NOTE IMDb
7,1/10
12 k
MA NOTE
Ajouter une intrigue dans votre langueA homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.A homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.A homosexual Catholic priest finds out during confessional that a young girl is being sexually abused by her father, and has to decide how to deal with both that secret and his own.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 5 victoires et 3 nominations au total
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You need to have watched a few BBC dramas, and like the style in order to really appreciate this film. It may seem slow in the eyes of viewers used with the American cinema approach, but I tremor to the thought of how Hollywood could have spoiled this film, and I am happy that the script fell in Brits hands first. 'Priest' is a complex film, dealing with hard issues of incest and homo-sexuality, but first with the conflict between the priest mission as a moral leader and the Procustian laws of the Catholic church he needs to obeye by. The ideological content may be controversial for many, it was partly for me as well, but I cannot help admiring the well kept balance, the dramatic tension, and the masterful way the excellent team of actors is filling the roles. I wonder how comes that Linus Roache is not a bigger star after having made this film about one decade ago. He certainly deserves to be in the same line as some of his generation colleagues who have succeeded that well in American and world cinema.
Yes, the film is controversial, you may not agree with some of the ideas and it looks sometimes as a cinema manifest, but it is still a good and human film. I less liked the final, which is the only place in the script where art logic seems to surrender to the religious concepts. 9/10 on my personal scale.
Yes, the film is controversial, you may not agree with some of the ideas and it looks sometimes as a cinema manifest, but it is still a good and human film. I less liked the final, which is the only place in the script where art logic seems to surrender to the religious concepts. 9/10 on my personal scale.
I just re-watched Priest after 12 years, and I think it is even more powerful and relevant now it was then, given the scandals in the Catholic Church and the rise of religious militancy and fundamentalism in the world.
While occasionally teetering on the brink of preachiness and soap opera, Priest is saved by tight direction and very fine acting. It effectively shows the humaness of people in the Church, as opposed to how some would have you believe.
As a person not all attached to organized religion, I obviously find much to approve of here. But the strength of Priest is that someone who loves the Catholic Church for what is really is, the teachings of Jesus, and not what cruel, irrational and ignorant human beings have made of it will find much to be enriched by here. Priest is not anti-Catholic at all, not in the true sense of the word. Rather, it is anti human folly.
Of course that segment that is fundamentalist and inflexible, who cannot imagine - horrors! - that a Priest could be gay have and will continue to express their moral outrage and call this "hate speech."
As a final note, I also happened to read Roger Ebert's inexplicible review of Priest. If I hadn't seen his name on it, I would think it was written by Michael Medved. Since Ebert is generally religion neutral and very gay positive, I simply don't understand his outrage at all - very puzzling indeed. And he gives Mel's hideous Passion of the Christ, one of the most immoral and disgusting movies ever made (again most especially if you ARE religious) a perfect 10.
While occasionally teetering on the brink of preachiness and soap opera, Priest is saved by tight direction and very fine acting. It effectively shows the humaness of people in the Church, as opposed to how some would have you believe.
As a person not all attached to organized religion, I obviously find much to approve of here. But the strength of Priest is that someone who loves the Catholic Church for what is really is, the teachings of Jesus, and not what cruel, irrational and ignorant human beings have made of it will find much to be enriched by here. Priest is not anti-Catholic at all, not in the true sense of the word. Rather, it is anti human folly.
Of course that segment that is fundamentalist and inflexible, who cannot imagine - horrors! - that a Priest could be gay have and will continue to express their moral outrage and call this "hate speech."
As a final note, I also happened to read Roger Ebert's inexplicible review of Priest. If I hadn't seen his name on it, I would think it was written by Michael Medved. Since Ebert is generally religion neutral and very gay positive, I simply don't understand his outrage at all - very puzzling indeed. And he gives Mel's hideous Passion of the Christ, one of the most immoral and disgusting movies ever made (again most especially if you ARE religious) a perfect 10.
Father Greg Pilkinton (Linus Roache) is a young, dedicated, idealistic and yet conservative (comparing to his colleague, Father Matthew Thomas, played by Tom Wilkinson) priest who has recently arrived in his new parish. He works hard with total faith and devotion. Soon after moving in to Father Matthew's house, he discovers that Father Matthew has been having a relationship with his maid. Later on, a school girl, Lisa (Christine Tremarco) confesses to him that her father has been sexually abusing her, Father Greg faces his inner struggle on whether to reveal the truth to the authority, or remain silent in order not to break his vow.
Confused and frustrated, Father Greg goes to a pub and meets Graham (Robert Carlyle) and later they have sex. They are to stay in an on-and-off relationship. Now Father Greg must confront his human desire and his sexuality. Eventually, he also has to deal with his being arrested while making love in a parked car and the devastating consequences.
This film challenges the entire system. Must a priest (or a nun) remain celibate? Should we leave out non-heterosexuals for being Catholics or whatever? Must a priest remain silent when hearing a serious problem or even an about-to-be-committed crime (which happens all the time in Northern Ireland) and do nothing? Can all priests honestly give themselves away completely to God and refrain from letting their human emotion, human desire flow? Don't some priests become child molesters because they've been trying to repress their human desire for too long (this seems outside the subject. On the other hand, not all priests commit such a crime)? Should we refuse to show compassion towards certain people simply because they are different from us and that their life styles are 'not accepted' by society or the usual moral standard? Still, who is the hypocrite here? Father Matthew's relationship with his housekeeper has never been revealed. If otherwise, he would be rejected, too. He leads a double life. Being a 'liberal' priest and breaking his vow of celibacy at the same time. But WHO are the hypocrites? Aren't we all?
'Priest' is not about a story of one priest. It's about any one priest. And the movie is compelling and well-made. One thing for sure, the Roman Catholic Church would not be pleased with this film.
Confused and frustrated, Father Greg goes to a pub and meets Graham (Robert Carlyle) and later they have sex. They are to stay in an on-and-off relationship. Now Father Greg must confront his human desire and his sexuality. Eventually, he also has to deal with his being arrested while making love in a parked car and the devastating consequences.
This film challenges the entire system. Must a priest (or a nun) remain celibate? Should we leave out non-heterosexuals for being Catholics or whatever? Must a priest remain silent when hearing a serious problem or even an about-to-be-committed crime (which happens all the time in Northern Ireland) and do nothing? Can all priests honestly give themselves away completely to God and refrain from letting their human emotion, human desire flow? Don't some priests become child molesters because they've been trying to repress their human desire for too long (this seems outside the subject. On the other hand, not all priests commit such a crime)? Should we refuse to show compassion towards certain people simply because they are different from us and that their life styles are 'not accepted' by society or the usual moral standard? Still, who is the hypocrite here? Father Matthew's relationship with his housekeeper has never been revealed. If otherwise, he would be rejected, too. He leads a double life. Being a 'liberal' priest and breaking his vow of celibacy at the same time. But WHO are the hypocrites? Aren't we all?
'Priest' is not about a story of one priest. It's about any one priest. And the movie is compelling and well-made. One thing for sure, the Roman Catholic Church would not be pleased with this film.
Priest is a powerful and well-acted film. It exposes the hypocrisy of the Catholic Church (not hard to do) but it is also about the larger issues of faith, compassion and forgiveness. The film is NOT ABOUT being a gay priest.
It speaks to any thinking person who has ever questioned their faith only to find that there are no answers and that faith is all there is.
Father Greg (Linus Roche) is gay and conflicted. On one hand he is certain that God wants him to be a priest. On the other hand, he is not certain that God exists. All he has is faith and faith abandons him in the face of evil.
The conversations between Father Greg and Father Matthew (Tom Wilkinson) are compelling. Did Jesus have it easier than everyone else because he knew what his purpose was? Do men's laws need to be followed as strictly as God's laws? Can the rules be changed just because they don't suit us?
The only wrong note struck in the film is when Father Greg removes his collar, gets on his bike and heads to a gay bar. With quick ease he catches the eye of a stranger and they are soon in bed without so much as a hello. A little too Brian- from- Queer- as- Folk if you ask me but, whatever.
You've got to grin at the sacrilegious irony of a disgruntled priest removing a large crucifix from a church, walking through the streets with it over his shoulder and smashing it into the rectory.
The battle of bible quotes between Father Greg and a devout parishioner perfectly illustrates the futility of proving your point through bible verse.
The ending is powerful and perfect. Get your tissue box out because if you don't bawl like a baby there is a black hole where your heart should be.
.
It speaks to any thinking person who has ever questioned their faith only to find that there are no answers and that faith is all there is.
Father Greg (Linus Roche) is gay and conflicted. On one hand he is certain that God wants him to be a priest. On the other hand, he is not certain that God exists. All he has is faith and faith abandons him in the face of evil.
The conversations between Father Greg and Father Matthew (Tom Wilkinson) are compelling. Did Jesus have it easier than everyone else because he knew what his purpose was? Do men's laws need to be followed as strictly as God's laws? Can the rules be changed just because they don't suit us?
The only wrong note struck in the film is when Father Greg removes his collar, gets on his bike and heads to a gay bar. With quick ease he catches the eye of a stranger and they are soon in bed without so much as a hello. A little too Brian- from- Queer- as- Folk if you ask me but, whatever.
You've got to grin at the sacrilegious irony of a disgruntled priest removing a large crucifix from a church, walking through the streets with it over his shoulder and smashing it into the rectory.
The battle of bible quotes between Father Greg and a devout parishioner perfectly illustrates the futility of proving your point through bible verse.
The ending is powerful and perfect. Get your tissue box out because if you don't bawl like a baby there is a black hole where your heart should be.
.
This movie was incredibly moving, especially the last 10 minutes. It accurately portrays the struggle one would go through, being Catholic, gay, and a priest, all at once. Yikes. The ending is very VERY powerful, and sends a strong message that we learn and grow through our suffering, and surviving our hardships enables us to help others. If you're up for an emotionally powerful movie, see this movie!! You'll love the ending!
Le saviez-vous
- AnecdotesThe Catholic Church in Ireland were very vocal about their views in having the film banned from theatrical distribution. The film censor disagreed and the film was released with an 18 certificate. This marked a major turning point in the relationship between the church and the Irish Film Censor board.
- GaffesFather Greg holds up a communion wafer which is smooth. The scene cuts to Graham and then back to Father Greg, and the wafer has a diagonal line across it.
- Citations
Father Greg Pilkington: [addressing Father Redstone in Latin] Abi et futue te ipsum, sordide senex.
[Translation: Go fuck yourself, you dirty old man]
- Versions alternativesThe US version has been cut by seven minutes.
- Bandes originalesGreen Green Grass of Home
Composed by Curly Putman
Performed by Tom Wilkinson
Copyright Tree International
by kind permission of Burlington Music Co. Ltd./Warner Chappell Music Ltd.
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- How long is Priest?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Actos privados
- Lieux de tournage
- Blundellsands, Merseyside, Angleterre, Royaume-Uni(beach scene with boy and coffee)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 165 845 $US
- Week-end de sortie aux États-Unis et au Canada
- 113 430 $US
- 26 mars 1995
- Montant brut mondial
- 4 165 845 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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