L'âme des guerriers

I've been reading the comments that people have made on this brilliant piece of film making that makes me proud to be a kiwi. Although I'm not Maori, I have somewhat of an understanding of, and a very deep appreciation for Maori culture. It is after all a major contributor to the uniqueness of New Zealand, and it's what a lot of the tourists come here to see/experience.

Some people have commented that the character of Beth is "descended from Maori royalty" and that the character of Jake is "descended from slaves". That's not quite correct. Although there is a Maori monarch; (Dame Te Atairangikaahu, the current Maori queen lives at the Turangawaewae Marae in Ngaruawahia, her official residence.) the Maori monarchy only goes back to the 19th century, and its not really representative of all Maori as it only really affects Waikato iwi/hapu, (tribe/sub tribe) It is more likely that Beth would be descended from chiefly linage, and hence she and her whanau, (extended family) would be very much aware of and in tune with their whakapapa or ancestry. Beth's line near the end of the movie that her people "once were warriors" is an indicator of this.

(The facial and body tattoos, or Moko that one sometimes sees Maori wearing are in fact representative of their whakapapa. Also, the carvings that feature on Marae and other carved Maori buildings/gates etc are representative of tribal ancestors, much like Indian Totem poles.)

Jake on the other hand is obviously urbanized. He would most probably know little or nothing about his whakapapa, and in addition he probably would not even be able to identify with an iwi or hapu. This would explain why he makes several references to "Maori bulls***". He is disenfranchised from his culture, and probably doesn't even speak Maori that well. (Although Temurera Morrison himself speaks fluent Maori.) His family have obviously been living in Auckland for so long, and there has been such tribal intermingling, that he doesn't know whether he's Arthur or Martha. And what's more, he doesn't care either.

(For those of you who are interested, the motorway shown at the start of the movie is the Southern Motorway which runs right through South Auckland, which is where *a lot* of Maoris and Pacific Islanders live.)

As other people have said, this kind of thing is sadly not unique to Maori, as American/Canadian Indians and Australian Aborigines can testify. Likewise domestic violence itself is not only limited to minority ethnic groups.

This is easily one of the best movies that I have ever seen. So if you haven't had the privilege of seeing it yet, then I highly recommend that you do so. George Henare's stirring Taiaha scene alone is well worth the cost of getting the movie out.

(A Taiaha is a Maori spear. To use one of these, one must have immense mana, or importance. As Henare's character said, the British *feared* the highly skilled Taiaha warriors.)

One of the best films of the 1990's, a brutal, brilliant & compelling film from New Zealand. Brilliant performances from Morrison, Owen & Kerr-Bell as Gracie. Morrison as Jake is one of film's most fearsome characters, full of true anger & hate but by no means a one-dimensional character. As see the characteristics that made Beth fall in love with him in the first place, the passion, the charisma. A great script based on the novel of the same name. A must see 10/10

This is a film that should be seen by everyone. A powerful movie that will stir almost every emotion you can think of, and sometimes all at once. Completely believable and compelling film that will hold you till the very end, and a long time after.

There are films where you can see extensive carnage and it doesn't move you. This is a film where you see a man hit his wife and it hits you in the gut like you're being hit yourself. An excellent depiction of the impact of anger and violence on the members of a poor family. In this case, they happen to be Maoris living in New Zealand. The father dominates the family because he is so powerless in the other facets of his life. He's addicted to boozing and carousing and the only way he can really express himself is with his fists. The wife fights back, but can be beaten into submission. But she's also allowed herself to be seduced by the boozy lifestyle and fears responsibility. The center of the family is the oldest daughter (13), who is really the only one who can communicate with all the other members. The boys are either lost in life or lost in their own rage. The youngest daughter is simply too small and clings to her sister. It takes a tragedy to allow some of these individuals to reach out for each other and try to re-create a form of family life. A very powerful film, not for the faint of heart.

This movie is based on a modern day New Zealand family, dealing with near poverty and violence from all sides, including the often inebriated father.

The acting in this movie was just plain amazing. I was hooked from beginning to end, entranced with the wide range of feelings and emotions the movie evoked in me.

You will cry, laugh, sing, and rage right along with the characters, and you will find it hard not to restart the movie just to watch it again.

This is just one of the few movies that stayed with me all these years, since first seeing it back in 1995. I will never forget this movie, and if you watch it, I can guarantee that neither will you.