La proie des ombres

TV movie "Out of Darkness" allows us to experience the turns on Pauline Cooper's life, an afro-american Medicine student who at the height of her student life is caught by paranoid-schyzophrenia, at the age of 23. Action starts on a usual day of Pauline's life and takes the viewer to a critical phase on the character life. The story also shows us the daily struggle of living with someone who is not the owner of its own will, due to mental illness, and how it can affect an entire family. The movie most inspirational scenes are those of the attempts of Pauline to restart her normal life, after endless hospital treatments and experiences with new drugs to treat the disease. The most important message of the film is a kind of a tribute and a positive inspiration to all those who fight mental problems. Diana Ross put her movie career back on the track after several years without movie appearences (since "The Wiz" in 1978). Miss Ross wisely found this project and produced it trough her ANAID Film Productions as the perfect veycule for a movie comeback. One of the most interesting aspects of the movie is that Ross is not playing a singer (as usual), and does not contributes with songs to the soundtrack, making it a plain acting-ability show, reminding us that being one of the greatest show women alive, requires more than playing singers in trouble. "Out of Darkness" is also an open door to other drama projects by Diana Ross, leaving the viewer with high expectation for more projects starring Diana Ross on the so-called serious matters of life. It is also the evidence that Diana Ross is not the distant diva at all.

I didn't realize I was watching Diana Ross when I saw this. She is very good.

The movie does an extraordinary job of conveying what psychosis is like. Been there, done that. What's even better is that it shows, in realistic ways, what it is like to cope with psychosis.

Too many films romanticize psychosis - madness is enticing if horrifying, a voyeuristic thrill for the presumably sane. In this film, it is humanized. Paulie struggles to "ride it out", to have a plan to cope, to cope, and to go beyond coping to living a full life, while managing her own condition. Tremendously empowering.

This film lacks syrup, and while it is dramatic it is not generally melodramatic. Paulie's work to trust others so that she can heal, to rebuild relationships with her family as she does, to face the real, irreparable changes that 18 years of poorly controlled schizophrenia have had on her child, her family & herself is so well portrayed that it merits a run-on sentence.

9 stars.

Diana Ross is gripping as a 42-year-old woman just finished with her third year of medical school who is sidelined by a particularly destructive bout of paranoid schizophrenia, a condition she's aware of and has lived with since her mid-20s. The delusions and voices come and go, but when a kindly doctor intervenes with a new drug, Ross has a chance to actually rebuild her life. A sensitive, educational TV-film that strives--and perhaps stresses a might too hard--to teach the viewer something about mental illness (as well as the shame family members feel about the disease, and their eventual acceptance of it). It's a heady acting vehicle for La Ross: she takes on this highly dramatic, unglamorous (and some may say well-trodden) role and gives it bitterness, rage, confusion and, finally, hope. The narrative is engineered to relay the overall goodness of our medical community (which may seem like a stretch to Ross' character, having been hospitalized over 40 times), while the writing is occasionally too flowery. Still, a disturbing and moving effort, with a gem of an ending.

Diana Ross truly reigns Supreme in this made for '94 TV movie about a 43 yr. old former doctor battling Paranoid Schizophrenia. This is one of those memorable "TV Movies" that is actually too good for TV. Gone are the typical TV movie clichés', obvious character developing scenes, and silly subplots. Portraying a paranoid schizophrenic convincingly when you are one of the most famous and glamorous entertainers on the planet must not be an easy task, but from the very first scene Miss Ross pulls it off. This is a heart breaking story of a former doctor who struggles with the illness for 20 years. After countless bouts with hospitals, mental institutions, shock therapy, and treatment centers a new experimental drug finally offers hope. The story examines how the disease really effects an entire family and the supporting cast is superb as well. Ross was nominated for and Emmy for her performance and won many others.

This film was very well presented, with good performances. It is sad, and does not distort or exaggerate as many other films have, regarding mental and/or emotional disorders.

Diana Ross is very good as Paulie, a once brilliant pre-med student, who can no longer function due to paranoid schizophrenia.

Rhonda Stubbins-White is also very good as the sister, who wishes everything would just "get back to normal". The actress who portrays Ross' mother is also very good. There is also a cameo with Lindsay Crouse, who attempts to help Paulie in a new day treatment program.

Some of the scenes are disturbing, and anyone who may have experienced situations like this in real life may find it close to the truth. Ross gives the audience an excellent portrayal of the disorder, living in her own world, and enduring many medications and hospitalizations.

Finally, she is given a new medication which actually works. The scenes are very well-done, as she is sitting outside the medical school, suddenly feeling like she wants to live life again.

What I particularly appreciated about the message in this film was that, Paulie recovers in her own time; at age 44, she must learn to re-live the rest of her life, even though she lost 18 years in the hospital, due to the illness. The film does not condescend or fault the patient, she is merely doing the best she can to cope with a destructive illness.

At the conclusion, we see Paulie as she is functioning, ready to finish school. On the way, she sees a homeless woman. She leaves her some food, reflecting on how alienated some people are, and how fortunate she was, to have received effective treatment. 9/10.