely different. And what Tarantino does best, and arguably better than most is getting the absolute best performances out of his actors.

I've praised as much as I've been critical of each and everyone of these actors in other movies, but in this picture they are at their best. I have to highlight a few because for some it's really career highlights, and I'm naming Samuel L Jackson, John Travolta, Uma Thurman, Tim Roth and Ving Rhames. But honestly, every actor deserves praise for this.

The script is great and the dialogue has become memorable decade's later. Sure the movies maybe 20 minutes longer than I think it needed to be, but its a terrific piece of filmmaking and a amazing showcase for performances.