Le facteur

'Il Postino' is a love story between men. There's something poetic about that, in this movie about love & poetry. Neither of them is gay, mind you. In fact, a ravishing beauty (Maria Grazia Cucinotta) is the object of the title character's affection. Still, this movie belongs to Philippe Noiret and the Oscar-nominated Massimo Troisi. Noiret is a Chilean poet, exiled in Italy for his communist leanings. Troisi is the postman, a man going nowhere who comes to idolize this intelligent poet. They become friends and Noiret essentially Cyranos Troisi into Cucinotta's ample heart.

I didn't find the entire film to be heart-rending, but the final scenes add deep resonance to the material. My eyebrows were raised when the movie ended and there was a "For Massimo" credit. Troisi died less than a day after they finished shooting. It seems fitting that the end of the film is bittersweet because the cast & crew had been working with a dying man who wanted nothing more than to finish this final project. 'Il Postino' ended up grossing a boatload of money, so his subtle performance clearly struck a chord with audiences.

Troisi got all the press for his fine work, but Noiret is certainly his equal. Director Michael Radford does well to stay out of their way. I like how he didn't sentimentalize the Troisi/Cucinotta relationship. He's infatuated with her, but that diminishes a bit once he gets her. They're a fair representation of a real couple who were brought together for what might have been the wrong reasons. In fact, the film is filled with surprises. It's a quiet character study, but all the players in 'Il Postino' go through earth-shaking changes of personal proportions. And the Noiret/Troisi friendship is right at the heart of the matter.

Michael Radford, an English director, ought to be given credit for bringing this beautiful story to the screen. It speaks volumes that Mr. Radford achieves a triumph with a film that for all practical purposes should have been directed by an Italian. This is a timeless story of friendship, poetry and love set in a desolated island that was to be Pablo Neruda's home in exile.

The story is a simple one. Mario Ruoppolo, a poor man without a job, suddenly applies for a vacant position that will pay almost nothing, but by becoming a letter carrier he gets the chance of meeting a man that will make a deep impression on him and who will change his life completely.

Mario, the postman, is almost illiterate. He can read and write, with only the basic knowledge he probably picked up in the island school. He is allergic to fishing, and can't make a living like his father, and probably most of his ancestors before him. It's the time after WWII in which a poor Italy is still recovering from the devastation and defeat.

Pablo Neruda, the Chilean poet, finds a rustic home in the island. He is the most famous person ever to set foot in there. Mario is in charge for bringing Pablo his packages and mail. An easy friendship develops between them. Like everyone else in the island, Mario is impressed by the foreigner. In trying to imitate his poet friend, Mario awakens to all the beauty around him and discovers love with the gorgeous local girl, Beatrice Russo.

The film's mood changes right after Pablo Neruda and his wife receive assurances they can go back to their native land. This leaves Mario in a sad state, but now that he is married, he has other responsibilities to live for. Neruda had awakened in Mario a desire to speak for himself and to seek justice.

This is a film totally dominated by the late Italian actor Massimo Troisi, who as Mario, completely captures us by just being a simple soul with no malice. Mr. Troisi is splendid in his take of this poor man who discovers beauty and poetry late in his life. Philippe Noiret, is Pablo Neruda. Mr. Noiret makes a great contribution as the man who sees beauty everywhere and translates it into poetry. Maria Grazia Cucinotta is the beautiful Beatrice, the woman who loves Mario. Renato Scarpa and Linda Moretti, play minor roles with success.

"Il Postino" is helped by the magnificent cinematography of Franco di Giacomo who captures the island in all its splendor. The music score is another asset. Luis Bacalov's tuneful background music adds another layer in this film rich texture.

This film is an excellent way to be introduced to Pablo Neruda's poetry, even if it's only for the curiosity the film will give even a casual viewer. Thanks to Michael Radford for a poetic view of this lonely place where two people meet and are changed forever.

"Il Postino" is a movie that received oodles of critical acclaim upon its release in 1994. While I don't think it was as good as advertised, I understand why it received such praise. In a movie world that is filled with dry and unamusing romance stories, "Il Postino" is a relatively lush and beautiful tale.

The plot is fairly simple but loaded with subtleties that allow, even encourage, multiple viewings. Mario (Massimo Troisi) longs for something more than his simple fisherman life on an Italian island, so he takes a small job as a postman, delivering mail to famed romantic poet Pablo Neruda (Phillipe Noiret), who is living in exile on the same island. Over time, they develop a relationship that is based on Neruda aiding Mario in wooing his beloved Beatrice (Maria Grazia Cucinotta).

The final act is where the film makes the leap from well-made standard fare to something greater. With a couple plausible plot developments, characters and relationships are deepened beyond a basic love story, to a place that accents everything that happens leading up to that point. I can't say much else without giving things away, but stick with the movie to the end, even if you're dragging midway through.

As you might expect from an Italian film, "Il Postino" has a very European feel. The passion of Italy is present throughout, explained through lifestyles, literal and metaphorical imagery, and the emotions of the characters. The setting is far from the bustling dollar-driven society in which Americans dwell, and a movie like this wouldn't get made in America, because the cultures are drastically different.

The film's star, Massimo Troisi, is excellent. He embodies everyman qualities exceptionally, similar to Tom Hanks, yet with more...something. Soul perhaps? He, like the entire film, is just more European, and I hope you understand what I mean by that. Noiret portrays Neruda perfectly, expressing his romantic ways through both words and actions. Everyone else is very good, although no one stands out; the overall anonymity of the cast aids the viewer in establishing culture as well.

The cinematography and the scenery it presents is often breathtaking, although not in the sweeping manner of something like The Lord of the Rings. Rather, cinematographer Franco Di Giacomo wisely chose to let the pictures speak for themselves. The elegant cliffs, white-capped waves, and rolling topography of the island gently yet firmly frame and support the story. A straight-forward tale should have suitable pictures, and "Il Postino" meets that requirement.

The film is touted as a romantic comedy, and it is, although not in the traditional sense. The comedy isn't slapstick and won't elicit bushels of laughter. But there is an underlying sense of humor laced through the whole movie, often in simple movements, tasks, or occurrences.

All of this combines to present something like a fairy tale replete with Italian heart and soul. "Il Postino" won't blow you away, but its tender lessons about life, love, and friendship will stick with you for some time, urging another viewing.

Bottom Line: A very European romance that is better than most anything Hollywood can conjure up. 8/10.

(If you like the film, get the Collector's Edition DVD; it's quite good.)

A sweet, gentle film about a quiet postman who discovers the power of poetry in winning the heart of his true love.

Massimo Troisi gives a warm, wonderful performance as said postman, while Phillipe Noiret plays the poet Pablo Neruda. The setting, a sleepy Italian village, gives the film a cozy atmosphere, and it's got a lovely score to match.

One of the rare foreign-language films to be nominated for a Best Picture Academy Award, it lost to the thunderingly stupid "Braveheart." Mel Gibson could use a little poetry himself.

Grade: A

I've never seen him in anything else, but this performance by Massimo Troisi touches my soul. Stunning.