Parallel Lives

Liza Minnelli and Jim Belushi? Oh, yes, please! Witnessing these extraordinary actors at the height of their abilities in 'Parallel Lives' is a treat. Director Linda Yellen's confidence in her cast's improvisational skills adds an authentic touch to the film. Minnelli's charm and charisma captivate, while Belushi's versatility shines. The chemistry among the ensemble cast is palpable, and Yellen's trust in improvisation pays off. 'Parallel Lives' is a captivating experience that showcases talented actors and a director who knows how to harness their abilities. Bravo! Definitely a film I'll return to in the future.

"Parallel Lives" is an engrossing film directed by Linda Yellen that skillfully combines elements of nostalgia, romance, and a gripping murder mystery. Set during a weekend reunion of a fraternity and the girls they went to college with, this movie takes audiences on a captivating journey of rekindled relationships and unexpected tragedy.

The film's strength lies in Yellen's direction, which effectively balances the sentimental aspects of reminiscing with the pulse-pounding suspense of a murder investigation. The gradual unveiling of the characters' intertwined pasts and the unveiling of secrets keeps viewers on the edge of their seats, eagerly anticipating the next revelation.

The ensemble cast delivers commendable performances, bringing depth and authenticity to their roles. As old flames reignite and long-lost connections resurface, their chemistry is palpable, heightening the emotional impact of their interactions. Each actor effectively conveys the complexity of their characters, making them relatable and engaging.

Visually, "Parallel Lives" is visually striking, capturing the essence of the reunion weekend with its vibrant cinematography. The juxtaposition of nostalgic flashbacks and the present-day setting enhances the storytelling, immersing the audience in the characters' memories and experiences.

The murder mystery aspect of the film adds an exhilarating layer of suspense. Linda Yellen expertly weaves together past and present, creating a web of intrigue that keeps viewers guessing until the final moments. The twists and turns throughout the narrative are cleverly executed, adding depth and unpredictability to the story.

While the film leans towards nostalgia and relationships, it doesn't shy away from delving into the darker side of human nature. The tragic murder serves as a catalyst, propelling the characters into a desperate search for the truth. The blend of heartfelt emotions and intense thrills creates a captivating viewing experience.

"Parallel Lives" is a testament to Linda Yellen's storytelling prowess. The film manages to strike a delicate balance between sentimentality and suspense, resulting in an enthralling cinematic journey. It's a must-watch for fans of mystery and those who appreciate the complexities of human connections.

Improv is one of those wonderful acting tools that, in recent times, has grown to become painfully overrated and overused. While occasionally, a Robert De Niro or Harvey Keitel might be able to pull it off, improvisation is a tricky thing to make compelling and in the wrong hands, it can be painfully pretentious, dull, and trite. Parallel Lives is a film that was improved by the wrong hands.

Basically, the plot deals with a bunch of people gathering for a fraternity/sorority reunion. Secrets come out, subplot converge, and Treat Williams ends up getting murdered. Jack Klugman shows up as a senile Senator, Mira Sorvino gets to look sexy as hustler Ben Gazzara's blonde girlfriend, and Dudley Moore floats around as some bizarre fantasy creature. Oh, and Jim Belushi's there for some reason. Technically, he's the focus of the film's plot. Too bad that plot vanishes under a heap of acting exercises.

Apparently, director Linda Yellen specializes in making improvised films -- all featuring her all-star gallery of friends attempting to impress us with how witty and insightful they are. This film has an amazingly diverse cast

-- famous non-stars and has-beens continually wander through, creating the impression that the film was shot in a West Hollywood Unemployment agency. Along with those already mentioned, the film features everyone from Liza to Levar Burton to Ally Sheedy to Robert Wagner to a bunch of other actors no sane person would currently pay money to see. Imagine that, folks, 20 or so unimportant actors getting together to make one unimportant movie.

Its a pity that with such a huge cast, nobody apparently had anything to say.

I really enjoyed this offbeat, meandering but usually always interesting experimental film, which was almost totally improvised by a dazzling cast. Standouts: Dudley Moore, Lindsay Crouse, and (I admit a bias) a beautifully modulated turn by Liza Minnelli, who deserved at least an Emmy nomination for this performance.